Circulationism
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Contents
Names[edit]
- Circulationism
Origin[edit]
- Coined by artist Hito Steyerl in her 2014 publication, Circulationism.
Definitions and Descriptions[edit]
- According to Steyerl, "What the Soviet avant-garde of the twentieth century called productivism – the claim that art should enter production and the factory – could now be replaced by circulationism. Circulationism is not about the art of making an image, but of post-producing, launching, and accelerating it. It is about the public relations of images across social networks, about advertisement and alienation, and about being as suavely vacuous as possible."
Exhibitions[edit]
- Circulationism, Van Abbemuseum, Eindhoven, 2014. Solo show by Hito Steyerl with accompanying programming of discussions.
Discussions[edit]
- Circulationism I, Van Abbemuseum, May 24, 2014. Speakers: Josephine Bosma, Metahaven, David Riff and Hito Steyerl.
Publications[edit]
Books[edit]
- Nick Aikens (ed.), Too Much World, Sternberg Press, Van Abbemuseum and Institute of Modern Art Brisbane, April 2014. Contributions from Nick Aikens, Karen Archey, Thomas Elsaesser, Pablo Lafuente, Sven Lütticken, Ana Teixeira Pinto, David Riff, Hito Steyerl.
- Hito Steyerl, Circulationism, Edited by MUAC, Museo Universitario Arte Contemporáneo, México City, Universidad Nacional Autónoma de México, September 15 2014.
Essays, Articles, Book Chapters[edit]
See Also[edit]
Ambiguationist, Post-internet art, Productivism, Meta, Meta Images, Post-Production, Relational Aesthetics, Consumerism, Post-Platform
