Difference between revisions of "Sergei Eisenstein"
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{{Infobox artist | {{Infobox artist | ||
|image = Pasternak_Eisenstein_Mayakovsky_Brik_1924.jpg | |image = Pasternak_Eisenstein_Mayakovsky_Brik_1924.jpg | ||
− | |imagesize = | + | |imagesize = 338px |
|caption = Boris Pasternak, Sergei Eisenstein, [[Vladimir Mayakovsky]], [[Lilya Brik]], 1924. | |caption = Boris Pasternak, Sergei Eisenstein, [[Vladimir Mayakovsky]], [[Lilya Brik]], 1924. | ||
|birth_date = {{birth date|1898|1|22|mf=y}} | |birth_date = {{birth date|1898|1|22|mf=y}} | ||
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'''Sergei Mikhailovich Eisenstein''' (Сергей Михайлович Эйзенштейн; 1898–1948) was a film director and film theorist, a pioneer in the theory and practice of montage. | '''Sergei Mikhailovich Eisenstein''' (Сергей Михайлович Эйзенштейн; 1898–1948) was a film director and film theorist, a pioneer in the theory and practice of montage. | ||
− | [[Image:Eisenstein_Sergei_The_Film_Sense.jpg|thumb| | + | [[Image:Eisenstein_Sergei_The_Film_Sense.jpg|thumb|300px|''The Film Sense'', 1942/1957, [[Media:Eisenstein_Sergei_The_Film_Sense_1957.pdf|PDF]].]] |
− | [[Image:Eisenstein_Sergei_Film_Form_Essays_in_Film_Theory.jpg|thumb| | + | [[Image:Eisenstein_Sergei_Film_Form_Essays_in_Film_Theory.jpg|thumb|300px|''Film Form: Essays in Film Theory'', 1944/1977, [[Media:Eisenstein_Sergei_Film_Form_Essays_in_Film_Theory_1977.pdf|PDF]], [[Media:Eisenstein_Sergei_Film_Form_Essays_in_Film_Theory_1977.epub|EPUB]].]] |
− | [[Image:Eisenstein_Sergei_Selected_Works_Volume_I_Writings_1922-34.jpg|thumb| | + | [[Image:Eisenstein_Sergei_Selected_Works_Volume_I_Writings_1922-34.jpg|thumb|300px|''Selected Works, 1: Writings, 1922-34'', 1988, [http://monoskop.org/log/?p=2046 Log], [[Media:Eisenstein_Sergei_Selected_Works_Volume_I_Writings_1922-34.pdf|PDF]].]] |
− | [[Image:Eisenstein_Sergei_Nonindifferent_Nature.jpg|thumb| | + | [[Image:Eisenstein_Sergei_Nonindifferent_Nature.jpg|thumb|300px| ''Nonindifferent Nature'', 1987, [http://monoskop.org/log/?p=14731 Log].]] |
− | [[Image:Eisenstein_Sergei_M_Notes_for_a_General_History_of_Cinema.jpg|thumb| | + | [[Image:Eisenstein_Sergei_M_Notes_for_a_General_History_of_Cinema.jpg|thumb|300px| ''Notes for a General History of Cinema'' [1946-47], 2016, [http://monoskop.org/log/?p=16917 Log], [[Media:Eisenstein_Sergei_M_Notes_for_a_General_History_of_Cinema.pdf|PDF]].]] |
==Writings== | ==Writings== | ||
* ''[[Media:Eisenstein_Sergei_The_Film_Sense_1957.pdf|The Film Sense]]'', ed. & trans. Jay Leyda, New York: Hartcourt, 1942; New York: Meridian, 1957, 282 pp. {{en}} | * ''[[Media:Eisenstein_Sergei_The_Film_Sense_1957.pdf|The Film Sense]]'', ed. & trans. Jay Leyda, New York: Hartcourt, 1942; New York: Meridian, 1957, 282 pp. {{en}} | ||
Line 22: | Line 22: | ||
* ''Ivan Grozny'' [Иван Грозный], Moscow: Goskinoizdat, 1944, 192 pp. {{ru}} | * ''Ivan Grozny'' [Иван Грозный], Moscow: Goskinoizdat, 1944, 192 pp. {{ru}} | ||
− | ** ''[http:// | + | ** ''[http://libgen.rs/book/index.php?md5=AC0CC6A072EEED5BE913A03687C2918A Ivan the Terrible]'', Faber, 1989. {{en}} |
