Difference between revisions of "Flóra Barkóczi"
| Line 1: | Line 1: | ||
| − | '''Flóra Barkóczi''' is an art historian | + | '''Flóra Barkóczi''' is an art historian working at the Central European Research Institute for Art History (KEMKI) – Museum of Fine Arts, [[Budapest]], Hungary. From 2018 to 2022, she worked at the [[Artpool|Artpool Art Research Center]]. Since 2020, she is a PhD fellow in Film, Media, and Cultural Theory at Eötvös Loránd University, Budapest. Her research focuses on the role of technological media in post-1960s avant-garde art in the East-Central European region, with an emphasis on conceptual photography of the 1960s and 70s, (new) media art of the 1980s and 90s, Internet-based art practices, Internet culture of the 1990s, and contemporary photo-based art practices. Since 2024, she is a lecturer at the [[Intermedia Department]] at the Hungarian University of Fine Arts. [https://networkcultures.org/blog/2024/10/14/full-program-of-metaforum-x-permacrises-october-24-26-2024-budapest/ (2024)] |
; Links | ; Links | ||
Revision as of 18:12, 21 October 2024
Flóra Barkóczi is an art historian working at the Central European Research Institute for Art History (KEMKI) – Museum of Fine Arts, Budapest, Hungary. From 2018 to 2022, she worked at the Artpool Art Research Center. Since 2020, she is a PhD fellow in Film, Media, and Cultural Theory at Eötvös Loránd University, Budapest. Her research focuses on the role of technological media in post-1960s avant-garde art in the East-Central European region, with an emphasis on conceptual photography of the 1960s and 70s, (new) media art of the 1980s and 90s, Internet-based art practices, Internet culture of the 1990s, and contemporary photo-based art practices. Since 2024, she is a lecturer at the Intermedia Department at the Hungarian University of Fine Arts. (2024)
- Links
