Difference between revisions of "Renée Turner"

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Renée Turner is an American artist and writer living in the Netherlands. She received her MFA from the University of Arizona, was an artist in residence at the Rijksakademie and a researcher at [[Jan van Eyck Academie]] (NL). Since 1996 she has worked with [[Riek Sijbring]] and [[Femke Snelting]] under the collective name, [[De Geuzen|De Geuzen: a foundation for multi-visual research]]. Their collaborative projects have showcased in Manifesta, Rhizome, Mute, and Internet Art (Thames & Hudson). In 2006 she was awarded a scholarship from the Institute of Creative Technology and received an MA in Creative Writing and New Media from De Montfort University. Whether writing digital narratives or working collaboratively, her work often engages with feminist issues and online media ecologies. Next to these activities she has taught fine art, design and theory at the Willem de Kooning Academy (NL), St. Joost Art Academy (NL) and the Bergen National Academy of the Arts. Currently she is the Course Director of the [[Networked Media Piet Zwart Institute Rotterdam|Piet Zwart Institute, Master Media Design and Communication: Networked Media]] (NL).
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{{Infobox artist
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|image = Renee_Turner.jpg
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|imagesize = 250px
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|caption = Renée Turner, c2014. Photo: Ojodepezfotografia.
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|based_in = [[Rotterdam]], Netherlands
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}}
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'''Renée Turner''' is an artist and scholar based in [[Rotterdam]].
  
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After receiving her MFA from the University of Arizona, she moved to the Netherlands where she was an artist resident at the Rijksakademie. This was followed by two years as a researcher in the Theory Department at the [[Jan van Eyck Academie]] in Maastricht. She received a scholarship from the Institute of Creative Technology to pursue a second Master’s degree in Creative Writing and New Media from De Montfort University (Leicester, UK).
  
http://www.fudgethefacts.com/
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From 1996 until 2012, she collaborated with [[Riek Sijbring]] and [[Femke Snelting]] under the name [[De Geuzen|De Geuzen: a foundation for multi-visual research]]. Its practice took on a variety of forms and combined art, design, coding, theoretical enquiry, and ongoing dialogue with others. Next to national and international exhibitions at De Appel, ''Manifesta'', and the Bienal de Valencia, De Geuzen’s work has been featured in ''Rhizome, Mute'', and Thames and Hudson’s ''Internet Art''.
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Building on her collaborative practice Turner continued to combine various visual forms of research with online writing to explore female identity, narratives of the archive, media ecologies and spaces of co-learning.  She was awarded a ‘Start Up Grant’ from the Creative Industry Funds and a ‘Stipendium for Established Artists with Commissioner’ from the Mondriaan Foundation to work with the Castrum Peregrini Foundation. The project, ''[http://www.warpweftmemory.net The Warp and Weft of Memory]'', explores the wardrobe of Gisèle d’Ailly van Waterschoot van der Gracht and the ways in which it reflects her life, work, and various histories with the aim of forging connections to the present.
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Simultaneous to these activities,  over the past years she has taught art, design and theory at the BA and MA level at different institutions such as the Bergen National Academy of the Arts (Bergen, NO) and St. Joost Academy (Breda, NL). For several years she has worked at the [[Piet Zwart Institute]], Willem de Kooning, Hogeschool Rotterdam. She was a Core Tutor in the MFA programme and later became the Course Director of the [[Networked Media Piet Zwart Institute Rotterdam|Master Media Design and Communication Course]] (2010-2011). From 2011-2015, she served as the Director of the Piet Zwart Institute, and currently hold the post of Senior Research Lecturer at the Willem de Kooning Academy. At the Master Education in Arts at the Piet Zwart Institute, she is a graduation supervisor where she focuses on higher art and design education; digital cultures & education; feminist/queer/critical pedagogies; political art and design practices; artistic research, community based practices, creative/expository writing. She is also a PhD supervisor at the for the PhDArts programme at the Royal Academy of Art (KABK) in The Hague.
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; Publications
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* [http://www.fudgethefacts.com/essays-publications/ A selection of essays and publications]
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; Interviews
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* [http://www.variant.org.uk/pdfs/issue8/Jason_Bowman.pdf "A Cut and Paste Conversation: Renée Turner, the De Geuzen Foundation, and Jason E. Bowman"], ''Variant'' 2:8, Summer 1999.
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; Links
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* [http://www.fudgethefacts.com/ Personal website]
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* [http://www.warpweftmemory.net The Warp and Weft of Memory]
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* [http://www.geuzen.org/ De Geuzen]

Latest revision as of 11:05, 17 December 2018


Renée Turner, c2014. Photo: Ojodepezfotografia.
Based in Rotterdam, Netherlands

Renée Turner is an artist and scholar based in Rotterdam.

After receiving her MFA from the University of Arizona, she moved to the Netherlands where she was an artist resident at the Rijksakademie. This was followed by two years as a researcher in the Theory Department at the Jan van Eyck Academie in Maastricht. She received a scholarship from the Institute of Creative Technology to pursue a second Master’s degree in Creative Writing and New Media from De Montfort University (Leicester, UK).

From 1996 until 2012, she collaborated with Riek Sijbring and Femke Snelting under the name De Geuzen: a foundation for multi-visual research. Its practice took on a variety of forms and combined art, design, coding, theoretical enquiry, and ongoing dialogue with others. Next to national and international exhibitions at De Appel, Manifesta, and the Bienal de Valencia, De Geuzen’s work has been featured in Rhizome, Mute, and Thames and Hudson’s Internet Art.

Building on her collaborative practice Turner continued to combine various visual forms of research with online writing to explore female identity, narratives of the archive, media ecologies and spaces of co-learning. She was awarded a ‘Start Up Grant’ from the Creative Industry Funds and a ‘Stipendium for Established Artists with Commissioner’ from the Mondriaan Foundation to work with the Castrum Peregrini Foundation. The project, The Warp and Weft of Memory, explores the wardrobe of Gisèle d’Ailly van Waterschoot van der Gracht and the ways in which it reflects her life, work, and various histories with the aim of forging connections to the present.

Simultaneous to these activities, over the past years she has taught art, design and theory at the BA and MA level at different institutions such as the Bergen National Academy of the Arts (Bergen, NO) and St. Joost Academy (Breda, NL). For several years she has worked at the Piet Zwart Institute, Willem de Kooning, Hogeschool Rotterdam. She was a Core Tutor in the MFA programme and later became the Course Director of the Master Media Design and Communication Course (2010-2011). From 2011-2015, she served as the Director of the Piet Zwart Institute, and currently hold the post of Senior Research Lecturer at the Willem de Kooning Academy. At the Master Education in Arts at the Piet Zwart Institute, she is a graduation supervisor where she focuses on higher art and design education; digital cultures & education; feminist/queer/critical pedagogies; political art and design practices; artistic research, community based practices, creative/expository writing. She is also a PhD supervisor at the for the PhDArts programme at the Royal Academy of Art (KABK) in The Hague.

Publications
Interviews
Links