Rosalind E. Krauss
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 Judy Olausen, Rosalind Krauss, c1978. [1] | |
| Born |
November 30, 1941 Washington, D.C., United States |
|---|---|
| Web |
Aaaaarg, Wikipedia, Using "Academia.edu" as base chain is not permitted during the annotation process. OpenLibrary |
Rosalind Epstein Krauss (1941) is an American art critic and theorist. She is a professor at Columbia University in New York City.
Works
(in English unless noted)
Books
- Terminal Iron Works: The Sculpture of David Smith, MIT Press, 1971.
- Passages in Modern Sculpture, MIT Press, 1977.
- The Originality of the Avant-Garde and Other Modernist Myths, MIT Press, 1985, xii+307 pp. Excerpts, [2]. A collection of essays written between 1977-84. Reviews: Bois (AJ 1985). Wiseman (JAE 1986), Partington (OAJ 1986), Karp (JAAC 1988).
- L'Amour fou: Photography & Surrealism, London: Arts Council, 1986.
- Le photographique: pour une théorie des écarts. Histoire et théorie de la photographie, trans. Marc Bloch and Jean Kampf, Paris: Macula, 1990, 232 pp. Collection of essays from 1974-85. (French) Review: Murray (1993-94, EN).
- The Optical Unconscious, MIT Press, 1993, 365 pp, Log. Review: Kimball (1993).
- El inconsciente óptico, trans. J. Miguel Esteban Cloquell, Madrid: Tecnos, 1997, 371 pp, PDF. (Spanish)
- with Yve Alain Bois. Formless: A User's Guide, Zone Books, 1997, 304 pp, Log.
- Bachelors, MIT Press, 1999, 228 pp, Log, ARG. Reviews: Elkins (CAA 1999), Andersson (Leonardo 2000).
- A Voyage on the North Sea: Art in the Age of the Post-Medium Condition, Thames & Hudson, 2000, 64 pp, Log.
- with Hal Foster, Yve-Alain Bois, and Benjamin H. D. Buchloh, Art Since 1900: Modernism, Antimodernism, Postmodernism, London: Thames & Hudson, 2004, 704 pp, ARG; 2nd ed., rev., 2012, 816 pp. [3] Reviews: Bishop (2005), Collings (2005), Gewen (2005), Dahlberg (2006).
Editor
- October journal, New York, since 1976.
- The Sculpture of David Smith: A Catalogue Raisonné, New York: Garland, 1977.
- with Annette Michelson, et al., October: The Second Decade, 1986-1996, MIT Press, 1997, PDF.
Selected essays
- "Sculpture in the Expanded Field", October 8 (Spring 1979), pp 30-44, PDF, ARG; repr. in The Anti-Aesthetic: Essays on Postmodern Culture, ed. Hal Foster, Seattle: Bay Press, 1983, pp 31-42, PDF; repr. in Krauss, The Originality of the Avant-Garde and Other Modernist Myths, MIT Press, 1985, pp 276-290, PDF.
- "A escultura no campo ampliado", Gávea 1 (1984), pp 87-93; repr. Arte & Ensaios 15:17, Rio de Janeiro: EBA, UFRJ, 2008, pp 128-137, PDF. (Brazilian Portuguese)
- "The Originality of the Avant-Garde: A Postmodernist Repetition", October 18 (Fall 1981), pp 47-66; repr. in Art After Modernism: Rethinking Representation, ed. Brian Wallis, New York: New York Museum of Contemporary Art, and Boston: Godine, 1984, pp 12-29; repr. as "The Originality of the Avant Garde", in Krauss, The Originality of the Avant-Garde and Other Modernist Myths, MIT Press, 1985, pp 151-170, PDF. Written for 'The Theory of the Avant-Garde', a conference held at the University of Iowa, April 9-11, 1981.
- "Photography's Discursive Spaces: Landscape/View", Art Journal 42:4 (Winter 1982), pp 311-319, ARG; repr. in Krauss, The Originality of the Avant-Garde and Other Modernist Myths, MIT Press, 1985, pp 131-150.
- "A Note on Photography and the Simulacral", October 31 (Winter 1984), pp 49-68, IA, PDF. A version of this essay was delivered as the keynote address for the National Conference of the Society for Photographic Education in Philadelphia, March 1983.
Bibliography
- Eddie Yeghiayan, "Rosalind Krauss. A Selected Bibliography", 1995.
Literature
- "Rosalind Krauss", in Judy K. Collischan Van Wagner, Women Shaping Art: Profiles of Power, New York: Praeger, 1984, pp 149-164.
- Janet Malcolm, "A Girl of the Zeitgeist", Part II, The New Yorker, 27 Oct 1986. [4]
- Scott Rothkopf, "Krauss and the Art of Cultural Controversy", The Harvard Crimson, 16 May 1997.
- Jean Lauzon, "Notes sur l’indice à l’index: contribution au 'photographique' de Rosalind Krauss", Horizons philosophiques 9:1 (1998), pp 73-85, PDF. (French)
- Anna C. Chave, "Minimalism and Biography", Art Bulletin (Mar 2000).
- David Carrier, Rosalind Krauss and American Philosophical Art Criticism, Greenwood Publishing, 2002, IA, PDF.
- David Raskin, "The Shiny Illusionism of Krauss and Judd", Art Journal (Spring 2006).
- Katia Schneller, "Sur les traces de Rosalind Krauss. La réception française de la notion d’index. 1977-1990", Études photographiques 21 (Dec 2007), pp 123-143, HTML. (French)
