Difference between revisions of "Chris Kraus"
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|birth_place = New York City, United States | |birth_place = New York City, United States | ||
|based_in = Los Angeles, United States | |based_in = Los Angeles, United States | ||
− | |web = [[ | + | |web = [[UbuWeb::http://www.ubu.com/film/kraus.html|UbuWeb Film]], [[Aaaaarg::http://aaaaarg.fail/maker/53107d78334fe0726920630e|Aaaaarg]], [[Wikipedia::http://en.wikipedia.org/wiki/Chris_Kraus_(American_writer)|Wikipedia]] |
}} | }} | ||
− | + | '''Chris Kraus''' (1955) is a writer and filmmaker. She is author of novels ''I Love Dick'' and ''Aliens & Anorexia'' and books of art and cultural criticism. Her films include ''Gravity & Grace'', ''How To Shoot A Crime'', and ''The Golden Bowl, or, Repression''. In 1996, Kraus curated ''The Chance Event: Three Days in the Desert: Primm, Nevada.'' Her first novel, ''I Love Dick'', was adapted for television in 2017. Kraus is a co-editor of the independent press Semiotext(e), alongside Hedi El Kholti and [[Sylvère Lotringer]]. She is a frequent contributor to ''Artforum, Bookforum'' and other magazines. She now lives in Los Angeles, and teaches part-time at Art Center. | |
− | '''Chris Kraus''' (1955) is a writer and filmmaker. She is author of novels ''I Love Dick'' and ''Aliens & Anorexia'' and books of art and cultural criticism. Her films include ''Gravity & Grace'', ''How To Shoot A Crime'', and ''The Golden Bowl, or, Repression''. In 1996, Kraus curated ''The Chance Event: Three Days in the Desert: Primm, Nevada.'' She now lives in Los Angeles. | ||
==Works== | ==Works== | ||
Line 24: | Line 23: | ||
** ''Amo a Dick'', trans. Marcelo Cohen, Barcelona: Alpha Decay, 2013, 339 pp. {{es}} | ** ''Amo a Dick'', trans. Marcelo Cohen, Barcelona: Alpha Decay, 2013, 339 pp. {{es}} | ||
** ''I love Dick'', trans. Alice Zeniter, Paris: Flammarion, 2016, 269 pp. {{fr}} | ** ''I love Dick'', trans. Alice Zeniter, Paris: Flammarion, 2016, 269 pp. {{fr}} | ||
− | ** ''I Love Dick'', Modernista, 2016, 288 pp. {{sw}} | + | ** ''I Love Dick'', Stockholm: Modernista, 2016, 288 pp. {{sw}} |
** ''I love Dick'', trans. Evi Hoste and Anniek Kool, Amsterdam: Lebowski, 2016, 271 pp. {{nl}} | ** ''I love Dick'', trans. Evi Hoste and Anniek Kool, Amsterdam: Lebowski, 2016, 271 pp. {{nl}} | ||
** ''I love Dick'', trans. Kevin Vennemann, Berlin: Matthes & Seitz, 2017, 250 pp. {{de}} | ** ''I love Dick'', trans. Kevin Vennemann, Berlin: Matthes & Seitz, 2017, 250 pp. {{de}} | ||
** ''I love Dick: roman'', trans. Louise Ardenfelt Ravnild, Copenhagen: Gyldendal, 2017, 302 pp. {{da}} | ** ''I love Dick: roman'', trans. Louise Ardenfelt Ravnild, Copenhagen: Gyldendal, 2017, 302 pp. {{da}} | ||
+ | ** ''I love Dick: romanzo'', trans. Maria Nadotti, Vicenza: BEAT, 2018, 300 pp. {{it}} | ||
+ | ** ''I Love Dick'', trans. Pavel Černovský, ed. Tereza Stejskalová, intro. Lubica Kobová, Prague: tranzit.cz, 2018, 216 pp. [http://cz.tranzit.org/cz/publikace/0/publication/chris-kraus-i-love-dick] {{cz}} | ||
