Margaret A. Rose

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  • The Functions of Biblical Language in the Poetry of Heinrich Heine, Monash University, 1973. Dissertation.
    • Die Parodie, Eine Funktion Der Biblischen Sprache in Heines Lyrik, Meisenheim am Glan: Hain, 1976, 138 pp. (German). An abridged translation.
  • Reading the Young Marx and Engels: Poetry, Parody, and the Censor, London: Croom Helm, and Totowa, N.J.: Rowman and Littlefield, 1978, 165 pp.
  • Parody//Meta Fiction: An Analysis Of Parody As A Critical Mirror To The Writing And Reception Of Fiction, London: Croom Helm, 1979, 197 pp.
  • The Human Condition: Forms of Alienation in Modern Thought and Culture. Non-alienated Labour in the Utopian Society, Waurn Ponds, Vic.: School of Humanities, Open Campus Program, Deakin University, 1981, 33 pp. For the course team.
  • Marx's Lost Aesthetic: Karl Marx and the Visual Arts, Cambridge University Press, 1984, 216 pp; 1988. Commentary, Review.
  • Victorian artists : Margaret Baskerville (1861-1930) and C. Douglas Richardson (1853-1932), Nunawading, Vic., 1988, 268 pp.
  • The Symbolist Theatre Tradition from Maeterlinck and Yeats to Beckett and Pinter, Milan: Unicopli, 1989, 241 pp.
  • The Post-Modern and the Post-Industrial: A Critical Analysis, Cambridge University Press, 1991, 317 pp.
    • 后现代与后工业 : 评论性分析, Shenyang Shi: Liaoning jiao yu chu ban she, 2002. (Chinese)
  • "Les Mots et les Mots: la funzione della parodia nel nostro episteme", Immagine riflessa 1:2 (1992), Genova. (Italian)
  • Parody: Ancient, Modern, and Post-Modern, Cambridge University Press, 1993, 316 pp.
  • Editor, Das Album für Minna (1855-1857): nebst weiteren neuentdeckten Materialien, Bielefeld: Aisthesis, 2003, 171 pp. (German)
  • Parodie, Intertextualtät, Interbildlichkeit, Bielefeld: Aisthesis, 2006, 123 pp. (German)
  • Editor, Flaneurs & Idlers, Bielefeld: Aisthesis, 2007, 355. (in English and French)
  • Pictorial Irony, Parody, and Pastiche: Comic Interpictoriality in the Arts of the 19th and 20th Centuries, Bielefeld: Aisthesis, 2011, 333 pp. [1]