Difference between revisions of "Siegfried Zielinski"
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| − | Born 1951. Studied theatre, philology, | + | Born 1951. Studied philosophy, theatre, German philology, media studies, political sciences, and linguistics at Marburg University, Free and Technical University Berlin. His M.A. thesis was on the film director Veit Harlan, who was tried for crimes against humanity because of his film "Jud Süß" (1942). In the 1980s he was assistant lecturer and assistant professor at the Department for Media Studies, Technical University Berlin. |
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| + | 1990-1993 Professor for audiovisual studies at the University of Salzburg, Austria, founded the department of >Audiovisions<. As of 1993, Chair of Communication and Audiovisual Studies at the [[Academy of Media Arts Cologne]]; from 1994-2000 Founding Director and Rector of this Academy. | ||
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| + | Siegfried Zielinski teaches and researches on the history, theory, and praxis of audiovision; his special field of interest is media archaeology. He gave seminars and lectures in around 25 different countries around the world. | ||
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| + | Since 1979 he realized numerous Film, Video and exhibition projects, including "Responses to HOLOCAUST in Western Germany", "Channel Four — Fernsehen zwischen Kultur und Kommerz", "Einhundert — Kurzfilme zur Archäologie der Audiovision", "Museum Hermeticum", "Wie man sieht — ". He was director of the Cologne based festival "Digitale" (1995-2000). Together with the musician and composer Anthony Moore he developed a new accoustic format called "expanded lectures". CD-Rom productions amongst others with the Centre Pompidou in Paris, Amsterdam located deBalie ("Permanent Flux") and the Budapest Kunsthalle (Mucsarnok), "The Butterfly Effect". | ||
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| + | Member of the European Film Academy (EFA), the Academy of Arts Berlin, the Faculty of the European Graduate School, Saas Fee, the Budapest Center for Culture and Communication (C3) and the Magic Lantern Society of Great Britain. | ||
Revision as of 00:55, 20 November 2007
Born 1951. Studied philosophy, theatre, German philology, media studies, political sciences, and linguistics at Marburg University, Free and Technical University Berlin. His M.A. thesis was on the film director Veit Harlan, who was tried for crimes against humanity because of his film "Jud Süß" (1942). In the 1980s he was assistant lecturer and assistant professor at the Department for Media Studies, Technical University Berlin.
1990-1993 Professor for audiovisual studies at the University of Salzburg, Austria, founded the department of >Audiovisions<. As of 1993, Chair of Communication and Audiovisual Studies at the Academy of Media Arts Cologne; from 1994-2000 Founding Director and Rector of this Academy.
Siegfried Zielinski teaches and researches on the history, theory, and praxis of audiovision; his special field of interest is media archaeology. He gave seminars and lectures in around 25 different countries around the world.
Since 1979 he realized numerous Film, Video and exhibition projects, including "Responses to HOLOCAUST in Western Germany", "Channel Four — Fernsehen zwischen Kultur und Kommerz", "Einhundert — Kurzfilme zur Archäologie der Audiovision", "Museum Hermeticum", "Wie man sieht — ". He was director of the Cologne based festival "Digitale" (1995-2000). Together with the musician and composer Anthony Moore he developed a new accoustic format called "expanded lectures". CD-Rom productions amongst others with the Centre Pompidou in Paris, Amsterdam located deBalie ("Permanent Flux") and the Budapest Kunsthalle (Mucsarnok), "The Butterfly Effect".
Member of the European Film Academy (EFA), the Academy of Arts Berlin, the Faculty of the European Graduate School, Saas Fee, the Budapest Center for Culture and Communication (C3) and the Magic Lantern Society of Great Britain.
