Difference between revisions of "Ana Peraica"

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Ana Peraica holds a Ph. D. in aesthetics of photography. After graduating from University of Zagreb, in fields of art history and philosophy, she became a researcher in art theory at the Jan Van Eyck Akademie, Maastricht, where awarded UNESCO-IFPC, In parallel she undertook three year doctorate course in cultural analysis, theory and interpretation at ASCA, University of Amsterdam and defended her thesis entitled Photography as the Evidence at University of Rijeka.
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{{Infobox artist
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|image = Ana_Peraica.jpg
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|imagesize = 338px
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|birth_place = [[Split]], Croatia, Yugoslavia
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|based_in = [[Split]], Croatia
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}}
  
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She is an editor of the reader ''Zena na raskrizju ideologija'' (Split, HULU / Governmental Office for the Equality of Rights Split, 2007), ''Victims Symptom – PTSD and Culture'' (Institute for Networked Cultures, Amsterdam, 2009) and author of ''Sub/versions'' (Revolver Publishing, 2009). Her essays in domains of visual studies and media theory are/were published by many magazines and journals, such as ''Springerin, Pavilion, Fotografija, Afterimage, Leonardo'', etc.
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'''Ana Peraica''' is the author of a number of books, including ''The Age of Total Images'' (Institute of Network Cultures, Amsterdam, 2019), ''Fotografija kao dokaz'' (Multimedijalni institute, Zagreb, 2018), and ''Culture of the Selfie'' (Institute of Network Cultures, Amsterdam, 2017). She is also the author of encyclopaedia entries for Sage and chapters in anthologies and readers published by MIT Press, Routledge, Palgrave Macmillan, Bloomsbury and Springer. Her articles have appeared in peer-reviewed journals such as Leonardo, Photographies, Philosophy of Photography, Art Documentation and others. She is a regular contributor to conferences such as the Media Art Histories conference series, the Institute of Network Cultures' Videovortex conference series, and the curatorial network Central European Initiative (CEI), which takes place at the openings of the Venice Biennale. She has also published texts in magazines such as ''Springerin, Documenta Magazine, Membrana'' and others. She is a visiting professor at the Danube University in Austria and was previously a visiting fellow at the Central European University in Budapest.
  
