Sarah Cook is a curator and writer based in Newcastle upon Tyne, UK and co-author (with Beryl Graham) of the book Rethinking Curating: Art After New Media (MIT Press, 2010) and co-editor (with Sara Diamond) of Euphoria & Dystopia: The Banff New Media Institute Dialogues. She is currently a Reader at the University of Sunderland where she co-founded and co-edits CRUMB, the online resource for curators of new media art and teaches on the MA Curating course. She is a member of the advisory board of the Journal of Curatorial Studies and co-chaired Rewire, the Fourth International Conference on the histories of media art, science and technology with FACT in Liverpool (2011).
Having grown up in Canada, Sarah has a longstanding association with The Banff Center where she has worked as a guest curator and researcher in residence for the Walter Phillips Gallery, the International Curatorial Institute and the New Media Institute, developing exhibitions, summits, residencies and publications. After completing her PhD in 2004, Sarah worked as adjunct curator of new media at BALTIC Centre for Contemporary Art funded by the AHRC. In 2008 Sarah was the inaugural curatorial fellow at Eyebeam Art and Technology Center in New York, where she worked with the artists in the labs to develop exhibitions of their work. Sarah has curated and co-curated international exhibitions including Database Imaginary (2004), The Art Formerly Known As New Media (2005), Broadcast Yourself (2008), Untethered (2008) and Mirror Neurons (2012).