Difference between revisions of "Video activism"
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==Literature== | ==Literature== | ||
| − | * Michael Shamberg, Raindance Corporation, ''Guerrilla Television'', New York, Chicago, San Francisco: Holt Rinehart and Winstin, 1971. | + | * Michael Shamberg, Raindance Corporation, ''Guerrilla Television'', New York, Chicago, San Francisco: Holt Rinehart and Winstin, 1971. [http://archive.neural.it/init/default/show/1964] |
* Deidre Boyle, ''Subject to Change: Guerrilla Television Revisited'', Oxford University Press, 1997. | * Deidre Boyle, ''Subject to Change: Guerrilla Television Revisited'', Oxford University Press, 1997. | ||
* Nancy Cain, ''Video Days and What We Saw Through the Viewfinder'', Palm Springs: Event Horizon Press, 2011. | * Nancy Cain, ''Video Days and What We Saw Through the Viewfinder'', Palm Springs: Event Horizon Press, 2011. | ||
Revision as of 18:29, 22 February 2014
Pages
No pages meet these criteria.
Literature
- Michael Shamberg, Raindance Corporation, Guerrilla Television, New York, Chicago, San Francisco: Holt Rinehart and Winstin, 1971. [1]
- Deidre Boyle, Subject to Change: Guerrilla Television Revisited, Oxford University Press, 1997.
- Nancy Cain, Video Days and What We Saw Through the Viewfinder, Palm Springs: Event Horizon Press, 2011.
- Ege Berensel, "From Guerilla Television to Video-Activism, from Witness Video to Media-Activism: How to Resist Using Video", Goethe.de, 2012
See also
- REDIRECT Template:Art and culture
