Difference between revisions of "Ana Peraica"

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|based_in = [[Split]], Croatia
 
|based_in = [[Split]], Croatia
 
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'''Ana Peraica''' is the author of ''The Age of Total Images'' (Amsterdam, 2019), ''Fotografija kao dokaz'' (Zagreb, 2018), ''Culture of the Selfie'' (Amsterdam, 2017) and editor of a number of books. Her essays in the domains of visual studies and media theory have been published in journals such as ''Leonardo, Afterimage, Photographies, Philosophy of Photography'', and in magazines such as ''Springerin, Art & Education Papers, Documenta Magazine, Pavilion'', and ''Flash Art'', while book chapters with Routledge, MIT Press, Blackwell, Palgrave Macmillan, Springer, Intellect books, and Sage, among other publishers.
 
  
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She is a Visiting Professor at University of Danube in Krems, Austria. Previously she was a Visiting Fellow at Central European University in Budapest. She has also been teching with Rochester Institute of Technology (RIT).
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'''Ana Peraica''' is the author of a number of books, including ''The Age of Total Images'' (Institute of Network Cultures, Amsterdam, 2019), ''Fotografija kao dokaz'' (Multimedijalni institute, Zagreb, 2018), and ''Culture of the Selfie'' (Institute of Network Cultures, Amsterdam, 2017). She is also the author of encyclopaedia entries for Sage and chapters in anthologies and readers published by MIT Press, Routledge, Palgrave Macmillan, Bloomsbury and Springer. Her articles have appeared in peer-reviewed journals such as Leonardo, Photographies, Philosophy of Photography, Art Documentation and others. She is a regular contributor to conferences such as the Media Art Histories conference series, the Institute of Network Cultures' Videovortex conference series, and the curatorial network Central European Initiative (CEI), which takes place at the openings of the Venice Biennale. She has also published a series of texts in magazines such as Springerin, Documenta Magazine, Membrana and others. She is a visiting professor at the Danube University in Austria and was previously a visiting fellow at the Central European University in Budapest.
  
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In addition to teaching and writing on photography, Ana Peraica also still runs a photo atelier, opened in 1934 by grandfather and latter led by her father, in Split, Croatia.
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Ana Peraica's work focuses primarily on post-digital photography, including semi-automated and automated photographic genres and forms such as selfies, total images, deep images and generative photography, in addition to operative images. Recently, she has defined the field of photogenetics, proposing several useful concepts for generative photography, including photogenes and phototypes, which she uses in the context of the Sixth Extinction, characteristic of photographocene (photography recording the demise of life) and the problem of generative images of species.
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In addition to her theoretical work, Ana is the third generation of photographers to run the photographic studio founded by her grandfather in 1934. As the studio is located in the main square of the Roman Emperor Diocletian in Split, Croatia, she is also an advocate for the protection and preservation of the living continuity of the UNESCO World Heritage Site. [http://www.anaperaica.info/about.html (2023)]
  
 
==Publications==
 
==Publications==

Revision as of 12:14, 5 January 2024

Born Split, Croatia, Yugoslavia
Lives in Split, Croatia

Ana Peraica is the author of a number of books, including The Age of Total Images (Institute of Network Cultures, Amsterdam, 2019), Fotografija kao dokaz (Multimedijalni institute, Zagreb, 2018), and Culture of the Selfie (Institute of Network Cultures, Amsterdam, 2017). She is also the author of encyclopaedia entries for Sage and chapters in anthologies and readers published by MIT Press, Routledge, Palgrave Macmillan, Bloomsbury and Springer. Her articles have appeared in peer-reviewed journals such as Leonardo, Photographies, Philosophy of Photography, Art Documentation and others. She is a regular contributor to conferences such as the Media Art Histories conference series, the Institute of Network Cultures' Videovortex conference series, and the curatorial network Central European Initiative (CEI), which takes place at the openings of the Venice Biennale. She has also published a series of texts in magazines such as Springerin, Documenta Magazine, Membrana and others. She is a visiting professor at the Danube University in Austria and was previously a visiting fellow at the Central European University in Budapest.

Ana Peraica's work focuses primarily on post-digital photography, including semi-automated and automated photographic genres and forms such as selfies, total images, deep images and generative photography, in addition to operative images. Recently, she has defined the field of photogenetics, proposing several useful concepts for generative photography, including photogenes and phototypes, which she uses in the context of the Sixth Extinction, characteristic of photographocene (photography recording the demise of life) and the problem of generative images of species.

In addition to her theoretical work, Ana is the third generation of photographers to run the photographic studio founded by her grandfather in 1934. As the studio is located in the main square of the Roman Emperor Diocletian in Split, Croatia, she is also an advocate for the protection and preservation of the living continuity of the UNESCO World Heritage Site. (2023)

Publications

Books

Links

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