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− | [[ | + | '''Brian Holmes''' (1959, San Francisco) is a cultural critic who has worked with activists and artists in Europe and the Americas. He is interested primarily in the intersections of artistic and political practice. He holds a doctorate in Romance Languages and Literatures from the University of California at Berkeley. Holmes was the English editor of publications for ''Documenta X'', Kassel, Germany in 1997. He is a member of the groups [http://www.deeptimechicago.org Deep Time Chicago] and [http://midwestcompass.org/ Compass], and a former member of the graphic arts group [http://www.nepasplier.fr Ne pas plier] from 1999 to 2001, and the French conceptual art group [https://bureaudetudes.org/ Bureau d'études]. He lives in [[Chicago]]. |
+ | |||
+ | ==Publications== | ||
+ | ===Books=== | ||
+ | |||
+ | * ''[http://monoskop.org/log/?p=1621 Hieroglyphs of the Future: Art & Politics in a Networked Era]'', Zagreb: Arkzin/What, How and for Whom, 2003, 294 pp. | ||
+ | |||
+ | * co-editor, ''[[Media:Continental Drift Galerija Nova Zagreb 2008.pdf|Continental Drift]]'', Zagreb: What, How and for Whom/WHW, and Zagreb: AGM, 2008, 35 pp. Catalogue. {{cr}} | ||
+ | |||
+ | * ''Unleashing the Collective Phantoms: Essays in Reverse Imagineering'', New York: Autonomedia, 2008, 187 pp. [http://www.halfletterpress.com/unleashing-the-collective-phantoms-essays-in-reverse-imagineering/]. Review: [https://www.academia.edu/7647260 Biles] (Chicago Artists' News). | ||
+ | |||
+ | * ''[http://monoskop.org/log/?p=1640 Escape the Overcode: Activist Art in the Control Society]'', Eindhoven: Van Abbemuseum, and Zagreb: WHW, 2009, 414 pp. | ||
+ | |||
+ | * ''Profanity and the Financial Markets. A User’s Guide to Closing the Casino'', Hatje Cantz (100 Notes, 100 Thoughts: Documenta Series), 2012. {{en}}/{{de}} | ||
+ | |||
+ | * with Beate Geissler and Oliver Sann, ''Volatile Smile'', Nürnberg: Moderne Kunst, 2014, 182 pp. [http://www.artbook.com/9783869840826.html] [http://www.documentjournal.com/2015/07/volatile-smile/] | ||
+ | |||
+ | * ''[https://monoskop.org/log/?p=20449 Driving the Golden Spike: The Aesthetics of Anthropocene Public Space]'', Deep Time Chicago, 2016, 19 pp. Pamphlet. | ||
+ | |||
+ | ===Translator=== | ||
+ | |||
+ | * Félix Guattari, Suely Rolnik, ''[http://monoskop.org/log/?p=2010 Molecular Revolution in Brazil]'', trans. Karel Clapshow and Brain Holmes, Semiotext(e), 2008, 495 pp. | ||
+ | |||
+ | * Clement Greenberg, ''[https://1lib.sk/book/2632129/bb2fa0 Between the Lines]'', trans. Thierry de Duve and Brian Holmes, University Of Chicago Press, 2010. | ||
+ | |||
+ | ===Journal issues=== | ||
+ | |||
+ | * editor, with Gerald Raunig, ''Brumaria'' 5: "Arte : la imaginación política radical", Madrid: Asociación Cultural Brumaria, 2005, 379 pp. [http://web.archive.org/web/20070121082312/http://www.brumaria.net/publicacionbru5.htm TOC]. [https://transversal.at/transversal/0106/brumaria/es Introduction]. {{es}} | ||
+ | |||
+ | ===Book chapters, essays=== | ||
+ | |||
+ | * "Réveiller les fantômes collectifs. Résistance réticulaire, personnalité flexible", trans. Brian Holmes, ''Autonomie artistique'' 1, Paris, 2002; [https://transversal.at/transversal/1202/holmes/fr repr.], ''transversal'', Vienna, Dec 2002. {{fr}} | ||
+ | ** [https://www.metamute.org/editorial/articles/unleashing-collective-phantom-resistance-to-networked-individualism "Unleashing the Collective Phantoms. Flexible Personality, Networked Resistance"], ''Mute'' 24, London, May 2002; [https://transversal.at/transversal/1202/holmes/en repr.], ''transversal'', Vienna, Dec 2002. | ||
