Griselda Pollock

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Griselda Pollock (1949) is a visual theorist and cultural analyst, and scholar of international, postcolonial feminist studies in the visual arts. She is best known for her theoretical and methodological innovation, combined with readings of historical and contemporary art, film and cultural theory.


  • Millet, London: Oresko Books, 1977.
  • Avant-Garde Gambits: Gender and the Colour of Art History, London: Thames and Hudson, 1993.
  • editor, Julia Kristeva 1966–96: Aesthetics politics ethics, Parallax, 1998, IA.
  • editor, Psychoanalysis and the Image, Boston and Oxford: Blackwell, 2006, IA.
  • Vision and Difference: Feminism, Femininity and the Histories of Art, London and New York: Routledge, 2008, IA.
  • Conceptual Odysseys: Passages to Cultural Analysis, London: I.B. Tauris, 2008, IA.
  • with Victoria Anderson (eds.), Bluebeard's Legacy: Death and Secrets from Bartok to Hitchcock, London: I.B. Tauris, 2009, IA.
  • with Anthony Bryant, Digital and Other Virtualities: Renegotiating the Image, London: I.B. Tauris, 2010, IA.
  • After-affects | After-images: Trauma and Aesthetic Transformation in the Virtual Feminist Museum, Manchester University Press, 2013, 416 pp. [1]