Difference between revisions of "Hans Haacke"
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* with Pierre Bourdieu, ''Libre-Échange'', 1994. {{fr}} | * with Pierre Bourdieu, ''Libre-Échange'', 1994. {{fr}} | ||
** ''[http://monoskop.org/log/?p=5884 Free Exchange]'', Polity Press with Blackwell, 1995, 144 pp. {{en}} | ** ''[http://monoskop.org/log/?p=5884 Free Exchange]'', Polity Press with Blackwell, 1995, 144 pp. {{en}} | ||
− | * "Museums, Managers of Consciousness", ''Art in America'' 72:2 (Feb 1984); rev. in Haacke, ''Unfinished Business'', 1986, pp 60-72; [http://everydayarchive.org/awt/wp-content/uploads/2014/01/haacke_museums_institutional_critique.pdf repr. in] ''Institutional Critique: An Anthology of Artists' | + | * "Museums, Managers of Consciousness", ''Art in America'' 72:2 (Feb 1984); rev. in Haacke, ''Unfinished Business'', 1986, pp 60-72; [http://everydayarchive.org/awt/wp-content/uploads/2014/01/haacke_museums_institutional_critique.pdf repr. in] ''Institutional Critique: An Anthology of Artists' Writings'', eds. Alexander Alberro and Blake Stimson, MIT Press, 2009. {{en}} |
* ''Unfinished Business'', ed. Brian Wallis, New York: New Museum of Contemporary Art, and Cambridge, MA: MIT Press, 1986. {{en}} | * ''Unfinished Business'', ed. Brian Wallis, New York: New Museum of Contemporary Art, and Cambridge, MA: MIT Press, 1986. {{en}} | ||
− | * "Symbolic Capital Management, or What To Do With the Good, the True, and the Beautiful", in ''The Academy and the Corporate Public'', ed. Stephan Dillemuth, Cologne: Permanent Press, 2002, pp 28-39; [http://everydayarchive.org/awt/wp-content/uploads/2014/01/haacke_symbollic_capital_mngmnt.pdf repr. in] ''Institutional Critique: An Anthology of Artists' | + | * "Symbolic Capital Management, or What To Do With the Good, the True, and the Beautiful", in ''The Academy and the Corporate Public'', ed. Stephan Dillemuth, Cologne: Permanent Press, 2002, pp 28-39; [http://everydayarchive.org/awt/wp-content/uploads/2014/01/haacke_symbollic_capital_mngmnt.pdf repr. in] ''Institutional Critique: An Anthology of Artists' Writings'', eds. Alexander Alberro and Blake Stimson, MIT Press, 2009. The essay began as a public lecture at the University of California, Berkeley, in 1977; a revised version of the lecture was presented at the Kunsthalle Zurich in 1996. {{en}} |
; Catalogues | ; Catalogues |
Revision as of 01:00, 29 December 2015
- Publications
- with Pierre Bourdieu, Libre-Échange, 1994. (French)
- Free Exchange, Polity Press with Blackwell, 1995, 144 pp. (English)
- "Museums, Managers of Consciousness", Art in America 72:2 (Feb 1984); rev. in Haacke, Unfinished Business, 1986, pp 60-72; repr. in Institutional Critique: An Anthology of Artists' Writings, eds. Alexander Alberro and Blake Stimson, MIT Press, 2009. (English)
- Unfinished Business, ed. Brian Wallis, New York: New Museum of Contemporary Art, and Cambridge, MA: MIT Press, 1986. (English)
- "Symbolic Capital Management, or What To Do With the Good, the True, and the Beautiful", in The Academy and the Corporate Public, ed. Stephan Dillemuth, Cologne: Permanent Press, 2002, pp 28-39; repr. in Institutional Critique: An Anthology of Artists' Writings, eds. Alexander Alberro and Blake Stimson, MIT Press, 2009. The essay began as a public lecture at the University of California, Berkeley, in 1977; a revised version of the lecture was presented at the Kunsthalle Zurich in 1996. (English)
- Catalogues
- Hans Haacke 1967, ed. Caroline A. Jones, Cambridge, MA: MIT List Visual Arts Center, 2011, 28 pp. Catalogue. (English)
- Interviews
- Lutz Dammbeck, "Interview: Hans Haacke", n.d. For the film Das Netz (2003). (German)
- Stian Gabrielsen, "Touching Institutional Nerves. Interview with Hans Haacke", Kunstkritikk, 22 Dec 2015. (English)
- Literature
- Marga Bijvoet, "Hans Haacke: Systems Artist", ch. 4 in Bijvoet, Art As Inquiry: Toward New Collaborations Between Art, Science, and Technology, Peter Lang, 1997. (English)
- "Hans Haacke: System-Künstler", ch. 4 in Bijvoet, Kunst-Forschung, n.d. (German)
- Jeannine Tang, "Future Circulations: On the Work of Hans Haacke and Maria Eichhorn", in Provenance: An Alternate History of Art, Getty Research Institute, 2013, pp 173-196. (English)