+ | ** [https://transversal.at/transversal/1202/holmes/de "Die kollektiven Phantome freisetzen. Flexible Persönlichkeit, vernetzter Widerstand"], trans. Marion Hamm, ''transversal'', Vienna, Dec 2002. {{de}} | ||
+ | ** [https://transversal.at/transversal/1202/holmes/it "Liberare i fantasmi collettivi. Personalità flessibile e resistenza in Rete"], trans. Sandro Armezzani, ''transversal'', Vienna, Dec 2002. {{it}} | ||
+ | |||
+ | * "Liar's Poker", ''Springerin'' 1, Vienna, 2003; [http://subsol.c3.hu/subsol_2/contributors3/holmestext.html repr.], ''Subsol 2'': "Art of Commodification", n.d. | ||
+ | |||
+ | * [https://www.cairn.info/revue-multitudes-2003-3-page-59.htm "Warhol au Soleil levant: art, sous-culture et production sémiotique"], ''Multitudes'' 13, Paris, 2003, pp 59-67. {{fr}} | ||
+ | |||
+ | * [https://inthemiddleofthewhirlwind.wordpress.com/the-revenge-of-the-concept-artistic-exchanges-networked-resistance-by-brian-holmes/ "The Revenge of the Concept: Artistic Exchanges, Networked Resistance"], in ''Confronting Capitalism: Dispatches from a Global Movement'', eds. Eddie Yuen, Daniel Burton-Rose, and George Katsiaficas, Brooklyn, NY: Softy Skull, 2004; repr. in Holmes, ''Unleashing the Collective Phantoms'', 2008. [http://archive.rhizome.org/artbase/1693/more/articles/yesbrianholmesrevenge.html] [https://www.worldcat.org/oclc/53069400] | ||
+ | ** "Maščevanje koncepta", in Holmes, ''Fleksibilna osebnost. Maščevanje koncepta'', trans. Alvina Žuraj, Ljubljana: Založba /*cf., 2005. {{sl}} | ||
+ | |||
+ | * [https://transversal.at/transversal/1106/holmes/en "The Flexible Personality: For a New Cultural Critique"], ''transversal'', Nov 2006. | ||
+ | ** [https://transversal.at/transversal/1106/holmes/de "Der flexible Charakter. Für eine neue Kulturkritik"], trans. Birgit Mennel, ''transversal'', Nov 2006. {{de}} | ||
+ | ** [https://transversal.at/transversal/1106/holmes/es "La personalidad flexible. Por una nueva crítica cultural"], trans. Marcelo Expósito, rev. Brian Holmes and Joaquín Barriendos, ''transversal'' 1, Nov 2006. {{es}} | ||
+ | ** [https://transversal.at/transversal/1106/holmes/hr "Fleksibilna ličnost: za novu kulturalnu kritiku"], trans. Nataša Ilić, ''transversal'', Nov 2006. {{cr}} | ||
+ | ** "Fleksibilna osebnost", in Holmes, ''Fleksibilna osebnost. Maščevanje koncepta'', trans. Alvina Žuraj, Ljubljana: Založba /*cf., 2005. {{sl}} | ||
+ | |||
+ | * [https://brianholmes.wordpress.com/2007/04/08/the-potential-personality/ "The Potential Personality: Trans-Subjectivity in the Society of Control"], in ''3 escenarios'', Las Palmas: CAAM, 2006, [https://www.nbp.pro.br/doc/potential_personality_brian_holmes__1161.pdf PDF]. | ||
+ | ** [https://cadernosdesubjetividade.files.wordpress.com/2013/09/cadernos2011_baixaresolucao.pdf#page=195 "Personalidade potencial: trans–subjetividade na sociedade de controle"], trans. Filipe Ferreira, ''Cadernos de Subjetividade'' 8:13, São Paulo: PUC-SP, Oct 2011, pp 194-205, [https://www.nbp.pro.br/doc/personalidade_potencial_b_holmes_1407.pdf PDF]. {{br-pt}} | ||
+ | |||
+ | * [https://brianholmes.wordpress.com/2007/09/09/future-map/ "Future Map, or, How the Cyborgs Learned to Stop Worrying and Love Surveillance"], Sep 2007. | ||
+ | |||
+ | * [https://monoskop.org/images/b/be/Stimson_Blake_Sholette_Gregory_eds_Collectivism_after_Modernism_The_Art_of_Social_Imagination_after_1945_2007.pdf#page=291 "Do-It-Yourself Geopolitics: Cartographies of Art in the World"], in ''[https://monoskop.org/log/?p=232 Collectivism After Modernism: The Art of Social Imagination After 1945]'', eds. Blake Stimson and Gregory Sholette, Minneapolis: University of Minnesota Press, 2007, pp 273-293. | ||
