Difference between revisions of "Ana Peraica"

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(Created page with "Ana Peraica holds a Ph. D. in aesthetics of photography. After graduating from University of Zagreb, in fields of art history and philosophy, she became a researcher in art th...")
 
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Ana Peraica holds a Ph. D. in aesthetics of photography. After graduating from University of Zagreb, in fields of art history and philosophy, she became a researcher in art theory at the Jan Van Eyck Akademie, Maastricht, where awarded UNESCO-IFPC, In parallel she undertook three year doctorate course in cultural analysis, theory and interpretation at ASCA, University of Amsterdam and defended her thesis entitled Photography as the Evidence at University of Rijeka.  
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'''Ana Peraica''' is a lecturer in visual culture and history of media arts at the Department for Image Science, University of Danube in Krems, Austria.  
  
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She is an editor of the reader ''Zena na raskrizju ideologija'' (Split, HULU / Governmental Office for the Equality of Rights Split, 2007), ''Victims Symptom – PTSD and Culture'' (Institute for Networked Cultures, Amsterdam, 2009) and author of ''Sub/versions'' (Revolver Publishing, 2009). Her essays in domains of visual studies and media theory are/were published by many magazines and journals, such as ''Springerin, Pavilion, Fotografija, Afterimage, Leonardo'', etc.
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She holds an MA in art history and philosophy from the University of Zagreb. Afterwards she was a researcher in art theory at the Jan Van Eyck Akademie, Maastricht. In parallel, she undertook a 3-year doctorate course in cultural analysis, theory and interpretation at ASCA, University of Amsterdam, and defended her thesis entitled ''[https://dr.nsk.hr/islandora/object/svkri%3A3601 Fotografija kao dokaz]'' [Photography as the Evidence] at the University of Rijeka.  
  
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* http://www.atelierperajica.com/
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Peraica covers a variety of approaches to contemporary arts and visual culture. She lives and works in Diocletian's palace in Split (Croatia) where she runs a family photo studio [http://www.atelierperajica.com/ Atelier Perajica] and actively engages in the preservation of life inside this inhabited Roman monument on the World Heritage list.
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* http://independent.academia.edu/AnaPeraica
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* http://www.furtherfield.org/user/ana-peraica
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She is the author of ''Culture of the Selfie'' (Amsterdam, 2017) and ''Sub/versions'' (Berlin, 2009), and editor of a number of books. Her essays in the domains of visual studies and media theory have been published in journals such as ''Leonardo, Afterimage, Institute of Physics Conference Series'', and in magazines such as ''Springerin, Art & Education Papers, Documenta Magazine, Pavilion'', and ''Flash Art''.
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==Publications==
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; Books
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* editor, ''[[Media:Peraica_Ana_ed_Zena_na_raskrizju_ideologija_2007.pdf|Žena na raskrižju ideologija]]'', Split: Hrvatsko društvo likovnih umjetnika (HULU), 2007, 240 pp, [https://www.scribd.com/document/205506740/ Scribd]. {{cr}}
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* editor, ''[http://networkcultures.org/blog/publication/victims-symptom-ptsd-and-culture-ana-peraica/ Victims' Symptom: PTSD and Culture]'', Amsterdam: Institute of Network Culture (Theory on Demand #3), 2009, 154 pp, [[Media:Peraica_Ana_ed_Victims_Symptom_PTSD_and_Culture_2009.pdf|PDF]].
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* ''Sub/versions: Essays in Contemporary Art and Culture'', Berlin: Vice Versa Vertrieb & Revolver, 2009, 309 pp. A collection of essays on contemporary media art from 2000-2008.
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* editor, ''[[Media:Smuggling_Anthologies_Reader_2015.pdf|Smuggling Anthologies Reader]]'', Rijeka: Museum of Modern and Contemporary Art, 2015, 335 pp, [https://issuu.com/rijekammsu/docs/reader__1_ Issuu].
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* ''[http://networkcultures.org/blog/publication/culture-of-the-selfie/ Culture of the Selfie. Self-Representation in Contemporary Visual Culture]'', Amsterdam: Institute of Network Culture (Theory on Demand #24), 2017, 115 pp, [[Media:Peraica_Ana_Culture_of_the_Selfie_Self-Representation_in_Contemporary_Visual_Culture_2017.pdf|PDF]].
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* ''Fotografija kao dokaz'', Zagreb: Multimedia Institut, forthcoming. {{cr}}
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* [http://www.anaperaica.info/publishing.html more]
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==Links==
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* [http://www.anaperaica.info Home page]
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* [http://www.atelierperajica.com/ Atelier Perajica], photo atelier in Split.
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* [https://donau-uni.academia.edu/AnaPeraica Academia.edu]
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* [https://www.digitalartarchive.at/database/artists/general/artist/peraica.html Profile on ADA]
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* [https://www.leonardo.info/led/867 Profile on Leonardo]

Revision as of 15:43, 6 January 2018

Ana Peraica is a lecturer in visual culture and history of media arts at the Department for Image Science, University of Danube in Krems, Austria.

She holds an MA in art history and philosophy from the University of Zagreb. Afterwards she was a researcher in art theory at the Jan Van Eyck Akademie, Maastricht. In parallel, she undertook a 3-year doctorate course in cultural analysis, theory and interpretation at ASCA, University of Amsterdam, and defended her thesis entitled Fotografija kao dokaz [Photography as the Evidence] at the University of Rijeka.

Peraica covers a variety of approaches to contemporary arts and visual culture. She lives and works in Diocletian's palace in Split (Croatia) where she runs a family photo studio Atelier Perajica and actively engages in the preservation of life inside this inhabited Roman monument on the World Heritage list.

She is the author of Culture of the Selfie (Amsterdam, 2017) and Sub/versions (Berlin, 2009), and editor of a number of books. Her essays in the domains of visual studies and media theory have been published in journals such as Leonardo, Afterimage, Institute of Physics Conference Series, and in magazines such as Springerin, Art & Education Papers, Documenta Magazine, Pavilion, and Flash Art.

Publications

Books

Links

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