Griselda Pollock

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Griselda Pollock (1949) is a visual theorist and cultural analyst, and scholar of international, postcolonial feminist studies in the visual arts. She is best known for her theoretical and methodological innovation, combined with readings of historical and contemporary art, film and cultural theory.

Publications[edit]

  • Millet, London: Oresko Books, 1977.
  • with Rozsika Parker, Old Mistresses: Women, Art and Ideology, London: Routledge, 1981, xxi+184 pp; New York: Pantheon Books, 1981, xxi+184 pp; new ed., London: I.B. Tauris, 2013.
    • Onna āto ideorogī: feminisuto ga yominaosu geijutsu hyōgen no rekishi [女・アート・イデオロギー : フェミニストが読みなおす芸術表現の歴史], Tokyo: Shinsuisha, 1992, 282 pp. (Japanese)
    • 여성.미술.이데올로기, Seoul: 시각과 언어, 1995, 253 pp. (Korean)
    • Maestras antiguas: mujeres, arte e ideología, trans. Raquel Vázquez Ramil, Madrid: Akal, 2021. (Spanish)
    • Maîtresses d’autrefois. Femmes, art et idéologie, intro. Giovanna Zapperi, new forew. Griselda Pollock, trans. Christophe Degoutin, JRP|Editions, 2024, 312 pp. Publisher. [1] (French)
  • Avant-Garde Gambits: Gender and the Colour of Art History, London: Thames and Hudson, 1993.
  • After-affects | After-images: Trauma and Aesthetic Transformation in the Virtual Feminist Museum, Manchester University Press, 2013, 416 pp. [2]
  • Feminism: A Bad Memory?, London: Verso, 2021, 192 pp. [3]

Links[edit]