digitization in Mars & Medak 2019
political consensus that this principle of
access is fundamental to the purpose of a modern society. Yet, as
digital networks have radically expanded the access to literature
and scientific research, public libraries were largely denied the
ability to extend to digital “objects” the kind of de-commodified
access they provide in the world of print. For instance, libraries
frequently don’t have the right to purchase e-books for lending and
preservation. If they do, they are limited by how many times—
twenty-six in the case of one publisher—and under what conditions
they can lend them before not only the license but the “object”
itself is revoked. In the case of academic journals, it is even worse:
as they move to predominantly digital models of distribution,
libraries can provide access to and “preserve” them only for as
long as they pay extortionate prices for ongoing subscriptions. By
building tools for organizing and sharing electronic libraries, creating digitization workflows, and making books available online, the
Public Library/Memory of the World project is aimed at helping to
fill the space that remains denied to real-world public libraries. It is
obviously not alone in this effort. There are many other platforms,
some more public, some more secretive, working to help people
share books. And the practice of sharing is massive.
—https://www.memoryoftheworld.org
Capitalism and Schizophrenia
New media remediate old media. Media pay homage to their
(mediatic) predecessors, which themselves pay homage to their
own (mediatic) predecessors. Computer graphics remediate film,
which remediates photography, which remediates painting, and so
on (McLuhan 1965, 8; Bolter and Grusin 1999). Attempts to understand new media technologies always settle on a set of metaphors
(of the old and familiar), in order to approximate what is similar,
and yet at the same time name the new. Every such metaphor has
its semiotic distance, decay, or inverse-square l
e of a capitalist reality antithetical to common interest—commercial closed-access academic
publishing—and the persistence of a hyperproletariat—an intellectual labor force that is too subsumed to organize and resist the
reality that thrives parasitically on its social function. It’s a schizoid
impasse sustained by a failed metaphor.
The revolutionary events of the Paris Commune of 1871, its mere
“existence” as Marx has called it,10 a brief moment of “communal
luxury” set in practice as Kristin Ross (2015) describes it, demanded
that, in spite of any circumstances and reservations, one takes a
side. And such is our present moment of truth.
Digital networks have expanded the potential for access and
created an opening for us to transform the production of knowledge and culture in the contemporary world. And yet they have
likewise facilitated the capacity of intellectual property industries
to optimize, to cut out the cost of printing and physical distribution.
Digitization is increasingly helping them to control access, expand
copyright, impose technological protection measures, consolidate
the means of distribution, and capture the academic valorization
process.
As the potential opening for universalizing access to culture and
knowledge created by digital networks is now closing, attempts at
private legal reform such as Creative Commons licenses have had
only a very limited effect. Attempts at institutional reform such as
Open Access publishing are struggling to go beyond a niche. Piracy
has mounted a truly disruptive opposition, but given the legal
repression it has met with, it can become an agent of change only if
it is embraced as a kind of mass civil disobedience. Where law was,
there politics shall be.
Many will object to our demand to replace the law with politicization. Transitioning from politics to law was a social achievement
as the despotism of political will was suppressed by legal norms
guaranteeing rights and liberties for authors; this m
digitization in Dockray, Forster & Public Office 2018
ne or included in other NodeJS projects.
## Accidents of the Archive
The 1996 UNESCO publication [Lost Memory: Libraries and Archives Destroyed in
the Twentieth Century](http://www.stephenmclaughlin.net/ph-
library/texts/UNESCO%201996%20-%20Lost%20Memory_%20Libraries%20and%20Archives%20Destroyed%20in%20the%20Twentieth%20Century.pdf)
makes the fragility of historical repositories startlingly clear. “[A]cidified
paper that crumbles to dust, leather, parchment, film and magnetic light
attacked by light, heat humidity or dust” all assault archives. “Floods,
fires, hurricanes, storms, earthquakes” and, of course, “acts of war,
bombardment and fire, whether deliberate or accidental” wiped out significant
portions of many hundreds of major research libraries worldwide. When
expanding the scope to consider public, private, and community libraries, that
number becomes uncountable.
Published during the early days of the World Wide Web, the report acknowledges
the emerging role of digitization (“online databases, CD-ROM etc.”), but today
we might reflect on the last twenty years, which has also introduced new forms
of loss.
Digital archives and libraries are subject to a number of potential hazards:
technical accidents like disk failures, accidental deletions, misplaced data
and imperfect data migrations, as well as political-economic accidents like
defunding of the hosting institution, deaccessioning parts of the collection
and sudden restrictions of access rights. Immediately after library.nu was
shut down on the grounds of copyright infringement in 2012, [Lawrence Liang
wrote](https://kafila.online/2012/02/19/library-nu-r-i-p/) of feeling “first
and foremost a visceral experience of loss.”
Whatever its legal status, the abrupt absence of a collection of 400,000 books
appears to follow a particularly contemporary pattern. In 2008, Aaron Swartz
moved millions of US federal court documents out from behind a paywall,
resulting in a trial and an FBI investigation. Th
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