Difference between revisions of "Georges Didi-Huberman"
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'''Georges Didi-Huberman''' (13 June 1953) is a French philosopher and art historian. | '''Georges Didi-Huberman''' (13 June 1953) is a French philosopher and art historian. | ||
− | == | + | ==Works== |
* ''Invention de l’hystérie. Charcot et l’Iconographie photographique de la Salpêtrière, sur l'École de la Salpêtrière'', Macula, 1982. | * ''Invention de l’hystérie. Charcot et l’Iconographie photographique de la Salpêtrière, sur l'École de la Salpêtrière'', Macula, 1982. | ||
+ | ** [[Media:Didi_Huberman_Georges_Invention_of_Hysteria_2003.pdf|''Invention of Hysteria. Charcot and the Photographic Iconography of the Salpêtrière'']], trans. Alisa Hartz, MIT Press, 2003, [http://occupytampa.org/files/tristan/fem/books/Georges_Didi-Huberman,_Alisa_Hartz_Invention_of_Hysteria_Charcot_and_the_Photographic_Iconography_of_the_Salpetriere_2003.pdf PDF], [http://aaaaarg.fail/ref/a35b2f799397bd5000406cd1cf459265 ARG]. {{en}} | ||
+ | ** ''Invención de la histeria'', Madrid: Cátedra, 2007. {{es}} | ||
− | * ''Mémorandum de la peste. Le fléau | + | * ''Mémorandum de la peste. Le fléau d'imaginer'', Christian Bourgois, 1983. |
− | * ''La Peinture incarnée followed by Chef-d'œuvre inconnu de Balzac'', Minuit, 1985. | + | * ''La Peinture incarnée followed by Chef-d'œuvre inconnu de Balzac'', Paris: Minuit, 1985. |
** ''La pittura incarnata. Saggio sull'immagine vivente'', 2008. {{it}} | ** ''La pittura incarnata. Saggio sull'immagine vivente'', 2008. {{it}} | ||
* ''Fra Angelico. Dissemblance et figuration'', Paris: Flammarion, 1990. | * ''Fra Angelico. Dissemblance et figuration'', Paris: Flammarion, 1990. | ||
+ | ** ''Fra Angelico: Dissemblance and Figuration'', trans. Jane Marie Todd, University of Chicago Press, 1995. {{en}} | ||
− | * ''Devant | + | * ''Devant l'image. Questions posées aux fins d'une histoire de l'art'', Paris: Minuit, 1990. |
+ | ** ''Pred časom. Dejiny umenia a anachronizmus obrazov'', Bratislava: Kalligram, 2006. {{sk}} | ||
+ | ** [http://lensbased.net/files/catastrophe/GEORGES%20DIDI%20HUBERMAN,%20CONFRONTING%20IMAGES.pdf ''Confronting Images: Questioning The Ends Of A Certain History Of Art''], trans. John Goodman, Pennsylvania State University Press, 2008, [http://aaaaarg.fail/ref/4ff525d1aa1215565af6a6da12a9a165 ARG]. {{en}} | ||
* ''Ce que nous voyons, ce qui nous regarde'', Paris: Minuit, 1992. | * ''Ce que nous voyons, ce qui nous regarde'', Paris: Minuit, 1992. | ||
+ | |||
+ | * ''Le cube et le visage. Autour d’une sculpture d’Alberto Giacometti'', Paris: Macula, 1993. | ||
+ | ** ''The Cube and the Face.Around a Sculpture by Alberto Giacometti'', ed. Mira Fliescher and Elena Vogman, trans. Shane B. Lillis, Zurich-Berlin: diaphanes, 2015, [http://aaaaarg.fail/ref/24b0d29b8c47d4c8d85868d2930ae0e4 ARG]. {{en}} | ||
+ | |||
+ | * ''Ouvrir Vénus. Nudité, rêve, cruauté'', Paris: Gallimard, 1999, 160 pp. | ||
+ | ** ''Otevřít venuši'', Prague: Fra, forthcoming. {{cz}} | ||
+ | |||
+ | * ''L'Homme qui marchait dans la couleur'', Paris: Minuit, 2001. | ||
+ | |||
+ | * ''Génie du non-lieu. Air, poussière, empreinte, hantise'', Paris: Minuit, 2001, [http://aaaaarg.fail/ref/17501c637b61afde827e441cff5765f1 ARG]. | ||
+ | |||
+ | * ''L'image survivante. Histoire de l'art et temps des fantômes selon Aby Warburg'', Paris: Minuit, 2002, 592 pp. [https://questionsdecommunication.revues.org/7290 Review] | ||
