francke in Sollfrank, Francke & Weinmayr 2013
oration to instigate this discourse, and this discourse is happening on
many different levels. One of them is conversation, debate. But the other one
is this material outcome, and then this material outcome is creating a new
debate.
.
That’s interesting, the problems it still causes…
Cornelia Sollfrank: And how do you announce the project without “Piracy”? The
Project?
E. W.: It’s a project about intellectual property.
C. S.: The P Project.
Andrea Francke, Eva Weinmayr: [laugh] Yes.
[00:52]
Andrea Francke: The Piracy Project is a knowledge platform, and it is based
around a collection of pirated books, of books that have been copied by
people. And we use it to raise discussion about originality, authorship,
intellectual property questions, and to prod
francke in Weinmayr 2019
a reprinted and modified book in the Piracy Project is No se
diga a nadie (‘Don’t tell anyone’).[89](ch11.xhtml#footnote-437) It is an
autobiographical novel by Peruvian journalist and TV presenter Jaime Bayli.
The pirate copy, found by Andrea Francke on Lima’s pirate book markets, is
almost identical in size, weight, and format and the cover image is only
slightly cropped. However, this pirate copy has two extra chapters. Somebody
has infiltrated the named author’s work and sneaked in two fic
spen5and6/threeEssays.html>
Benjamin, Walter (1970) ‘The Author as Producer’ in New Left Review 1.62,
83–96.
Bently, Lionel (1994) ‘Copyright and the Death of the Author in Literature and
Law’, Modern Law Review 57, 973–86.
— Andrea Francke, Sergio Muñoz Sarmiento, Prodromos Tsiavos and Eva Weinmayr
(2014) ‘A Day at the Courtroom’, in Andrea Francke and Eva Weinmayr (eds.),
Borrowing, Poaching, Plagiarising, Pirating, Stealing, Gleaning, Referencing,
Leaking, Copying, Imitating, Adapting, Faking, Paraphrasing, Quoting,
Reproducing, Using, Counterfeiting, Repeating, Translating, Cloning (London:
ig, Carys J. (2007) ‘Symposium: Reconstructing the Author-Self: Some
Feminist Lessons for Copyright Law’, American University Journal of Gender,
Social Policy & the Law 15.2, 207–68.
Di Franco, Karen (2014) ‘The Library Medium’, in Andrea Francke and Eva
Weinmayr (eds.), Borrowing, Poaching, Plagiarising, Pirating, Stealing,
Gleaning, Referencing, Leaking, Copying, Imitating, Adapting, Faking,
Paraphrasing, Quoting, Reproducing, Using, Counterfeiting, Repeating,
Translating, Cloning (London:
of Pirate’, in English Words
of (Unexpected) Greek Origin, 2 March 2012,
[80](ch11.xhtml#footnote-446-backlink) The Piracy Project is a collaboration
between AND Publishing and Andrea Francke initiated in London in 2010.
[81](ch11.xhtml#footnote-445-backlink) Andrea Francke visited pirate book
markets in Lima, Peru in 2010. The Red Mansion Prize residency enabled us to
research book piracy in Beijing and Shanghai in 2012. A research residency at
SALT Istanbul in 2012 facilitated field research in Turkey.
[82](ch11.xhtm
imilate such scaled-up, de-creative, user-
propelled examples with anything like “cultural piracy”. They are, through
usership, enriching what would otherwise fall prey to cultural piracy.’ Email
to the author, 1 August 2012.
See also: Andrea Francke and Eva Weinmayr (eds.), Borrowing, Poaching,
Plagiarising, Pirating, Stealing, Gleaning, Referencing, Leaking, Copying,
Imitating, Adapting, Faking, Paraphrasing, Quoting, Reproducing, Using,
Counterfeiting, Repeating, Translating, Cloning (London:
University of Cambridge), Sergio Muñoz Sarmiento (Art and Law, New York),
Prodromos Tsiavos (Project lead for Creative Commons, England, Wales and
Greece). A Day at the Courtroom, The Showroom London, 15 June 2013. See a
transcript of the debate in Francke and Weinmayr, Borrowing, Poaching,
Plagiarising.
[93](ch11.xhtml#footnote-433-backlink) Aaaaaarg.fail operates on an invitation
only basis; [memoryoftheworld.org](http://memoryoftheworld.org) is openly
accessible.
[94](ch11.xhtml#footnote-432-backl
eloped a
new cataloguing vocabulary for cases in the collection. See
See also Karen Di Franco’s reflection on the cataloguing workshop ‘The Library
Medium’ in Francke and Weinmayr, Borrowing, Poaching, Plagiarising.
[99](ch11.xhtml#footnote-427-backlink) See Piracy Project catalogue: Camille
Bondon, Jacques Rancière: le mâitre ignorant,
Ra
Display 200 300 400 500 600 700 800 900 1000 ALL characters around the word.