+ | ** ''Ai reobeu Dik'' [아이 러브 딕: 크리스 크라우스 장편소설], Paju: Chaek Ingneun Suyoil: Hanguk Mulga Jeongbo, 2019, 439 pp. {{ko}} | ||
+ | ** ''Wo ai Dike'' [我爱迪克], trans. Li Tongzhou, Shanghai: Shanghai san lian shu dian, 2019, 326 pp. {{cn}} | ||
− | * ''[https://monoskop.org/log/?p=19647 Aliens & Anorexia]'', Brooklyn, NY: Semiotext(e) (Native Agents), 2000, 236 pp; new ed., forew. Palle Yourgrau, 2013, 264 pp. [http://semiotexte.com/?p=503] [https://mitpress.mit.edu/books/aliens-and-anorexia] [https://mitpress.mit.edu/books/aliens-anorexia] | + | * ''[https://monoskop.org/log/?p=19647 Aliens & Anorexia]'', Brooklyn, NY: Semiotext(e) (Native Agents), 2000, 236 pp; new ed., forew. Palle Yourgrau, 2013, 264 pp; repr., London: Tuskar Rock Press, 2018, 269 pp. [http://semiotexte.com/?p=503] [https://mitpress.mit.edu/books/aliens-and-anorexia] [https://mitpress.mit.edu/books/aliens-anorexia] |
** ''Aliens & anorexia'', trans. Patrizia Brighi, Milan: O barra O, 2011. {{it}} | ** ''Aliens & anorexia'', trans. Patrizia Brighi, Milan: O barra O, 2011. {{it}} | ||
− | * ''Torpor'', New York: Semiotext(e) (Native Agents), 2006; new ed., intro. Fanny Howe, 2015, 312 pp. [http://semiotexte.com/?p=490] [https://mitpress.mit.edu/books/torpor] [https://mitpress.mit.edu/books/torpor-0] | + | * ''Scherbentanz. Roman'', Frankfurt: Frankfurter Verlagsanstalt, 2002, 199 pp; repr., Zürich: Diogenes, 2020, 208 pp. {{de}} |
− | ** ''Torpor | + | |
+ | * ''Torpor'', New York: Semiotext(e) (Native Agents), 2006; new ed., intro. Fanny Howe, 2015, 312 pp; repr., London: Tuskar Rock, 2017, 292 pp. [http://semiotexte.com/?p=490] [https://mitpress.mit.edu/books/torpor] [https://mitpress.mit.edu/books/torpor-0] | ||
+ | ** ''Torpor. Roman'', trans. Stephanie Wurster, afterw. Karolin Meunier, Berlin: b-books, 2015, 276 pp. [http://www.b-books.de/verlag/torpor/index.html] {{de}} | ||
+ | ** ''Sopor'', trans. Cecilia Pavón, Buenos Aires: Eterna Cadencia, 2018, 320 pp. [https://www.eternacadencia.com.ar/blog/editorial/catalogo/item/sopor.html] {{es}} | ||
+ | |||
+ | * ''Summer of Hate'', New York: Semiotext(e) (Native Agents), 2012, 256 pp. [http://aaaaarg.fail/thing/51c58bfe6c3a0eda0b238300 Part 1], [http://www.joylandmagazine.com/regions/new-york/summer-hate Excerpt]. [https://mitpress.mit.edu/books/summer-hate] | ||
+ | ** ''Verano del odio'', trans. Cecilia Pavón and Claudio Iglesias, Buenos Aires: Eterna Cadencia, 2014, 269 pp. [https://www.eternacadencia.com.ar/blog/editorial/catalogo/item/verano-del-odio.html] {{es}} | ||
+ | ** ''Summer of Hate'', trans. Jenny Högström, Stockholm: Modernista, 2019, 256 pp. {{sw}} | ||
+ | ** ''Dans la fureur du monde'', trans. Alice Zeniter, Paris: Flammarion, 2019, 292 pp. {{fr}} | ||
+ | |||
+ | * ''Das kalte Blut'', Zürich: Diogenes, 2017, 1187 pp. {{de}} | ||
+ | ** ''La fabrique des salauds'', trans. Rose Labourie, Paris: 10-18: Belfond, 2020, 1099 pp. {{fr}} | ||
