Difference between revisions of "Rasmus Fleischer"
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* ''Boken & Biblioteket'', Stockholm: Ink bokförlag, 2011, 192 pp. [http://www.inkbokforlag.com/b&b.html] {{sw}} | * ''Boken & Biblioteket'', Stockholm: Ink bokförlag, 2011, 192 pp. [http://www.inkbokforlag.com/b&b.html] {{sw}} | ||
* ''[http://aaaaarg.fail/ref/e8c769b6facb7ad3d77065d4bea30968#0.01 Musikens politiska ekonomi: lagstiftningen, ljudmedierna och försvaret av den levande musiken]'', Lund University, 2012. [http://www.lunduniversity.lu.se/lup/publication/2972326] {{sw}} | * ''[http://aaaaarg.fail/ref/e8c769b6facb7ad3d77065d4bea30968#0.01 Musikens politiska ekonomi: lagstiftningen, ljudmedierna och försvaret av den levande musiken]'', Lund University, 2012. [http://www.lunduniversity.lu.se/lup/publication/2972326] {{sw}} | ||
| + | * [http://www.rasmusfleischer.se/forskning/ more] | ||
==Links== | ==Links== | ||
Revision as of 21:05, 3 December 2015
Born 1978. Swedish historian, musician, freelance journalist and debater. He holds a Ph.D. from the department of contemporary history at Södertörn University College in southern Stockholm.
In 2003, he was one of the founders of Piratbyrån, the anti-copyright organization that, in turn, once founded BitTorrent tracker The Pirate Bay. Since then he has been lecturing extensively, on subjects related to "the collapse of copyright" and the future of music, at various European conferences addressing art and/or new media.
Lives in Stockholm.
Works
- editor, with Marcus Kaarto, Copy Me. Samlade texter från Piratbyrån, Stockholm: Roh-Nin, 2005. (Swedish)
- Det Postdigitala Manifestet: Hur musik äger rum, Stockholm: Ink bokförlag, 2009. (Swedish)
- Boken & Biblioteket, Stockholm: Ink bokförlag, 2011, 192 pp. [1] (Swedish)
- Musikens politiska ekonomi: lagstiftningen, ljudmedierna och försvaret av den levande musiken, Lund University, 2012. [2] (Swedish)
- more
