Difference between revisions of "Brian Holmes"
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==Publications== | ==Publications== | ||
; Books | ; Books | ||
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* ''[http://monoskop.org/log/?p=1621 Hieroglyphs of the Future: Art & Politics in a Networked Era]'', Zagreb: Arkzin/What, How and for Whom, 2003, 294 pp. | * ''[http://monoskop.org/log/?p=1621 Hieroglyphs of the Future: Art & Politics in a Networked Era]'', Zagreb: Arkzin/What, How and for Whom, 2003, 294 pp. | ||
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* co-editor, ''[[Media:Continental Drift Galerija Nova Zagreb 2008.pdf|Continental Drift]]'', Zagreb: What, How and for Whom/WHW, and Zagreb: AGM, 2008, 35 pp. Catalogue. {{cr}} | * co-editor, ''[[Media:Continental Drift Galerija Nova Zagreb 2008.pdf|Continental Drift]]'', Zagreb: What, How and for Whom/WHW, and Zagreb: AGM, 2008, 35 pp. Catalogue. {{cr}} | ||
− | * ''Unleashing the Collective Phantoms: Essays in Reverse Imagineering'', Autonomedia, 2008, 187 pp. [http://www.halfletterpress.com/unleashing-the-collective-phantoms-essays-in-reverse-imagineering/] | + | |
+ | * ''Unleashing the Collective Phantoms: Essays in Reverse Imagineering'', New York: Autonomedia, 2008, 187 pp. [http://www.halfletterpress.com/unleashing-the-collective-phantoms-essays-in-reverse-imagineering/]. Review: [https://www.academia.edu/7647260 Biles] (Chicago Artists' News). | ||
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* ''[http://monoskop.org/log/?p=1640 Escape the Overcode: Activist Art in the Control Society]'', Eindhoven: Van Abbemuseum, and Zagreb: WHW, 2009, 414 pp. | * ''[http://monoskop.org/log/?p=1640 Escape the Overcode: Activist Art in the Control Society]'', Eindhoven: Van Abbemuseum, and Zagreb: WHW, 2009, 414 pp. | ||
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* with Beate Geissler and Oliver Sann, ''Volatile Smile'', Nürnberg: Moderne Kunst, 2014, 182 pp. [http://www.artbook.com/9783869840826.html] [http://www.documentjournal.com/2015/07/volatile-smile/] | * with Beate Geissler and Oliver Sann, ''Volatile Smile'', Nürnberg: Moderne Kunst, 2014, 182 pp. [http://www.artbook.com/9783869840826.html] [http://www.documentjournal.com/2015/07/volatile-smile/] | ||
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* ''[https://monoskop.org/log/?p=20449 Driving the Golden Spike: The Aesthetics of Anthropocene Public Space]'', Deep Time Chicago, 2016, 19 pp. Pamphlet. | * ''[https://monoskop.org/log/?p=20449 Driving the Golden Spike: The Aesthetics of Anthropocene Public Space]'', Deep Time Chicago, 2016, 19 pp. Pamphlet. | ||
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** [https://transversal.at/transversal/1106/holmes/es "La personalidad flexible. Por una nueva crítica cultural"], trans. Marcelo Expósito, rev. Brian Holmes and Joaquín Barriendos, ''transversal'' 1 (2002). {{es}} | ** [https://transversal.at/transversal/1106/holmes/es "La personalidad flexible. Por una nueva crítica cultural"], trans. Marcelo Expósito, rev. Brian Holmes and Joaquín Barriendos, ''transversal'' 1 (2002). {{es}} | ||
** [https://transversal.at/transversal/1106/holmes/hr "Fleksibilna ličnost: za novu kulturalnu kritiku"], trans. Nataša Ilić, ''transversal'' 1 (2002). {{cr}} | ** [https://transversal.at/transversal/1106/holmes/hr "Fleksibilna ličnost: za novu kulturalnu kritiku"], trans. Nataša Ilić, ''transversal'' 1 (2002). {{cr}} | ||
+ | ** "Fleksibilna osebnost", in Holmes, ''Fleksibilna osebnost. Maščevanje koncepta'', trans. Alvina Žuraj, Ljubljana: Založba /*cf., 2005. {{sl}} | ||
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+ | * [https://inthemiddleofthewhirlwind.wordpress.com/the-revenge-of-the-concept-artistic-exchanges-networked-resistance-by-brian-holmes/ "The Revenge of the Concept: Artistic Exchanges, Networked Resistance"], in ''Confronting Capitalism: Dispatches from a Global Movement'', eds. Eddie Yuen, Daniel Burton-Rose, and George Katsiaficas, Brooklyn, NY: Softy Skull, 2004; repr. in Holmes, ''Unleashing the Collective Phantoms'', 2008. [http://archive.rhizome.org/artbase/1693/more/articles/yesbrianholmesrevenge.html] [https://www.worldcat.org/oclc/53069400] | ||
