Difference between revisions of "Circulationism"
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==See Also== | ==See Also== | ||
| − | [[Ambiguationist]], [[Post-internet art]], Meta, Meta Images, Post-Production, Relational Aesthetics, | + | [[Ambiguationist]], [[Post-internet art]], Productivism, Meta, Meta Images, Post-Production, Relational Aesthetics, Consumerism |
Revision as of 14:46, 8 November 2024
Contents
Names
- Circulationism
Origin
- Coined by artist Hito Steyerl in her 2014 publication, Circulationism.
Definitions and Descriptions
- Hito Steyerl suggests, "What the Soviet avant-garde of the twentieth century called productivism – the claim that art should enter production and the factory – could now be replaced by circulationism. Circulationism is not about the art of making an image, but of post-producing, launching, and accelerating it. It is about the public relations of images across social networks, about advertisement and alienation, and about being as suavely vacuous as possible."
Exhibitions
- Circulationism, Van Abbemuseum, Eindhoven, 2014. Solo show by Hito Steyerl with accompanying programming of discussions.
Discussions
- Circulationism I, Van Abbemuseum, May 24, 2014. Speakers: Josephine Bosma, Metahaven, David Riff and Hito Steyerl.
Publications
Books
- Hito Steyerl, Circulationism, Edited by MUAC, Museo Universitario Arte Contemporáneo, México City, Universidad Nacional Autónoma de México, September 15 2014.
Essays, Articles, Book Chapters
See Also
Ambiguationist, Post-internet art, Productivism, Meta, Meta Images, Post-Production, Relational Aesthetics, Consumerism
