continua in Barok 2014


shape sonic and visual rendering of the text such
as whitespaces, commas, periods, HTML and markdown and other tags so that we
are left with the body of the text to count in. This would mean to render
operators unreferrable and count as in _scriptio continua_.

_Scriptio continua_ is a very old example of the linear onedimensional
treatment of the text. Let's look again at the bookroll with Plato's writing.
Even though it is 'designed' into grids on a closer look it reveals the lack
of any other structural elements -- there a


continua in Barok 2014


s that the process of the research is subject to creative decisions whose outcomes are perceived
esthetically as well.
In the language of cultural management Monoskop is an independent research
project whose aim is subject to change according to its continual findings; which
has no legal body and thus as organisation it does not apply for funding; its participants have no set roles; and notably, it operates with no deadlines. It has a reach
to the global public about which, respecting the privacy of inte


continua in Constant 2009


ers
her face...
There was no traditional shooting script: the plot evolved during
the four-year long process of obtaining images. Scenes were planned
in particular locations, but the CCTV recordings were not always
obtainable, so the story had to be continually rewritten.
Faceless treats the CCTV image as an example of a legal readymade (‘objet trouvé'). The medium, in the sense of raw materials
that are transformed into artwork, is not adequately described as
simply video or even captured light. More


in the software, and
then show a corresponding graph change. So, we developed these by
bringing in both native and non-native speakers, having them look at
the diagrams and then tell us what they meant. We had to go through
about fifteen people and continual redesign until most people could
understand and tell us what they meant, without giving them any
help or prompts. So, this is an ongoing research effort, to come up
with techniques that not only work for ingimp, but also for other
instrumentation ef


body,
and with it all the kind of messy, gritty, tangible stuff of culture,
as transient, difficult, and flawed. And what has been elevated is of
course the much more formal, idealist, disembodied kind of activities
and processes. This is a site of continual struggle, and I guess part of
the purpose of a weekend like this is to keep working away, re-injecting
some sense of materiality, of physicality, of the body, of geography,
into what are always in danger of becoming much more formal and
disembodied


f gender, that I realised
that the participants in the workshop had been almost exclusively
female. It was only the women who had gone to this kind of more
physical, embodied, and indeed personally challenging part of the
weekend. But we all need to continually re-engage with this sense
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of the body, all this messiness and grittiness, which it is in many
vested interests to constantly cleanse from the world. We have to
make ourselves deal with all the embarrassment, the awkwardne


oster the sense of collectivity in a highly individualised and totalising world; to find new
ways – constantly find new ways – of collaborating and distributing
information: these are all crucial and ongoing struggles in which we
must all remain continually engaged. And I notice even now that I
used this term ‘to keep', as though there was something to conserve
and preserve, as though the point of making the recipes and writing
the programs is to preserve something. But the ‘keeping' in question


Hung Up (Time Goes by
so Slowly) – to which he danced ran through my head for the whole
train journey back to Birmingham, and when I got home and checked
out the Madonna video on YouTube I was even more moved to see
what a beautiful commentary and continuation of her choreography
Frédéric had achieved. This really was an example not only of playing
the body, the music, and the culture, but also of effecting the kind of
‘free play' and ‘open performance', which had resonated through the
whole week

 

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