− | * '' | + | * ''Sommerfrauen, Winterfrauen'', Zürich: Diogenes, 2018, 412 pp; 502 min. Also published as audio book read by Lars Eidinger and Paula Beer. [https://www.diogenes.ch/leser/titel/chris-kraus/sommerfrauen-winterfrauen-gesprochen-von-lars-eidinger-paula-beer-9783257803938.html] {{de}} |
− | |||
===Nonfiction=== | ===Nonfiction=== | ||
; Books | ; Books | ||
* editor, with Sylvère Lotringer, ''[https://monoskop.org/log/?p=1616 Hatred of Capitalism: A Semiotext(e) Reader]'', New York: Semiotext(e) Journal, 2001, 421 pp. | * editor, with Sylvère Lotringer, ''[https://monoskop.org/log/?p=1616 Hatred of Capitalism: A Semiotext(e) Reader]'', New York: Semiotext(e) Journal, 2001, 421 pp. | ||
+ | |||
* ''[https://monoskop.org/log/?p=14391 Video Green: Los Angeles Art and the Triumph of Nothingness]'', New York: Semiotext(e), 2004, 217 pp. | * ''[https://monoskop.org/log/?p=14391 Video Green: Los Angeles Art and the Triumph of Nothingness]'', New York: Semiotext(e), 2004, 217 pp. | ||
+ | ** ''Video green: el arte de Los Ángeles y el triunfo de la nada'', trans. Cecilia Pavón, Bilbao: Consonni, 2018, 253 pp. {{es}} | ||
+ | |||
* with Jan Tumlir and Jane McFadden, ''LA Artland: Contemporary Art from Los Angeles'', 2005. | * with Jan Tumlir and Jane McFadden, ''LA Artland: Contemporary Art from Los Angeles'', 2005. | ||
− | * ''Where Art Belongs'', New York: Semiotext(e) (Interventions), 2011, 176 pp. [http://semiotexte.com/?p=798] [https://mitpress.mit.edu/books/where-art-belongs] | + | |
+ | * ''Where Art Belongs'', New York: Semiotext(e) (Interventions), 2011, 176 pp. [http://aaaaarg.fail/thing/52d9b810307888a043000015 Chapter 1]. [http://semiotexte.com/?p=798] [https://mitpress.mit.edu/books/where-art-belongs] | ||
** ''Sanat Nereye Aittir?'', trans. Zeynep Anlı, Ankara: Dost, 2016, 119 pp. {{tr}} | ** ''Sanat Nereye Aittir?'', trans. Zeynep Anlı, Ankara: Dost, 2016, 119 pp. {{tr}} | ||
+ | |||
* ''Kelly Lake Store and Other Stories'', Portland, OR: Douglas F. Cooley Memorial Art Gallery (Companion Editions), 2012, 39 pp; [https://nplusonemag.com/issue-17/essays/kelly-lake-store/ repr.] in ''n+1'' 17, Fall 2013. [http://www.mottodistribution.com/shop/kelly-lake-store-other-stories.html] | * ''Kelly Lake Store and Other Stories'', Portland, OR: Douglas F. Cooley Memorial Art Gallery (Companion Editions), 2012, 39 pp; [https://nplusonemag.com/issue-17/essays/kelly-lake-store/ repr.] in ''n+1'' 17, Fall 2013. [http://www.mottodistribution.com/shop/kelly-lake-store-other-stories.html] | ||
+ | |||
* ''[https://monoskop.org/log/?p=17858 Lost Properties]'', Los Angeles: Semiotext(e), 2014, 31 pp. | * ''[https://monoskop.org/log/?p=17858 Lost Properties]'', Los Angeles: Semiotext(e), 2014, 31 pp. | ||
− | * ''After Kathy Acker: A Literary Biography'', MIT Press, 2017, 352 pp. [https://mitpress.mit.edu/books/after-kathy-acker] | + | |
+ | * ''[http://aaaaarg.fail/thing/5993568e9ff37c0dbf003ed4 After Kathy Acker: A Literary Biography]'', MIT Press, 2017, 352 pp. [https://mitpress.mit.edu/books/after-kathy-acker] | ||
+ | |||