+ | ** ''Historia del arte y tiempo de los fantasmas según Aby Warburg'' Barcelona: AbadA, 2009, [https://bibliodarq.files.wordpress.com/2015/04/didi-huberman-g-la-imagen-superviviente-historia-del-arte-y-tiempo-de-fantasmas-segc3ban-aby-warburg.pdf PDF], [http://aaaaarg.fail/ref/9cc25dd2dd55aea710b98b85ca0133ed ARG]. {{es}} | ||
+ | |||
+ | * ''Ninfa moderna. Essai sur le drapé tombé'', Paris: Gallimard, 2002. | ||
+ | ** Ninfa moderna: Über den Fall des Faltenwurfs, [http://aaaaarg.fail/ref/505fc1f045e7ac6679f322822e8b4d28 ARG]. {{de}} | ||
+ | ** ''Ninfa moderna. Esej o spadlé draperii'', trans. Josef Fulka, Prague: Fra, 2010, 212 pp. [http://issuu.com/fracz/docs/didi-huberman_ukazka Excerpt]. Reviews: [http://www.advojka.cz/archiv/2010/11/pruvodce-po-paralaxi-moderny Váša] (A2, 2010), [http://art.ihned.cz/umeni/c1-49002520-didi-huberman-vypravi-pribeh-o-kusu-latky-spadlem-z-boku-nymfy Jiřička] (HN, 2010). {{cz}} | ||
+ | |||
+ | * ''Images malgré tout'', Paris: Minuit, 2003, 235 pp, [http://aaaaarg.fail/ref/f3a8d86dad3aa7b1f4680818f330bf8f ARG]. [https://etudesphotographiques.revues.org/405 Review] | ||
+ | ** ''Imágenes pese a todo. Memoria visual del Holocausto'', trans. Mariana Miracle, Barcelona: Paidós, 2004, [https://bibliodarq.files.wordpress.com/2013/10/5-didi-huberman-g-imc3a1genes-pese-a-todo-memoria-visual-del-holocausto.pdf PDF], [http://aaaaarg.fail/ref/facf265fa3e691a72cbca2b83f3a4942 ARG]. {{es}} | ||
+ | ** ''Images in Spite of All: Four Photographs from Auschwitz'', trans. Shane B. Lillis, Chicago: University of Chicago Press, 2008, 248 pp., [http://aaaaarg.fail/ref/09acdb432cdf7a332e3ba99363a83440 ARG]. [https://muse.jhu.edu/article/402713 Review] {{en}} | ||
* ''Survivance des lucioles'', Paris: Minuit, 2009. | * ''Survivance des lucioles'', Paris: Minuit, 2009. | ||
− | ** ''Sobrevivência dos vaga-lumes'', trans. Consuelo Salomé, Belo Horizonte: | + | ** [http://www.atelierpaulista.com/wp-content/uploads/2014/02/COMPLETO-DIDI-HUBERMAN-Georges-Sobreviv%C3%AAncia-dos-Vaga-lumes.pdf ''Sobrevivência dos vaga-lumes''], trans. Consuelo Salomé, Belo Horizonte: UFMG, 2011. {{br-pt}} |
+ | ** [https://filologiaunlp.files.wordpress.com/2011/08/supervivencia-de-las-lucic3a9rnagas.pdf ''Supervivencia de las luciérnagas''], trans. Juan Calatrava, Madrid: Abada, 2012. {{es}} | ||
+ | |||
+ | * ''L'Œil de l'histoire'', 4 vols., Paris: Minuit, 2009-12. | ||
+ | ** ''Tome 1: Quand les images prennent position'', 2009. | ||
+ | ** ''Tome 2: Remontages du temps subi'', 2010. | ||
+ | ** ''Tome 3: Atlas ou le gai savoir inquiet'', 2011. | ||
+ | ** ''Tome 4: Peuples exposés, peuples figurants'', 2012. | ||
* ''Écorces'', Paris: Minuit, 2009; 2011. | * ''Écorces'', Paris: Minuit, 2009; 2011. | ||
− | ** ''[[Media:Didi-Huberman_Georges_Kore.pdf|Kore]]'', trans. Ksenija Stevanović, Zagreb: Multimedia Institute, 2012 | + | ** ''[[Media:Didi-Huberman_Georges_Kore.pdf|Kore]]'', trans. Ksenija Stevanović, Zagreb: Multimedia Institute, 2012, 54 pp. {{sr}} |
==Links== | ==Links== | ||
* http://en.wikipedia.org/wiki/Georges_Didi-Huberman | * http://en.wikipedia.org/wiki/Georges_Didi-Huberman | ||
− | |||
* http://www.ouvrirlecinema.org/pages/reperes/entre-nous.html#notesgdh | * http://www.ouvrirlecinema.org/pages/reperes/entre-nous.html#notesgdh | ||
+ | |||
+ | [[Series:Art history]] {{DEFAULTSORT:Didi-Huberman, Georges}} |
Latest revision as of 13:51, 20 December 2023
Georges Didi-Huberman (13 June 1953) is a French philosopher and art historian.
