Difference between revisions of "Rebekka Kiesewetter"

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'''Rebekka Kiesewetter''' is an art historian, economist and historian. Currently she is doing her PhD at the Centre for Postdigital Cultures, Coventry University (UK). Her work in critical theory, practice and making as critique evolves on the intersections of experimental publishing, art, design, architecture, and the humanities. She has been active as a writer, managing editor, visiting professor, curator and researcher. Also, she is a founding member of DA Institut, a member and former co-director of Depot Basel. [https://www.rebekkakiesewetter.com/ (2020)]
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'''Rebekka Kiesewetter''' studied art history, business administration, and modern history at the University of Zurich. Currently she is doing a PhD (''Textual Practices and Open Access. Facilitating more equitable relations in/for scholarly publishing (wt)'') at the Centre for Postdigital Cultures, Coventry University. Her research interests are, among other, collaborative and interventionist research, writing, and editing practices and cultures; open scholarship; expanded notions of accessibility; experimental open monograph publishing in the humanities; the politics and ethics of critical Open Access publishing; genealogies of Open Access; intersectional feminist critiques of internationalised knowledge creation; and the transformative potential of negotiated, situated, and relational textual practices.
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She is also a researcher on WP6: Experimental Publishing, Re-use, and Impact of the Coventry University based COPIM (Community-led Open Publication Infrastructures for Monographs) research project; a  member of Jisc's Open Research Advisory Board; and an editorial board member of continent..
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Her previous work as a writermanaging editor; a writing and thesis tutor at the MA Studio for Immediate Spaces, Sandberg Institute, Amsterdam; a visiting professor at diverse universities; curator; and researcher evolved at the intersections of experimental publishing, art, design, architecture, and the humanities. She is a founding member of [https://www.da-institut.org/ DA Institut], as well as a member and former co-director of [https://www.depotbasel.ch/ Depot Basel]. [https://www.rebekkakiesewetter.com/ (2022)]
  
 
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* [https://twitter.com/Rebekka_Kie Twitter]
 
* [https://twitter.com/Rebekka_Kie Twitter]
  
[[Category:Artists' publishing|Kiesewetter, Rebekka]]
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[[Series:Artists' publishing|Kiesewetter, Rebekka]]

Latest revision as of 10:09, 15 December 2022

Rebekka Kiesewetter studied art history, business administration, and modern history at the University of Zurich. Currently she is doing a PhD (Textual Practices and Open Access. Facilitating more equitable relations in/for scholarly publishing (wt)) at the Centre for Postdigital Cultures, Coventry University. Her research interests are, among other, collaborative and interventionist research, writing, and editing practices and cultures; open scholarship; expanded notions of accessibility; experimental open monograph publishing in the humanities; the politics and ethics of critical Open Access publishing; genealogies of Open Access; intersectional feminist critiques of internationalised knowledge creation; and the transformative potential of negotiated, situated, and relational textual practices.

She is also a researcher on WP6: Experimental Publishing, Re-use, and Impact of the Coventry University based COPIM (Community-led Open Publication Infrastructures for Monographs) research project; a member of Jisc's Open Research Advisory Board; and an editorial board member of continent..

Her previous work as a writer; managing editor; a writing and thesis tutor at the MA Studio for Immediate Spaces, Sandberg Institute, Amsterdam; a visiting professor at diverse universities; curator; and researcher evolved at the intersections of experimental publishing, art, design, architecture, and the humanities. She is a founding member of DA Institut, as well as a member and former co-director of Depot Basel. (2022)

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