+ | * ''Social Practices'', South Pasadena, CA: Semiotext(e), 2018, 296 pp. Essays on and around art and art practices. [https://mitpress.mit.edu/books/social-practices] [https://frieze.com/article/chris-kraus-looks-toward-margins-new-book-social-practices] | ||
; Book chapters, articles | ; Book chapters, articles | ||
+ | * "Introduction", in Willa Cather, ''[http://library.memoryoftheworld.org/#/book/16eab0dd-ceb2-4ee6-8a13-20bc282bbc7c O Pioneers!]'', New York: Barnes & Noble Classics, 2003. | ||
* "Hunger – Technology – Emotion", in ''Biting The Error: Writers Explore Narrative'', eds. Mary Burger, Robert Gluck, Camille Roy, and Gail Scott, Coach House, 2004. [http://aaaaarg.fail/thing/5898a4a09ff37c253bb6a99a] | * "Hunger – Technology – Emotion", in ''Biting The Error: Writers Explore Narrative'', eds. Mary Burger, Robert Gluck, Camille Roy, and Gail Scott, Coach House, 2004. [http://aaaaarg.fail/thing/5898a4a09ff37c253bb6a99a] | ||
* [http://www.artspace.com/magazine/news_events/book_report/chris-kraus-akademie-x-52660 "Art School"], in ''Akademie X: Lessons in Art + Life'', ed. Rebecca Morrill, London: Phaidon, 2015. | * [http://www.artspace.com/magazine/news_events/book_report/chris-kraus-akademie-x-52660 "Art School"], in ''Akademie X: Lessons in Art + Life'', ed. Rebecca Morrill, London: Phaidon, 2015. | ||
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==Literature== | ==Literature== | ||
* Mira Mattar (ed.), ''[https://monoskop.org/log/?p=14264 You Must Make Your Death Public: A Collection of Texts and Media on the Work of Chris Kraus]'', London: Mute, 2015, 134 pp. | * Mira Mattar (ed.), ''[https://monoskop.org/log/?p=14264 You Must Make Your Death Public: A Collection of Texts and Media on the Work of Chris Kraus]'', London: Mute, 2015, 134 pp. | ||
− | * Leslie Jamison, [http://www.newyorker.com/culture/cultural-comment/this-female-consciousness-on-chris-kraus "This Female Consciousness: On Chris Kraus"], ''The New Yorker'', 9 Apr 2015 | + | * Leslie Jamison, [http://www.newyorker.com/culture/cultural-comment/this-female-consciousness-on-chris-kraus "This Female Consciousness: On Chris Kraus"], ''The New Yorker'', 9 Apr 2015. |
+ | * Alex Kitnick, [https://sci-hub.se/10.1162/octo_a_00332 "I, etcetera"], ''October'' 166, Fall 2018, pp 45-62. | ||
{{DEFAULTSORT:Kraus, Chris}} | {{DEFAULTSORT:Kraus, Chris}} |
Revision as of 21:29, 30 October 2020
Born |
March 5, 1955 New York City, United States |
---|---|
Lives in | Los Angeles, United States |
Web | UbuWeb Film, Aaaaarg, Wikipedia |
Chris Kraus (1955) is a writer and filmmaker. She is author of novels I Love Dick and Aliens & Anorexia and books of art and cultural criticism. Her films include Gravity & Grace, How To Shoot A Crime, and The Golden Bowl, or, Repression. In 1996, Kraus curated The Chance Event: Three Days in the Desert: Primm, Nevada. Her first novel, I Love Dick, was adapted for television in 2017. Kraus is a co-editor of the independent press Semiotext(e), alongside Hedi El Kholti and Sylvère Lotringer. She is a frequent contributor to Artforum, Bookforum and other magazines. She now lives in Los Angeles, and teaches part-time at Art Center.
