Ariella Azoulay (born 1962, Tel Aviv) is an Israeli art curator, film-maker and theorist of photography and visual culture. She teaches visual culture and contemporary philosophy in the Hermeneutics and Cultural Studies program at Israel's Bar-Ilan University.
- Death's Showcase: the power of image in contemporary democracy, 2001.
- The Civil Contract of Photography, Zone Books, 2008 review.
- From Palestine to Israel: A Photographic Record of Destruction and State Formation, 1947-1950, Pluto Press, 2011.
- Civil Imagination: The Political Ontology of Photography, Verso, 2012.
- with Adi Ophir, This Regime Which Is Not One: Occupation and Democracy between the Sea and The River (1967 - ), Stanford University Press, 2011.
- with Adi Ophir, The One-State Condition: Occupation and Democracy in Israel/Palestine, Stanford University Press, forthcoming.
- Books in Hebrew
- TRAining for ART, Hakibutz Hameuchad and The Porter Institute Publishers, 2000
- with Adi Ophir, Bad Days, Resling, 2002.
- Once Upon A Time: Photography following Walter Benjamin, Bar Ilan University Press, 2006.
- Act of State: Photographic History of the Israeli Rule in the Occupied Territories, 1967-2007, Etgar, 2008.
- "What is a photograph? What is photography?", Philosophy of Photography, Vol. 1, No. 1, 2010: 9-13.
- "Photography - The ontological question", Mafte’akh, 2e /2011: 65-80.
- "Outside The Political Philosophy Tradition and Still Inside Tradition: Two Traditions of Political Philosophy", Constellations, vol. 18, no. 1, 2011: 91-105.
- "Archive", published in Political Concepts: A Critical Lexicon, 2012.
- Documentary Films
- A Sign from Heaven, 1999.
- The Angel of History, 2000.
- The Chain Food, 2004.
- At Nightfall, 2005.
- Civil Alliances, Palestine, 47-48, 2012.