+ | |||
+ | * [https://monoskop.org/images/e/eb/A_Call_to_Farms_Continental_Drift_through_the_Radical_Midwest_Culture_Corridor_2008.pdf#page=41 "Further: Wisconsin and Dreamtimes West"], in ''A Call to Farms: Continental Drift through the Radical Midwest Culture Corridor'', Viroqua, WI: Heavy Duty Press, 2008, pp 35-37. [http://midwestcompass.org/a-call-to-farms/] | ||
+ | |||
+ | * [https://monoskop.org/images/f/fe/Apprich_Clemens_Stalder_Felix_Hg_Vergessene_Zukunft_Radikale_Netzkulturen_in_Europa_2012.pdf#page=115 "Die Erfindung der Eventarbeit. Public Netbase in den 1990ern"], in ''[https://monoskop.org/log/?p=20464 Vergessene Zukunft: radikale Netzkulturen in Europa]'', eds. Clemens Apprich and Felix Stalder, Bielefeld: transcript, 2012, pp 119-123. {{de}} | ||
+ | |||
+ | * [http://midwestcompass.org/wp-content/uploads/2013/01/Cartography-with-your-feet.pdf "Cartography With Your Feet: Workshop Proposal for “Beneath the University, the Commons”"], in ''Deep Routes: The Midwest in All Directions'', eds. Rozalinda Borcila, Bonnie Fortune and Sarah Ross, Wisconsin: White Wire, 2012. [http://midwestcompass.org/deep-routes/] [https://halfletterpress.com/deep-routes-the-midwest-in-all-directions/] | ||
+ | |||
+ | * [http://midwestcompass.org/wp-content/uploads/2013/01/Continental-Drift-2011.pdf "Continental Drift 2011: Argentina / China"], in ''Deep Routes: The Midwest in All Directions'', eds. Rozalinda Borcila, Bonnie Fortune and Sarah Ross, Wisconsin: White Wire, 2012. [http://midwestcompass.org/deep-routes/] [https://halfletterpress.com/deep-routes-the-midwest-in-all-directions/] | ||
+ | |||
+ | * [http://www.regardingspectatorship.net/tactical-television-movement-media-in-the-nineties/ "Tactical Television. Movement Media in the Nineties"], ''Regarding Spectatorship'', 2015. | ||
+ | |||
+ | * [https://thewinnower.com/papers/future-map-reloaded "Future Map Reloaded, or, How the Cyborgs Learned to Stop Worrying and Love Surveillance"], May 2015. | ||
+ | |||
+ | * [[Media:Holmes_Brian_2016_Captive_Sun.pdf|"Captive Sun"]], in ''Petcoke: Tracing Dirty Energy'', Chicago: Museum of Contemporary Photography, 2016. [http://www.mocp.org/exhibitions/2016/07/petcoke-project.php] | ||
+ | |||
+ | * [https://www.cairn.info/publications-de-Brian-Holmes--474.htm more], [https://transversal.at/bio/holmes more] | ||
+ | |||
+ | ==Interviews== | ||
+ | |||
+ | * Robby Herbst, [https://joaap.org/4/holmes.html "Hinting at ways to work in current contexts; an interview with Brian Holmes"], ''Journal of Aesthetics and Protest'' 4, 2005. | ||
+ | |||
+ | * Tom Vandeputte, Sidsel Meineche Hansen, [http://midwestcompass.org/boundaries-of-knowledge/ "Boundaries of Knowledge: Questions for Brian Holmes"], 2015. | ||
+ | |||
+ | * Tünde Mariann Varga, [http://mezosfera.org/political-ecology-and-anthropocene-public-space/ "Political Ecology and Anthropocene Public Space: An Interview with Brian Holmes"], ''Mezosfera'', Budapest, Jun 2016. | ||
+ | |||
+ | * Ivana Rumanová, [https://flashart.cz/2021/08/24/prejst-od-informacii-k-cinom/ "Prejsť od informácií k činom. Online rozhovor s Brianom Holmesom"], ''Flash Art CZ/SK'', Aug 2021. {{sk}} | ||
+ | |||
+ | ==Links== | ||
+ | * [https://watershed-art.org/ Watershed Art & Ecology], Chicago | ||
+ | * [http://brianholmes.wordpress.com/ Continental Drift], blog, until 2015 | ||
