| − | [[Photography]], [[Early cinema]], [[Futurism]], [[Concrete poetry]], [[Epic theatre]], [[Dada]], [[Constructivism]], [[Graphic design]], [[Artists' books]], [[Experimental film]], [[Typewriter art]], [[Radio art]], [[Field recording]], [[Electroacoustic music]], [[Mail art]], [[Neoism]], [[Kinetic art]], [[Robotic art]], [[Urban practices]], [[Multimedia environments]], [[Fluxus]], [[Computer art]], [[Computer music]], [[Light art]], [[Video]], [[Video activism]], [[Sound art]], [[Commons]], [[Noise]], [[Cassette culture]], [[Zine culture]], [[Demoscene]], [[VJing]], [[Live cinema]], [[FLOSS]], [[Media labs|Media labs]], [[Max/MSP]], [[Privacy]], [[Film labs]], [[Cypherpunk]], [[Tactical media]], [[Community television]], [[Net art]], [[Hacktivism]], [[Afrofuturism]], [[Software art]], [[Code poetry]], [[Art servers]], [[Hackerspaces]], [[CD-ROM art]], [[Game art]], [[Circuit bending]], [[Pure Data]], [[SuperCollider]], [[Net radio]], [[File sharing]], [[Media archives]], [[Internet of things]], [[VVVV]], [[Bio art]], [[Fab labs]], [[Glitch art]], [[Internet activism]], [[Copyright activism]], [[Data activism]], [[3D printing]], [[Live coding]], [[Social media]], [[Locative media]], [[Electromagnetism]], [[Surf clubs]], [[Open spectrum]], [[DIY biology]], [[Open design]], [[Open hardware]], [[Sensory ethnography]], [[Post-digital]].
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