+ | ** "Maščevanje koncepta", in Holmes, ''Fleksibilna osebnost. Maščevanje koncepta'', trans. Alvina Žuraj, Ljubljana: Založba /*cf., 2005. {{sl}} | ||
* [https://brianholmes.wordpress.com/2007/04/08/the-potential-personality/ "The Potential Personality: Trans-Subjectivity in the Society of Control"], in ''3 escenarios'', Las Palmas: CAAM, 2006, [https://www.nbp.pro.br/doc/potential_personality_brian_holmes__1161.pdf PDF]. | * [https://brianholmes.wordpress.com/2007/04/08/the-potential-personality/ "The Potential Personality: Trans-Subjectivity in the Society of Control"], in ''3 escenarios'', Las Palmas: CAAM, 2006, [https://www.nbp.pro.br/doc/potential_personality_brian_holmes__1161.pdf PDF]. | ||
** [https://cadernosdesubjetividade.files.wordpress.com/2013/09/cadernos2011_baixaresolucao.pdf#page=195 "Personalidade potencial: trans–subjetividade na sociedade de controle"], trans. Filipe Ferreira, ''Cadernos de Subjetividade'' 8:13, São Paulo: PUC-SP, Oct 2011, pp 194-205, [https://www.nbp.pro.br/doc/personalidade_potencial_b_holmes_1407.pdf PDF]. {{br-pt}} | ** [https://cadernosdesubjetividade.files.wordpress.com/2013/09/cadernos2011_baixaresolucao.pdf#page=195 "Personalidade potencial: trans–subjetividade na sociedade de controle"], trans. Filipe Ferreira, ''Cadernos de Subjetividade'' 8:13, São Paulo: PUC-SP, Oct 2011, pp 194-205, [https://www.nbp.pro.br/doc/personalidade_potencial_b_holmes_1407.pdf PDF]. {{br-pt}} | ||
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+ | * [https://brianholmes.wordpress.com/2007/09/09/future-map/ "Future Map, or, How the Cyborgs Learned to Stop Worrying and Love Surveillance"], Sep 2007. | ||
* [https://monoskop.org/images/e/eb/A_Call_to_Farms_Continental_Drift_through_the_Radical_Midwest_Culture_Corridor_2008.pdf#page=41 "Further: Wisconsin and Dreamtimes West"], in ''A Call to Farms: Continental Drift through the Radical Midwest Culture Corridor'', Viroqua, WI: Heavy Duty Press, 2008, pp 35-37. [http://midwestcompass.org/a-call-to-farms/] | * [https://monoskop.org/images/e/eb/A_Call_to_Farms_Continental_Drift_through_the_Radical_Midwest_Culture_Corridor_2008.pdf#page=41 "Further: Wisconsin and Dreamtimes West"], in ''A Call to Farms: Continental Drift through the Radical Midwest Culture Corridor'', Viroqua, WI: Heavy Duty Press, 2008, pp 35-37. [http://midwestcompass.org/a-call-to-farms/] | ||
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* [http://www.regardingspectatorship.net/tactical-television-movement-media-in-the-nineties/ "Tactical Television. Movement Media in the Nineties"], ''Regarding Spectatorship'', 2015. | * [http://www.regardingspectatorship.net/tactical-television-movement-media-in-the-nineties/ "Tactical Television. Movement Media in the Nineties"], ''Regarding Spectatorship'', 2015. | ||
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+ | * [https://thewinnower.com/papers/future-map-reloaded "Future Map Reloaded, or, How the Cyborgs Learned to Stop Worrying and Love Surveillance"], May 2015. | ||
* [[Media:Holmes_Brian_2016_Captive_Sun.pdf|"Captive Sun"]], in ''Petcoke: Tracing Dirty Energy'', Chicago: Museum of Contemporary Photography, 2016. [http://www.mocp.org/exhibitions/2016/07/petcoke-project.php] | * [[Media:Holmes_Brian_2016_Captive_Sun.pdf|"Captive Sun"]], in ''Petcoke: Tracing Dirty Energy'', Chicago: Museum of Contemporary Photography, 2016. [http://www.mocp.org/exhibitions/2016/07/petcoke-project.php] |
Revision as of 14:43, 10 April 2021
Brian Holmes (1959, San Francisco) is a cultural critic who has worked with activists and artists in Europe and the Americas. He is interested primarily in the intersections of artistic and political practice. He holds a doctorate in Romance Languages and Literatures from the University of California at Berkeley. Holmes was the English editor of publications for Documenta X, Kassel, Germany in 1997. He is a member of the groups Deep Time Chicago and Compass, and a former member of the graphic arts group Ne pas plier from 1999 to 2001, and the French conceptual art group Bureau d'études. He lives in Chicago.