+ | * [https://timetochange.today/ Time To Change / Just Transition], [https://www.facebook.com/1540686592862791/videos/746175979418909/ 2021 video presentation] | ||
+ | * [http://www.ecotopia.today/livingrivers/map.html Living Rivers] | ||
+ | * [https://egs.edu/biography/brian-holmes/ Profile and lectures on EGS], 2010-2011. [https://web.archive.org/web/20150318154532/http://www.egs.edu/faculty/brian-holmes] | ||
+ | * [http://vimeo.com/147574207 Live Your Models: Self-orientation and urban form in the next “spirit of capitalism”], keynote at the Former West: Art and Labor after the End of Work conference, Warsaw, 2015 | ||
+ | * [[Mastodon::https://tldr.nettime.org/@bh]] [[Mastodon|(Mastodon)]] | ||
+ | * [http://aaaaarg.fail/maker/53106b43334fe0726920155f ARG] | ||
+ | * [http://en.wikipedia.org/wiki/Brian_Holmes Wikipedia] | ||
+ | |||
+ | [[Series:Writers]] [[Series:Art writers]] [[Series:Net culture]] | ||
+ | {{DEFAULTSORT:Holmes, Brian}} |
Latest revision as of 18:42, 13 September 2024
Brian Holmes (1959, San Francisco) is a cultural critic who has worked with activists and artists in Europe and the Americas. He is interested primarily in the intersections of artistic and political practice. He holds a doctorate in Romance Languages and Literatures from the University of California at Berkeley. Holmes was the English editor of publications for Documenta X, Kassel, Germany in 1997. He is a member of the groups Deep Time Chicago and Compass, and a former member of the graphic arts group Ne pas plier from 1999 to 2001, and the French conceptual art group Bureau d'études. He lives in Chicago.
Contents
Publications[edit]
Books[edit]
- Hieroglyphs of the Future: Art & Politics in a Networked Era, Zagreb: Arkzin/What, How and for Whom, 2003, 294 pp.
- co-editor, Continental Drift, Zagreb: What, How and for Whom/WHW, and Zagreb: AGM, 2008, 35 pp. Catalogue. (Croatian)
- Unleashing the Collective Phantoms: Essays in Reverse Imagineering, New York: Autonomedia, 2008, 187 pp. [1]. Review: Biles (Chicago Artists' News).
- Escape the Overcode: Activist Art in the Control Society, Eindhoven: Van Abbemuseum, and Zagreb: WHW, 2009, 414 pp.
- Profanity and the Financial Markets. A User’s Guide to Closing the Casino, Hatje Cantz (100 Notes, 100 Thoughts: Documenta Series), 2012. (English)/(German)
- Driving the Golden Spike: The Aesthetics of Anthropocene Public Space, Deep Time Chicago, 2016, 19 pp. Pamphlet.
Translator[edit]
- Félix Guattari, Suely Rolnik, Molecular Revolution in Brazil, trans. Karel Clapshow and Brain Holmes, Semiotext(e), 2008, 495 pp.
- Clement Greenberg, Between the Lines, trans. Thierry de Duve and Brian Holmes, University Of Chicago Press, 2010.
Journal issues[edit]
- editor, with Gerald Raunig, Brumaria 5: "Arte : la imaginación política radical", Madrid: Asociación Cultural Brumaria, 2005, 379 pp. TOC. Introduction. (Spanish)
Book chapters, essays[edit]
- "Réveiller les fantômes collectifs. Résistance réticulaire, personnalité flexible", trans. Brian Holmes, Autonomie artistique 1, Paris, 2002; repr., transversal, Vienna, Dec 2002. (French)
- "Unleashing the Collective Phantoms. Flexible Personality, Networked Resistance", Mute 24, London, May 2002; repr., transversal, Vienna, Dec 2002.
- "Die kollektiven Phantome freisetzen. Flexible Persönlichkeit, vernetzter Widerstand", trans. Marion Hamm, transversal, Vienna, Dec 2002. (German)
- "Liberare i fantasmi collettivi. Personalità flessibile e resistenza in Rete", trans. Sandro Armezzani, transversal, Vienna, Dec 2002. (Italian)
- "Liar's Poker", Springerin 1, Vienna, 2003; repr., Subsol 2: "Art of Commodification", n.d.
