Difference between revisions of "Douglas Huebler"
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* Tamara Trodd, ''The Art of Mechanical Reproduction: Technology and Aesthetics from Duchamp to the Digital'', Chicago: University of Chicago Press, 2015, pp. 142, 167, 173, 175. | * Tamara Trodd, ''The Art of Mechanical Reproduction: Technology and Aesthetics from Duchamp to the Digital'', Chicago: University of Chicago Press, 2015, pp. 142, 167, 173, 175. | ||
| − | * Christian Berger, "Douglas Huebler and the Photographic Document", ''Visual Resources'', 2016. | + | * Christian Berger, [http://sci-hub.tw/10.1080/01973762.2016.1229318 "Douglas Huebler and the Photographic Document"], ''Visual Resources'' 32:3-4, Sep-Dec 2016, pp 210-229. |
* [https://www.paulacoopergallery.com/artists/estate-of-douglas-huebler/bibliography more] | * [https://www.paulacoopergallery.com/artists/estate-of-douglas-huebler/bibliography more] | ||
Revision as of 20:52, 9 July 2018
Douglas Huebler (27 October 1924 – 12 July 1997) was an American conceptual artist.
Works
Xerox Book, 1968, Log.
- Huebler, et al., Xerox Book, eds. Seth Siegelaub and John W. Wendler, New York, December 1968, 190 pp, ARG. [1]
- Robert Barry, Douglas Huebner, Joseph Kosuth, Laurence Weiner, January 5-31, 1969, New York: Seth Siegelaub, 1969. [2]
- May 8 - June 14, 1970, Andover, MA: Addison Gallery of American Art, Phillips Academy, 1970, [18] pp.
- Variable, etc., Limousin: F.R.A.C., 1993, 203 pp, ARG. (French)/(English)
Literature
- Tamara Trodd, The Art of Mechanical Reproduction: Technology and Aesthetics from Duchamp to the Digital, Chicago: University of Chicago Press, 2015, pp. 142, 167, 173, 175.
- Christian Berger, "Douglas Huebler and the Photographic Document", Visual Resources 32:3-4, Sep-Dec 2016, pp 210-229.