Works
Films
- In Order to Pass, 1982.
- Foolproof Illusion, 1986.
- How to Shoot a Crime, 1987.
- The Golden Bowl, or, Repression, 1984/88.
- Traveling at Night, 1991.
- Gravity & Grace, 1996.
Fiction
- I Love Dick, New York: Semiotext(e) (Native Agents), 1997, 275 pp, ARG; repr., Los Angeles: Semiotext(e), 2006, 277 pp.
- Ai ravu dikku, trans. Augustmoon Ochiishi, Tokyo: Shinchosha, 2000, 283 pp. (Japanese)
- Amo a Dick, trans. Marcelo Cohen, Barcelona: Alpha Decay, 2013, 339 pp. (Spanish)
- I love Dick, trans. Alice Zeniter, Paris: Flammarion, 2016, 269 pp. (French)
- I Love Dick, Stockholm: Modernista, 2016, 288 pp. (Swedish)
- I love Dick, trans. Evi Hoste and Anniek Kool, Amsterdam: Lebowski, 2016, 271 pp. (Dutch)
- I love Dick, trans. Kevin Vennemann, Berlin: Matthes & Seitz, 2017, 250 pp. (German)
- I love Dick: roman, trans. Louise Ardenfelt Ravnild, Copenhagen: Gyldendal, 2017, 302 pp. (Danish)
- I love Dick: romanzo, trans. Maria Nadotti, Vicenza: BEAT, 2018, 300 pp. (Italian)
- I Love Dick, trans. Pavel Černovský, ed. Tereza Stejskalová, intro. Lubica Kobová, Prague: tranzit.cz, 2018, 216 pp. [1] (Czech)
- Ai reobeu Dik [아이 러브 딕: 크리스 크라우스 장편소설], Paju: Chaek Ingneun Suyoil: Hanguk Mulga Jeongbo, 2019, 439 pp. (Korean)
- Wo ai Dike [我爱迪克], trans. Li Tongzhou, Shanghai: Shanghai san lian shu dian, 2019, 326 pp. (Chinese)
- Aliens & Anorexia, Brooklyn, NY: Semiotext(e) (Native Agents), 2000, 236 pp; new ed., forew. Palle Yourgrau, 2013, 264 pp; repr., London: Tuskar Rock Press, 2018, 269 pp. [2] [3] [4]
- Aliens & anorexia, trans. Patrizia Brighi, Milan: O barra O, 2011. (Italian)
- Scherbentanz. Roman, Frankfurt: Frankfurter Verlagsanstalt, 2002, 199 pp; repr., Zürich: Diogenes, 2020, 208 pp. (German)
- Torpor, New York: Semiotext(e) (Native Agents), 2006; new ed., intro. Fanny Howe, 2015, 312 pp; repr., London: Tuskar Rock, 2017, 292 pp. [5] [6] [7]
- Summer of Hate, New York: Semiotext(e) (Native Agents), 2012, 256 pp. Part 1, Excerpt. [10]
- Verano del odio, trans. Cecilia Pavón and Claudio Iglesias, Buenos Aires: Eterna Cadencia, 2014, 269 pp. [11] (Spanish)
- Summer of Hate, trans. Jenny Högström, Stockholm: Modernista, 2019, 256 pp. (Swedish)
- Dans la fureur du monde, trans. Alice Zeniter, Paris: Flammarion, 2019, 292 pp. (French)
- Das kalte Blut, Zürich: Diogenes, 2017, 1187 pp. (German)
- La fabrique des salauds, trans. Rose Labourie, Paris: 10-18: Belfond, 2020, 1099 pp. (French)
- Sommerfrauen, Winterfrauen, Zürich: Diogenes, 2018, 412 pp; 502 min. Also published as audio book read by Lars Eidinger and Paula Beer. [12] (German)
Nonfiction
- Books
- editor, with Sylvère Lotringer, Hatred of Capitalism: A Semiotext(e) Reader, New York: Semiotext(e) Journal, 2001, 421 pp.
