Difference between revisions of "Soundings"
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(New page: Soundings is a continuing performance series designed to open the senses to new forms of music, sound art, and media interaction. Debut presentation on March 2006 in Limelick. Our ...) |
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| − | Soundings is a continuing performance series designed to open the senses to new forms of music, sound art, and media interaction. Debut presentation on March [[2006]] in [[ | + | Soundings is a continuing performance series designed to open the senses to new forms of music, sound art, and media interaction. Debut presentation on March [[2006]] in [[Limerick]]. Our interpretation of "sound art" will be as wide as possible, incorporating compositional, algorithmic, improvisational and interactive modes of production. Some of the axes of exploration might include technology-environment, noise-music, stasis-dynamicism, internal-external, abstraction-representation, ephemeral-concrete, micro-macro, theory-praxis. |
Curated by [[Jürgen Simpson]] and [[Robin Parmar]]. | Curated by [[Jürgen Simpson]] and [[Robin Parmar]]. | ||
Latest revision as of 16:11, 1 March 2008
Soundings is a continuing performance series designed to open the senses to new forms of music, sound art, and media interaction. Debut presentation on March 2006 in Limerick. Our interpretation of "sound art" will be as wide as possible, incorporating compositional, algorithmic, improvisational and interactive modes of production. Some of the axes of exploration might include technology-environment, noise-music, stasis-dynamicism, internal-external, abstraction-representation, ephemeral-concrete, micro-macro, theory-praxis.
Curated by Jürgen Simpson and Robin Parmar.