Publications
- Books
- Hieroglyphs of the Future: Art & Politics in a Networked Era, Zagreb: Arkzin/What, How and for Whom, 2003, 294 pp.
- co-editor, Continental Drift, Zagreb: What, How and for Whom/WHW, and Zagreb: AGM, 2008, 35 pp. Catalogue. (Croatian)
- Unleashing the Collective Phantoms: Essays in Reverse Imagineering, New York: Autonomedia, 2008, 187 pp. [1]. Review: Biles (Chicago Artists' News).
- Escape the Overcode: Activist Art in the Control Society, Eindhoven: Van Abbemuseum, and Zagreb: WHW, 2009, 414 pp.
- Driving the Golden Spike: The Aesthetics of Anthropocene Public Space, Deep Time Chicago, 2016, 19 pp. Pamphlet.
- Journal issues
- editor, with Gerald Raunig, Brumaria 5: "Arte : la imaginación política radical", Madrid: Asociación Cultural Brumaria, 2005, 379 pp. TOC. Introduction. (Spanish)
- Book chapters, essays
- "The Flexible Personality: For a New Cultural Critique", transversal 1 (2002).
- "Der flexible Charakter. Für eine neue Kulturkritik", trans. Birgit Mennel, transversal 1 (2002). (German)
- "La personalidad flexible. Por una nueva crítica cultural", trans. Marcelo Expósito, rev. Brian Holmes and Joaquín Barriendos, transversal 1 (2002). (Spanish)
- "Fleksibilna ličnost: za novu kulturalnu kritiku", trans. Nataša Ilić, transversal 1 (2002). (Croatian)
- "Fleksibilna osebnost", in Holmes, Fleksibilna osebnost. Maščevanje koncepta, trans. Alvina Žuraj, Ljubljana: Založba /*cf., 2005. (Slovenian)
- "The Revenge of the Concept: Artistic Exchanges, Networked Resistance", in Confronting Capitalism: Dispatches from a Global Movement, eds. Eddie Yuen, Daniel Burton-Rose, and George Katsiaficas, Brooklyn, NY: Softy Skull, 2004; repr. in Holmes, Unleashing the Collective Phantoms, 2008. [4] [5]
- "Maščevanje koncepta", in Holmes, Fleksibilna osebnost. Maščevanje koncepta, trans. Alvina Žuraj, Ljubljana: Založba /*cf., 2005. (Slovenian)
- "The Potential Personality: Trans-Subjectivity in the Society of Control", in 3 escenarios, Las Palmas: CAAM, 2006, PDF.
- "Personalidade potencial: trans–subjetividade na sociedade de controle", trans. Filipe Ferreira, Cadernos de Subjetividade 8:13, São Paulo: PUC-SP, Oct 2011, pp 194-205, PDF. (Brazilian Portuguese)
- "Further: Wisconsin and Dreamtimes West", in A Call to Farms: Continental Drift through the Radical Midwest Culture Corridor, Viroqua, WI: Heavy Duty Press, 2008, pp 35-37. [6]
- "Die Erfindung der Eventarbeit. Public Netbase in den 1990ern", in Vergessene Zukunft: radikale Netzkulturen in Europa, eds. Clemens Apprich and Felix Stalder, Bielefeld: transcript, 2012, pp 119-123. (German)
- "Cartography With Your Feet: Workshop Proposal for “Beneath the University, the Commons”", in Deep Routes: The Midwest in All Directions, eds. Rozalinda Borcila, Bonnie Fortune and Sarah Ross, Wisconsin: White Wire, 2012. [7] [8]
- "Continental Drift 2011: Argentina / China", in Deep Routes: The Midwest in All Directions, eds. Rozalinda Borcila, Bonnie Fortune and Sarah Ross, Wisconsin: White Wire, 2012. [9] [10]
- "Tactical Television. Movement Media in the Nineties", Regarding Spectatorship, 2015.
- "Future Map Reloaded, or, How the Cyborgs Learned to Stop Worrying and Love Surveillance", May 2015.
- "Captive Sun", in Petcoke: Tracing Dirty Energy, Chicago: Museum of Contemporary Photography, 2016. [11]
Interviews
- Tom Vandeputte, Sidsel Meineche Hansen, "Boundaries of Knowledge: Questions for Brian Holmes", 2015.
- Tünde Mariann Varga, "Political Ecology and Anthropocene Public Space: An Interview with Brian Holmes", Mezosfera, Budapest, Jun 2016.
Links
- Continental Drift, blog, until 2015
- Time To Change / Just Transition, 2021 video presentation
- Living Rivers
- Profile on EGS (archived)
- Live Your Models: Self-orientation and urban form in the next “spirit of capitalism”, keynote at the Former West: Art and Labor after the End of Work conference, Warsaw, 2015
- ARG
- Wikipedia