Difference between revisions of "Remake/Exhibition/Work 8 / The Lost Horse Gallery project / Lucid Light Comp."

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'''Lucid Light Comp.#2''' <br>
 
'''Lucid Light Comp.#2''' <br>
The Lost Horse Gallery <br>
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Artists: [[Elvar Mar Kjartansson]], [[Unnur Andrea Einarsdóttir]], [[Joseph Marzolla]], [[Leo Stefansson]], [[Alexander Zaklynsky]] (IS), [[Tony Maslić]] (NL/RS)<br>
<br>
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Producer: [[The Lost Horse Gallery]]
A dynamic instalation created through the collaboration of artists as an explorative remake of aesthetics and ideas exhibited by Bulat Galeyev and the Prometei Institute in Kazan, Russia.  
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- Galeyev researched “synaesthesia and its manifestations in art, arguing and defending the opinion that it is not the mind anomaly but a norm of human psychics (perception, imagination, creativity). He considers it as a specific manifestation of non-verbal thinking, realized by either involuntary or purposeful comparison of the impressions of different modalities, on the basis of structural or semantic and, most of all, emotional similarity. On his opinion, synaesthesia is social, cultural, but not biological phenomenon. It is exactly language and art that serve as the "testing areas" where synaesthesia is formed and most actively cultivated.” <br>
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A dynamic instalation created through the collaboration of artists as an explorative remake of aesthetics and ideas exhibited by [[Bulat Galeyev]] and the [[Prometei|Prometei Institute]] in [[Kazan]], Russia. Galeyev researched “synaesthesia and its manifestations in art, arguing and defending the opinion that it is not the mind anomaly but a norm of human psychics (perception, imagination, creativity). He considers it as a specific manifestation of non-verbal thinking, realized by either involuntary or purposeful comparison of the impressions of different modalities, on the basis of structural or semantic and, most of all, emotional similarity. On his opinion, synaesthesia is social, cultural, but not biological phenomenon. It is exactly language and art that serve as the ‘testing areas’ where synaesthesia is formed and most actively cultivated.”
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* Elvar Mar Kjartansson (1982)<br>
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The work was a part of the [[Remake]] exhibition held in [[Brno]] in 2012.
Based in Reykjavik and Seydisfjordur, Iceland. Elvar has been working with electronic music for over ten years as Auxpan and has participated in numerous projects in Iceland and abroad. Working with sound , light and different fields including performance. Elvar is currently working towards opening up a Center for sound art and experimental music in Seydisfjordur, Iceland, which will open in 2012. And working on other projects and commissioned work. <br>
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* Unnur Andrea Einarsdottir (1981) < Joseph Marzolla (1972) <br>
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* [http://exhibition.remakeme.eu/?p=129 Lucid Light Comp.#2 in the exhibition guide]
Everything moves in and out of visible reality. Light is only perceived so far. Gravity is earth claiming its belongings. Our cells are watery sound censors. Metallic resonances and beauti- fully coordinated minerals. Planetary circulations and orbital disco. Science is a search for understanding the fabric. The fabric extends and folds upon itself, forever transforming. The W.A.M.B.L.E.S production is an eclectic experiment existing on the alternative octaves of life. <br>
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* [http://remakebrno.tumblr.com/post/24128598004/interview-with-icelandic-part-of-remake-exhibition Interview with artists]
* Leo Stefansson (1984) <br>
 
Main interest is the connection between sound and sight, particularly in regards to psychologi- cal perception and brain function. By synchro- nizing audio, video and bodily stimuli - the brain can be tuned to a certain frequency resulting in enhanced perception and a unified sensory experience. <br>
 
(Translated by V.Skorokhodov, V.Chudnovsky) (Published in "Leonardo Electronic Almanac", v.7, 1999 , N 6) <br>
 
* Alexander Zaklynsky (1978) <br>
 
Founder of Lost Horse Gallery Based in Reykjavik, Iceland. Graduated Sculpture at R.I.S.D. in 2000. Currently developing various projects and works for exhibition . Focus on painting, audio/visual manipulations and sculpture. <br>
 
* Tony Maslić (1970) NL/RS <br>
 
Founder of the underground network NOCIF (1996-2006) Independent Curator and Political Artist, Interested in the Social tissues of Unstable Societies prior, during or after a war experience. Builder of informal cultural cross-border networks. Current lecturer at the University of Nicosia, Cyprus. <br>
 

Latest revision as of 23:44, 28 February 2015

Lucid Light Comp.#2
Artists: Elvar Mar Kjartansson, Unnur Andrea Einarsdóttir, Joseph Marzolla, Leo Stefansson, Alexander Zaklynsky (IS), Tony Maslić (NL/RS)
Producer: The Lost Horse Gallery

A dynamic instalation created through the collaboration of artists as an explorative remake of aesthetics and ideas exhibited by Bulat Galeyev and the Prometei Institute in Kazan, Russia. – Galeyev researched “synaesthesia and its manifestations in art, arguing and defending the opinion that it is not the mind anomaly but a norm of human psychics (perception, imagination, creativity). He considers it as a specific manifestation of non-verbal thinking, realized by either involuntary or purposeful comparison of the impressions of different modalities, on the basis of structural or semantic and, most of all, emotional similarity. On his opinion, synaesthesia is social, cultural, but not biological phenomenon. It is exactly language and art that serve as the ‘testing areas’ where synaesthesia is formed and most actively cultivated.”

The work was a part of the Remake exhibition held in Brno in 2012.