Difference between revisions of "Colectivo Acciones de Arte"

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(Created page with "'''Colectivo Acción de Arte''' (CADA, Collective Art Action) made bold public interventions in the late 1970s and early 1980s. The group was formed by the writer Diamela Elti...")
 
 
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'''Colectivo Acción de Arte''' (CADA, Collective Art Action) made bold public interventions in the late 1970s and early 1980s. The group was formed by the writer Diamela Eltit, the poet Raúl Zurita, the sociologist Fernando Balcells and the visual artists [[Lotty Rosenfeld]] and Juan Castillo and reacted artistically to the institutions of the time. [https://en.wikipedia.org/wiki/Chilean_art#CADA_Group]
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'''Colectivo Acciones de Arte''' (CADA, Collective Art Action) was formed in 1979 by writer Diamela Eltit, poet Raúl Zurita, sociologist Fernando Balcells and visual artists [[Lotty Rosenfeld]] and Juan Castillo. Among its best-known actions are ''Para no morir de hambre en el arte'' (1979), ''¡Ay Sudamérica!'' (1981), and ''NO +'' (1984). It operated as a collective until 1985, when it carried out its last art action: ''Viuda'' (Widow). The group was described by art theorist and critic Nelly Richard as part of the so-called Escena de Avanzada (Avant-Garde Scene).
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; Links
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* [https://www.artistasvisualeschilenos.cl/658/w3-article-45601.html Artistas Visuale Chilenos]
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* [https://www.museoreinasofia.es/en/exhibitions/colectivo-acciones-arte-cada-1979-1985 Exhibition], Reina Sofia, 2016. [https://www.museoreinasofia.es/sites/default/files/exposiciones/folletos/colectivo_acciones_de_arte_c.a.d.a.-en.pdf Brochure PDF]
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* [https://www.memoriachilena.gob.cl/602/w3-article-3342.html Memoria Chilena]
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* [https://hemisphericinstitute.org/es/hidvl-collections/itemlist/category/100-cada.html Hemispheric Institute]
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[[Series:Art and activism]]

Latest revision as of 14:36, 4 June 2025

Colectivo Acciones de Arte (CADA, Collective Art Action) was formed in 1979 by writer Diamela Eltit, poet Raúl Zurita, sociologist Fernando Balcells and visual artists Lotty Rosenfeld and Juan Castillo. Among its best-known actions are Para no morir de hambre en el arte (1979), ¡Ay Sudamérica! (1981), and NO + (1984). It operated as a collective until 1985, when it carried out its last art action: Viuda (Widow). The group was described by art theorist and critic Nelly Richard as part of the so-called Escena de Avanzada (Avant-Garde Scene).

Links
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