Difference between revisions of "Wilhelm Worringer"
Jump to navigation
Jump to search
m (Text replacement - "//gen.lib.rus.ec" to "//libgen.rs") |
m (Text replacement - "200px" to "300px") |
||
Line 1: | Line 1: | ||
− | [[Image:Worringer_Wilhelm_Abstraktion_und_Einfuehlung_1907.jpg|thumb| | + | [[Image:Worringer_Wilhelm_Abstraktion_und_Einfuehlung_1907.jpg|thumb|300px|''Abstraktion und Einfühlung'', 1907, [http://archive.org/details/gri_33125008469211 IA].]] |
− | [[Image:Worringer_Wilhelm_Abstraction_and_Empathy_1997.jpg|thumb| | + | [[Image:Worringer_Wilhelm_Abstraction_and_Empathy_1997.jpg|thumb|300px|''Abstraction and Empathy'', 1953/1997, [http://monoskop.org/log/?p=16640 Log], [[Media:Worringer_Wilhelm_Abstraction_and_Empathy_1997.pdf|PDF]], [http://libgen.rs/book/index.php?md5=E54AB5BCAD1E3258C0CC7251B6EC2C05 DJVU], [http://aaaaarg.fail/ref/6e3be07d3aa9f8c1491b12b09996749b#0.01 ARG].]] |
Wilhelm Worringer (1881, Aachen - 1965, Munich) was a German art historian and theoretician of [[Expressionism]]. | Wilhelm Worringer (1881, Aachen - 1965, Munich) was a German art historian and theoretician of [[Expressionism]]. | ||
Revision as of 00:00, 26 May 2022
Wilhelm Worringer (1881, Aachen - 1965, Munich) was a German art historian and theoretician of Expressionism.
Works
(in German unless noted otherwise)
- Abstraktion und Einfühlung: ein Beitrag zur Stilpyschologie, Neuwied: Heuser, 1907, 118 pp, IA, IA; repr., Munich: R. Piper, 1908; 3rd ed., 1911, IA; 11th ed., exp., 1921, IA; new ed., new forew., 1948; new ed., ed. Helga Grebing, intro. Claudia Öhlschläger, Munich: Wilhelm Fink, 2007. Dissertation.
- Abstraction and Empathy: A Contribution to the Psychology of Style, trans. Michael Bullock, New York: International University Press, 1953; new ed., intro. Hilton Kramer, Chicago: Ivan R. Dee, 1997, 144 pp, PDF, DJVU, ARG. (English)
- Abstracción y naturaleza, trans. Mariana Frank, México: Fondo de Cultura Económica, 1953, 137 pp; 1975. Excerpt. (Spanish)
- Chusho to kanjo inyu, trans. Masao Kusanagi, Tokyo: Iwanami Shoten, 1953. (Japanese)
- Lucas Cranach, Munich: Piper, 1908.
- Formprobleme der Gotik, Munich: R. Piper, 1912; 2nd ed., 1912, IA, IA.
- Form Problems of the Gothic, New York: Stechert, 1920, IA. (English)
- L’Art gothique, trans. D. Decourdemanche, Paris: Gallimard, 1941. (French)
- Form in Gothic, trans. Herbert Read, London: A. Tiranti, 1957. (English)
- Künstlerische Zeitfragen, Munich: Brickmann, 1921.
- Die Anfänge der deutschen Tafelmalerei, Leipzig: Insel, 1924, 349 pp, PDF.
- Ägyptische Kunst: Probleme ihre Werte, Munich: Piper, 1927, 110 pp, PDF.
- Egyptian Art, trans., ed. & pref. Bernard Rackham, London: Putnam's Sons, 1928, 95 pp, PDF. (English)
- Griechentum und Gotik: vom Weltreich des Hellenismus, Munich: Piper, 1928, 108 pp, PDF.
- Käthe Kollwitz, Königsberg: Grafen und Unger, 1931.
- Über den Einfluss der angelsächsischen Buchmalerei auf die frühmittelalterliche Monumentalplastik des Kontinents, Halle: Niemeyer, 1931, 16+xii pp.
- Problematik der Gegenwartskunst, Munich: Piper, 1948.
- Fragen und Gegenfragen. Schriften zum Kunstproblem, Munich: Piper, 1956, OL.
Literature
- Neil H. Donahue (ed.), Invisible Cathedrals: The Expressionist Art History of Wilhelm Worringer, University Park, PA: Pennsylvania State University Press, 1995, xii+217 pp. [1]