redrawn in Constant 2015


t etc. but
it has different levels of ‘licencing risk’. One is a straight scan of the prints
that were made at that workshop. Another version is more guilty, in the
sense that it is an extraction from a .pdf using the Monotype Gill. Another
is a redrawn version that takes the matrix, the spacing of a Monotype Gill,
but combines it with a redrawn example. All different variations of this font
touch on different elements of licencing problems that might occur with
typefaces. We sent our experiment to Monotype, because we wanted to hear
from them what they thought. After a few months we receive


redrawn in Sollfrank, Francke & Weinmayr 2013


: We found this pirate copy of Tintin when we visited Beijing, and
obviously compared to the original, it looks different, a different format.
But also it’s black and white, but it’s not a photocopy of the original full-
colour. [24:23] It’s redrawn by hand, so all the drawings are redrawn and
obviously translated into Chinese. This is quite a labour of love, which is
really amazing. I can compare the two. The space is slightly differently
interpreted.

[24:50]
A. F.: And it’s really incredible, because at some point in China

 

Display 200 300 400 500 600 700 800 900 1000 ALL characters around the word.