Works[edit]
- Invention de l’hystérie. Charcot et l’Iconographie photographique de la Salpêtrière, sur l'École de la Salpêtrière, Macula, 1982.
- Invention of Hysteria. Charcot and the Photographic Iconography of the Salpêtrière, trans. Alisa Hartz, MIT Press, 2003, PDF, ARG. (English)
- Invención de la histeria, Madrid: Cátedra, 2007. (Spanish)
- Mémorandum de la peste. Le fléau d'imaginer, Christian Bourgois, 1983.
- La Peinture incarnée followed by Chef-d'œuvre inconnu de Balzac, Paris: Minuit, 1985.
- La pittura incarnata. Saggio sull'immagine vivente, 2008. (Italian)
- Fra Angelico. Dissemblance et figuration, Paris: Flammarion, 1990.
- Fra Angelico: Dissemblance and Figuration, trans. Jane Marie Todd, University of Chicago Press, 1995. (English)
- Devant l'image. Questions posées aux fins d'une histoire de l'art, Paris: Minuit, 1990.
- Pred časom. Dejiny umenia a anachronizmus obrazov, Bratislava: Kalligram, 2006. (Slovak)
- Confronting Images: Questioning The Ends Of A Certain History Of Art, trans. John Goodman, Pennsylvania State University Press, 2008, ARG. (English)
- Ce que nous voyons, ce qui nous regarde, Paris: Minuit, 1992.
- Le cube et le visage. Autour d’une sculpture d’Alberto Giacometti, Paris: Macula, 1993.
- The Cube and the Face.Around a Sculpture by Alberto Giacometti, ed. Mira Fliescher and Elena Vogman, trans. Shane B. Lillis, Zurich-Berlin: diaphanes, 2015, ARG. (English)
- Ouvrir Vénus. Nudité, rêve, cruauté, Paris: Gallimard, 1999, 160 pp.
- Otevřít venuši, Prague: Fra, forthcoming. (Czech)
- L'Homme qui marchait dans la couleur, Paris: Minuit, 2001.
- Génie du non-lieu. Air, poussière, empreinte, hantise, Paris: Minuit, 2001, ARG.
- L'image survivante. Histoire de l'art et temps des fantômes selon Aby Warburg, Paris: Minuit, 2002, 592 pp. Review
- Ninfa moderna. Essai sur le drapé tombé, Paris: Gallimard, 2002.
- Survivance des lucioles, Paris: Minuit, 2009.
- Sobrevivência dos vaga-lumes, trans. Consuelo Salomé, Belo Horizonte: UFMG, 2011. (Brazilian Portuguese)
- Supervivencia de las luciérnagas, trans. Juan Calatrava, Madrid: Abada, 2012. (Spanish)
- L'Œil de l'histoire, 4 vols., Paris: Minuit, 2009-12.
- Tome 1: Quand les images prennent position, 2009.
- Tome 2: Remontages du temps subi, 2010.
- Tome 3: Atlas ou le gai savoir inquiet, 2011.
- Tome 4: Peuples exposés, peuples figurants, 2012.
- Écorces, Paris: Minuit, 2009; 2011.
- Kore, trans. Ksenija Stevanović, Zagreb: Multimedia Institute, 2012, 54 pp. (Serbian)