Jonathan Beller

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Jonathan L. Beller is J. Paul Getty Postdoctoral Fellow in the History of Art and Humanities and resident scholar at the Center for Cultural Studies, University of California, Santa Cruz.

Books and edited volumes
  • The Tortured Signifier: Signs of the State of Exception (in progress)
  • The Cinematic Mode of Production: Attention Economy and the Society of the Spectacle, Dartmouth College/University Press of New England, 2006 [1] [2]
  • Acquiring Eyes: Philippine Visuality, Nationalist Struggle and The World Media-System, Manila: Ateneo de Manila University Press, 2008 [3]
  • Kristology and Radical Communion: Works of Emmanuel Garibay, Manila: Sipat Publications, 1999
  • Jonathan Beller, Neferti Xina M. Tadiar, Mark Simpson (eds.), Polygraph 8/9 Special Issue: New Metropolitan Forms, Durham: 1996
  • Beller, "Paying Attention", 2006, [4]
  • Beller, "The Cinematic Mode of Production: Towards a Political Economy of the Postmodern", Culture, Theory & Critique, 2003, 44(1), 91–106. [5]
  • Beller, "Numismatics of the Sensual, Calculus of the Image: The Pyrotechnics of Control", 2003, [6]
  • Beller, "Dziga Vertov and the Film of Money", boundary 2, Vol. 26, No. 3 (Autumn, 1999), pp. 151-199. [7]
  • Beller, "The Spectatorship of the Proletariat", boundary 2, Vol. 22, No. 3 (Autumn, 1995), pp. 171-228. [8]
  • Beller, "Cinema, Capital of the Twentieth Century," Postmodern Culture, vol. 4, no. 3 (1994). [9]
  • Beller, "The Circulating Eye", Communication Research, vol. 20, no. 2 (April 1993), pp. 298-313. [10]
  • Steven Shaviro, Review: "The Cinematic Mode of Production: Attention Economy and the Society of the Spectacle", 2007, [11]