- Video Green: Los Angeles Art and the Triumph of Nothingness, New York: Semiotext(e), 2004, 217 pp.
- Video green: el arte de Los Ángeles y el triunfo de la nada, trans. Cecilia Pavón, Bilbao: Consonni, 2018, 253 pp. (Spanish)
- with Jan Tumlir and Jane McFadden, LA Artland: Contemporary Art from Los Angeles, 2005.
- Where Art Belongs, New York: Semiotext(e) (Interventions), 2011, 176 pp. Chapter 1. [13] [14]
- Sanat Nereye Aittir?, trans. Zeynep Anlı, Ankara: Dost, 2016, 119 pp. (Turkish)
- Kelly Lake Store and Other Stories, Portland, OR: Douglas F. Cooley Memorial Art Gallery (Companion Editions), 2012, 39 pp; repr. in n+1 17, Fall 2013. [15]
- Lost Properties, Los Angeles: Semiotext(e), 2014, 31 pp.
- After Kathy Acker: A Literary Biography, MIT Press, 2017, 352 pp. [16]
- Social Practices, South Pasadena, CA: Semiotext(e), 2018, 296 pp. Essays on and around art and art practices. [17] [18]
- Book chapters, articles
- "Introduction", in Willa Cather, O Pioneers!, New York: Barnes & Noble Classics, 2003.
- "Hunger – Technology – Emotion", in Biting The Error: Writers Explore Narrative, eds. Mary Burger, Robert Gluck, Camille Roy, and Gail Scott, Coach House, 2004. [19]
- "Art School", in Akademie X: Lessons in Art + Life, ed. Rebecca Morrill, London: Phaidon, 2015.
- "Littoral Madness", Afterall 41, Spring/Summer 2016, pp 136-141. [20]
Interviews
- Chris Kraus interviewed by Martin Rumsby, 2008. Video.
- Chris Kraus, Tisa Bryant, Brooklyn, NY: Belladonna Books, 2009, 71 pp. [21]
- Giampaolo Bianconi, "Exploring Bludgeoned Subjectivity: Talking to Chris Kraus", Rhizome, 9 Aug 2012.
- Melissa, "Writing As Performance: An Interview with Chris Kraus", Lemon Hound, 9 Oct 2012.
- "A Conversation with Chris Kraus, Prison America: On Summer of Hate", Scapegoat 5: "Excess", 2013, pp 306-315.
- Amanda Hess, "Chris Kraus and Jill Soloway Talk About the Show ‘I Love Dick’", The New York Times, 5 May 2017.
- "The Feelings I Fail to Capitalize, I Fail. Chris Kraus and Ariana Reines in Conversation", Texte zur Kunst 103, 2017, pp 94ff. [22]
- "Den Gefühlen, die ich nicht kapitalisiere, werde ich nicht gerecht. Chris Kraus und Ariana Reines im Gespräch über Auto-Fiction and Biografie", Texte zur Kunst 103, 2017, pp 95ff. [23] (German)
- Jeni Fulton, "The Revival of Chris Kraus and her Radical Novel ‘I Love Dick’", Sleek 53, Spring 2017.
- "Transgression Has Become So Banal: Chris Kraus and Jarett Kobek in Conversation", The Millions, 24 Aug 2017.
Literature
- Mira Mattar (ed.), You Must Make Your Death Public: A Collection of Texts and Media on the Work of Chris Kraus, London: Mute, 2015, 134 pp.
- Leslie Jamison, "This Female Consciousness: On Chris Kraus", The New Yorker, 9 Apr 2015.
- Alex Kitnick, "I, etcetera", October 166, Fall 2018, pp 45-62.