- "Warhol au Soleil levant: art, sous-culture et production sémiotique", Multitudes 13, Paris, 2003, pp 59-67. (French)
- "The Revenge of the Concept: Artistic Exchanges, Networked Resistance", in Confronting Capitalism: Dispatches from a Global Movement, eds. Eddie Yuen, Daniel Burton-Rose, and George Katsiaficas, Brooklyn, NY: Softy Skull, 2004; repr. in Holmes, Unleashing the Collective Phantoms, 2008. [4] [5]
- "Maščevanje koncepta", in Holmes, Fleksibilna osebnost. Maščevanje koncepta, trans. Alvina Žuraj, Ljubljana: Založba /*cf., 2005. (Slovenian)
- "The Flexible Personality: For a New Cultural Critique", transversal, Nov 2006.
- "Der flexible Charakter. Für eine neue Kulturkritik", trans. Birgit Mennel, transversal, Nov 2006. (German)
- "La personalidad flexible. Por una nueva crítica cultural", trans. Marcelo Expósito, rev. Brian Holmes and Joaquín Barriendos, transversal 1, Nov 2006. (Spanish)
- "Fleksibilna ličnost: za novu kulturalnu kritiku", trans. Nataša Ilić, transversal, Nov 2006. (Croatian)
- "Fleksibilna osebnost", in Holmes, Fleksibilna osebnost. Maščevanje koncepta, trans. Alvina Žuraj, Ljubljana: Založba /*cf., 2005. (Slovenian)
- "The Potential Personality: Trans-Subjectivity in the Society of Control", in 3 escenarios, Las Palmas: CAAM, 2006, PDF.
- "Personalidade potencial: trans–subjetividade na sociedade de controle", trans. Filipe Ferreira, Cadernos de Subjetividade 8:13, São Paulo: PUC-SP, Oct 2011, pp 194-205, PDF. (Brazilian Portuguese)
- "Do-It-Yourself Geopolitics: Cartographies of Art in the World", in Collectivism After Modernism: The Art of Social Imagination After 1945, eds. Blake Stimson and Gregory Sholette, Minneapolis: University of Minnesota Press, 2007, pp 273-293.
- "Further: Wisconsin and Dreamtimes West", in A Call to Farms: Continental Drift through the Radical Midwest Culture Corridor, Viroqua, WI: Heavy Duty Press, 2008, pp 35-37. [6]
- "Die Erfindung der Eventarbeit. Public Netbase in den 1990ern", in Vergessene Zukunft: radikale Netzkulturen in Europa, eds. Clemens Apprich and Felix Stalder, Bielefeld: transcript, 2012, pp 119-123. (German)
- "Cartography With Your Feet: Workshop Proposal for “Beneath the University, the Commons”", in Deep Routes: The Midwest in All Directions, eds. Rozalinda Borcila, Bonnie Fortune and Sarah Ross, Wisconsin: White Wire, 2012. [7] [8]
- "Continental Drift 2011: Argentina / China", in Deep Routes: The Midwest in All Directions, eds. Rozalinda Borcila, Bonnie Fortune and Sarah Ross, Wisconsin: White Wire, 2012. [9] [10]
- "Tactical Television. Movement Media in the Nineties", Regarding Spectatorship, 2015.
- "Future Map Reloaded, or, How the Cyborgs Learned to Stop Worrying and Love Surveillance", May 2015.
- "Captive Sun", in Petcoke: Tracing Dirty Energy, Chicago: Museum of Contemporary Photography, 2016. [11]
Interviews[edit]
- Robby Herbst, "Hinting at ways to work in current contexts; an interview with Brian Holmes", Journal of Aesthetics and Protest 4, 2005.
- Tom Vandeputte, Sidsel Meineche Hansen, "Boundaries of Knowledge: Questions for Brian Holmes", 2015.
- Tünde Mariann Varga, "Political Ecology and Anthropocene Public Space: An Interview with Brian Holmes", Mezosfera, Budapest, Jun 2016.
- Ivana Rumanová, "Prejsť od informácií k činom. Online rozhovor s Brianom Holmesom", Flash Art CZ/SK, Aug 2021. (Slovak)
Links[edit]
- Watershed Art & Ecology, Chicago
- Continental Drift, blog, until 2015
- Time To Change / Just Transition, 2021 video presentation
- Living Rivers
- Profile and lectures on EGS, 2010-2011. [12]
- Live Your Models: Self-orientation and urban form in the next “spirit of capitalism”, keynote at the Former West: Art and Labor after the End of Work conference, Warsaw, 2015
- https://tldr.nettime.org/@bh (Mastodon)
- ARG
- Wikipedia