Difference between revisions of "Sanja Iveković"
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Born in [[Zagreb]], where she graduated from The Academy of Fine Arts and had her first solo exhibition in 1970. Her art production has spanned a range of media such as photography, performance, video and installations. The point of departure of her work was (and has remained until today) her own person, her own life - and by putting this theme into a broader context - the situation of women in our time and society. On Croatian art scene she was the first women artist who called herself a feminist artist. She lectures at the Center for Women's Studies in Zagreb since its begining in 1994. She is a founder of [[Electra]] - The Women's Art Center Zagreb. | Born in [[Zagreb]], where she graduated from The Academy of Fine Arts and had her first solo exhibition in 1970. Her art production has spanned a range of media such as photography, performance, video and installations. The point of departure of her work was (and has remained until today) her own person, her own life - and by putting this theme into a broader context - the situation of women in our time and society. On Croatian art scene she was the first women artist who called herself a feminist artist. She lectures at the Center for Women's Studies in Zagreb since its begining in 1994. She is a founder of [[Electra]] - The Women's Art Center Zagreb. | ||
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| + | ==Publications== | ||
| + | * ''Structure – Book'', Ljubljana: P.A.R.A.S.I.T.E., 2011, [100] sheets. Artist's book. [http://www.zavod-parasite.si/eng/archives/1039] | ||
==Catalogues== | ==Catalogues== | ||
| + | * ''Sanja Iveković: Public Cuts'', Ljubljana : Zavod P.A.R.A.S.I.T.E., 2006, 80 pp. Essay by Bojana Pejić. Published in conjunction with the exhibition ''Road Works'' in Ljubljana, at P74 Center and Gallery, Oct 2006; and in Velika Gorica, Croatia, at the Galzenica Gallery, in Nov 2006. | ||
* ''Sanja Iveković. Urgent Matters'', Eindhoven: Van Abbemuseum, and Utrecht: BAK, 2009. | * ''Sanja Iveković. Urgent Matters'', Eindhoven: Van Abbemuseum, and Utrecht: BAK, 2009. | ||
* Roxana Marcoci, ''[http://gen.lib.rus.ec/book/index.php?md5=3D689CF629DFAB6661EC588B918DA5D7 Sanja Ivekovic: Sweet Violence]'', New York: MoMA, 2011, 192 pp. | * Roxana Marcoci, ''[http://gen.lib.rus.ec/book/index.php?md5=3D689CF629DFAB6661EC588B918DA5D7 Sanja Ivekovic: Sweet Violence]'', New York: MoMA, 2011, 192 pp. | ||
Revision as of 11:44, 6 March 2019
 Sanja Iveković, 1975. Photo: Dalibor Martinis. | |
| Collections | MoMA 19, Generali 14, Kontakt 8, Reina Sofia 3, Stedelijk 1, Macba 1 |
|---|---|
Sanja Iveković (1949, Zagreb) is a Croatian artist.
Born in Zagreb, where she graduated from The Academy of Fine Arts and had her first solo exhibition in 1970. Her art production has spanned a range of media such as photography, performance, video and installations. The point of departure of her work was (and has remained until today) her own person, her own life - and by putting this theme into a broader context - the situation of women in our time and society. On Croatian art scene she was the first women artist who called herself a feminist artist. She lectures at the Center for Women's Studies in Zagreb since its begining in 1994. She is a founder of Electra - The Women's Art Center Zagreb.
Publications
- Structure – Book, Ljubljana: P.A.R.A.S.I.T.E., 2011, [100] sheets. Artist's book. [1]
Catalogues
- Sanja Iveković: Public Cuts, Ljubljana : Zavod P.A.R.A.S.I.T.E., 2006, 80 pp. Essay by Bojana Pejić. Published in conjunction with the exhibition Road Works in Ljubljana, at P74 Center and Gallery, Oct 2006; and in Velika Gorica, Croatia, at the Galzenica Gallery, in Nov 2006.
- Sanja Iveković. Urgent Matters, Eindhoven: Van Abbemuseum, and Utrecht: BAK, 2009.
- Roxana Marcoci, Sanja Ivekovic: Sweet Violence, New York: MoMA, 2011, 192 pp.
- more
Interviews
- Katarzyna Pabijanek, "'Women's House': Sanja Ivekovic Discusses Recent Projects (Interview)", ARTMargins, 20 Dec 2009.
Literature
- Klara Kemp-Welch, "Taking Women’s Rights Seriously?", Third Text 23:6, 2009 816-820.
- Carol Kino, "Croatia’s Monumental Provocateur", New York Times, Dec 2011.
- Ruth Noack, Sanja Iveković: "Triangle", London: Afterall, 2013, 106 pp.
- Helena Reckitt (ed.), Sanja Iveković: Unknown Heroine - A Reader, London: Calvert 22, 2013. Based on the conference 23% organized in tandem with Ivekovic’s first UK retrospective Unknown Heroine at Calvert 22 and the South London Gallery in late 2012 and early 2013. [2]
- Lina Džuverović, "Curating ‘Unknown Heroine’: Sanja Iveković and Contemporary Feminisms", pp 8-21.
- Ivana Bago, "The Question of Female Guilt in Sanja Iveković's Art: from Yugoslav Beauty Pageants to Wartime Witch-Hunts", pp 62-87.
