continua in Barok 2014
shape sonic and visual rendering of the text such
as whitespaces, commas, periods, HTML and markdown and other tags so that we
are left with the body of the text to count in. This would mean to render
operators unreferrable and count as in _scriptio continua_.
_Scriptio continua_ is a very old example of the linear onedimensional
treatment of the text. Let's look again at the bookroll with Plato's writing.
Even though it is 'designed' into grids on a closer look it reveals the lack
of any other structural elements -- there a
continua in Barok 2014
s that the process of the research is subject to creative decisions whose outcomes are perceived
esthetically as well.
In the language of cultural management Monoskop is an independent research
project whose aim is subject to change according to its continual findings; which
has no legal body and thus as organisation it does not apply for funding; its participants have no set roles; and notably, it operates with no deadlines. It has a reach
to the global public about which, respecting the privacy of inte
continua in Constant 2015
in the software, and then show a corresponding graph change. So, we developed these by bringing in both native and non-native speakers, having
them look at the diagrams and then tell us what they meant. We had to go
through about fifteen people and continual redesign until most people could
understand and tell us what they meant, without giving them any help or
prompts. So, this is an ongoing research effort, to come up with techniques
that not only work for ingimp but also for other instrumentation eff
oth the writer and the reader of the report; they need to think
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themselves in each others place: What did I expect that would happen? What
should have happened? What could have gone wrong? Would you say your
interactive training missions are a continuation of this collective imaginary work?
A big part of that sort of imagination is understanding the kinds of things
that could be reasonable. So this is where cultural knowledge comes in. If
you program in C or even if you just read about C, you unde
Academy
of Fine Arts in the frame of a series of workshops named ‘Up pen down’.
We’re preparing a performance for the Balsamine theatre 5 on the topic of
Bootstrapping. In April we will travel as a group to Madrid to LGRU 6 and
LGM 7 . We also continually work on ‘Co-position”’, a project for building
a post-gutenberg typographical tool.
5
6
7
http://www.balsamine.be/
http://lgru.net/
the international Libre Graphics Meeting: http://libregraphicsmeeting.org/2013/
314
Performing Libre
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