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* http://www.atelierperajica.com/
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Ana Peraica's work focuses primarily on post-digital photography, including semi-automated and automated photographic genres and forms such as selfies, total images, deep images and generative photography, in addition to operative images. Recently, she has defined the field of photogenetics, proposing several useful concepts for generative photography, including photogenes and phototypes, which she uses in the context of the Sixth Extinction, characteristic of photographocene (photography recording the demise of life) and the problem of generative images of species.
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* http://independent.academia.edu/AnaPeraica
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* http://www.furtherfield.org/user/ana-peraica
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In addition to her theoretical work, Ana is the third generation of photographers to run the photographic studio founded by her grandfather in 1934. As the studio is located in the main square of the Roman Emperor Diocletian in Split, Croatia, she is also an advocate for the protection and preservation of the living continuity of the UNESCO World Heritage Site. [http://www.anaperaica.info/about.html (2023)]
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==Publications==
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; Books
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* editor, ''[[Media:Peraica_Ana_ed_Zena_na_raskrizju_ideologija_2007.pdf|Žena na raskrižju ideologija]]'', Split: Hrvatsko društvo likovnih umjetnika (HULU), 2007, 240 pp, [https://www.scribd.com/document/205506740/ Scribd]. {{cr}}
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* editor, ''[https://monoskop.org/log/?p=783 Victims' Symptom: PTSD and Culture]'', Amsterdam: Institute of Network Culture (Theory on Demand #3), 2009, 154 pp, [[Media:Peraica_Ana_ed_Victims_Symptom_PTSD_and_Culture_2009.pdf|PDF]].
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* editor, ''[[Media:Smuggling_Anthologies_Reader_2015.pdf|Smuggling Anthologies Reader]]'', Rijeka: Museum of Modern and Contemporary Art, 2015, 335 pp, [https://issuu.com/rijekammsu/docs/reader__1_ Issuu].
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* ''[http://networkcultures.org/blog/publication/culture-of-the-selfie/ Culture of the Selfie. Self-Representation in Contemporary Visual Culture]'', Amsterdam: Institute of Network Culture (Theory on Demand #24), 2017, 115 pp, [[Media:Peraica_Ana_Culture_of_the_Selfie_Self-Representation_in_Contemporary_Visual_Culture_2017.pdf|PDF]].
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* ''[[Media:Peraica_Ana_Fotografija_kao_dokaz_2018.pdf|Fotografija kao dokaz]]'', Zagreb, Mutlimedijalni institut, 2018, 115 pp. {{cr}}
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* ''[https://networkcultures.org/blog/publication/tod34-the-age-of-total-images-disappearance-of-a-subjective-viewpoint-in-post-digital-photography/ The Age of Total Images: Disappearance of a Subjective Viewpoint in Post-digital Photography]'', Amsterdam: Institute of Network Culture (Theory on Demand #34), 2019, 143 pp, [[Media:Peraica_Ana_The_Age_of_Total_Images_Disappearance_of_a_Subjective_Viewpoint_in_Post-digital_Photography_2019.pdf|PDF]], [https://networkcultures.org/wp-content/uploads/2020/03/TheAgeOfTotalImages.epub EPUB]. 
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* [http://www.anaperaica.info/publishing.html more]
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==Links==
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* [http://www.anaperaica.info Website]
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* [http://www.atelierperajica.com/ Atelier Perajica], photo atelier in Split.
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* [https://donau-uni.academia.edu/AnaPeraica Academia.edu]
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* [https://www.digitalartarchive.at/database/artists/general/artist/peraica.html Profile on ADA]
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* [https://www.leonardo.info/led/867 Profile on Leonardo]
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[[Series:Art writers]]
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{{DEFAULTSORT:Peraica, Ana}}

Latest revision as of 12:14, 5 January 2024

Born Split, Croatia, Yugoslavia
Lives in Split, Croatia

Ana Peraica is the author of a number of books, including The Age of Total Images (Institute of Network Cultures, Amsterdam, 2019), Fotografija kao dokaz (Multimedijalni institute, Zagreb, 2018), and Culture of the Selfie (Institute of Network Cultures, Amsterdam, 2017). She is also the author of encyclopaedia entries for Sage and chapters in anthologies and readers published by MIT Press, Routledge, Palgrave Macmillan, Bloomsbury and Springer. Her articles have appeared in peer-reviewed journals such as Leonardo, Photographies, Philosophy of Photography, Art Documentation and others. She is a regular contributor to conferences such as the Media Art Histories conference series, the Institute of Network Cultures' Videovortex conference series, and the curatorial network Central European Initiative (CEI), which takes place at the openings of the Venice Biennale. She has also published texts in magazines such as Springerin, Documenta Magazine, Membrana and others. She is a visiting professor at the Danube University in Austria and was previously a visiting fellow at the Central European University in Budapest.

Ana Peraica's work focuses primarily on post-digital photography, including semi-automated and automated photographic genres and forms such as selfies, total images, deep images and generative photography, in addition to operative images. Recently, she has defined the field of photogenetics, proposing several useful concepts for generative photography, including photogenes and phototypes, which she uses in the context of the Sixth Extinction, characteristic of photographocene (photography recording the demise of life) and the problem of generative images of species.

In addition to her theoretical work, Ana is the third generation of photographers to run the photographic studio founded by her grandfather in 1934. As the studio is located in the main square of the Roman Emperor Diocletian in Split, Croatia, she is also an advocate for the protection and preservation of the living continuity of the UNESCO World Heritage Site. (2023)

Publications[edit]

Books

Links[edit]

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