* ''[[Media:Eisenstein_Sergei_Film_Form_Essays_in_Film_Theory_1977.pdf|Film Form: Essays in Film Theory]]'', ed. & trans. Jay Leyda, New York: Meridian, 1944; repr., New York: Hartcourt, 1977, 279 pp, [[Media:Eisenstein_Sergei_Film_Form_Essays_in_Film_Theory_1977.epub|EPUB]]. {{en}} | * ''[[Media:Eisenstein_Sergei_Film_Form_Essays_in_Film_Theory_1977.pdf|Film Form: Essays in Film Theory]]'', ed. & trans. Jay Leyda, New York: Meridian, 1944; repr., New York: Hartcourt, 1977, 279 pp, [[Media:Eisenstein_Sergei_Film_Form_Essays_in_Film_Theory_1977.epub|EPUB]]. {{en}} | ||
Line 42: | Line 42: | ||
** 6. ''[[Media:Eyzenshteyn_SM_Izbrannye_proizvedeniya_6_1971.djvu|Киносценарии]]'', 1971, 560 pp. | ** 6. ''[[Media:Eyzenshteyn_SM_Izbrannye_proizvedeniya_6_1971.djvu|Киносценарии]]'', 1971, 560 pp. | ||
− | * ''[ | + | * ''[http://libgen.rs/book/index.php?md5=20D41A67F6DB3231DBBCC0B7CCD6CFAE Film Essays and a Lecture]'', ed. Jay Leyda, forew. Grigori Kozintsev, Dobson Books, 1968; repr., New York: Praeger, 1970, 236 pp. {{en}} |
* ''Schriften'', 4 vols., Munich: Hanser, 1974-1984. {{de}} | * ''Schriften'', 4 vols., Munich: Hanser, 1974-1984. {{de}} | ||
* ''Über mich und meine Filme'', ed. Lilli Kaufmann, trans. Christiane Mückenberger, Lothar Fahlbusch and Lilli Kaufmann, Berlin: Henschelverlag, 1975. {{de}} | * ''Über mich und meine Filme'', ed. Lilli Kaufmann, trans. Christiane Mückenberger, Lothar Fahlbusch and Lilli Kaufmann, Berlin: Henschelverlag, 1975. {{de}} | ||
* ''Eine nicht gleichmütige Natur'', ed. Rosemarie Heise, trans. Regine Kühn, Berlin: Henschel, 1980. {{de}} | * ''Eine nicht gleichmütige Natur'', ed. Rosemarie Heise, trans. Regine Kühn, Berlin: Henschel, 1980. {{de}} | ||
− | * ''[http:// | + | * ''[[Media:Eisenstein_Sergei M_Immoral_Memories_An_Autobiography_1983.pdf|Immoral Memories: An Autobiography]]'', trans. Herbert Marshall, Boston: Houghton Mifflin, 1983. {{en}} |
+ | * ''[http://libgen.rs/book/index.php?md5=207C2F184A7065E978A2024AEA97774B Yo. Ich selbst. Memoiren]'', 2 vols., Berlin: Henschel, 1984; 1988. {{de}} | ||
* ''Neravnodushnaya priroda'' [Неравнодушная природа], 2 vols., ed. N. Kleyman, Moscow: Ejzenshtejn-tsentr, 2004 & 2006, 687 & 624 pp. {{ru}} | * ''Neravnodushnaya priroda'' [Неравнодушная природа], 2 vols., ed. N. Kleyman, Moscow: Ejzenshtejn-tsentr, 2004 & 2006, 687 & 624 pp. {{ru}} | ||
** ''La non-indifférente nature'', 2 vols., trans. Luda and Jean Schnitzer, preface Pascal Bonitzer (I) and François Albéra (II), Paris: Union générale d'éditions, 1975 & 1978, 444 & 377 pp. {{fr}} | ** ''La non-indifférente nature'', 2 vols., trans. Luda and Jean Schnitzer, preface Pascal Bonitzer (I) and François Albéra (II), Paris: Union générale d'éditions, 1975 & 1978, 444 & 377 pp. {{fr}} | ||
Line 61: | Line 62: | ||
* ''Montazh'' [Монтаж], Moscow: Ejzenshtejn-tsentr, 2000, 592 pp. {{ru}} | * ''Montazh'' [Монтаж], Moscow: Ejzenshtejn-tsentr, 2000, 592 pp. {{ru}} | ||
* ''Metod'' [Метод], 2 vols., Moscow: Ejzenshtejn-tsentr, 2002, 495 & 688 pp. {{ru}} | * ''Metod'' [Метод], 2 vols., Moscow: Ejzenshtejn-tsentr, 2002, 495 & 688 pp. {{ru}} | ||
− | * ''[http:// | + | * ''[http://libgen.rs/book/index.php?md5=5d16bf6982e210ffac757730d52a62b6 Problems of Film Direction]'', University Press of the Pacific, 2004. {{en}} |
* ''Metod'' [Метод], 4 vols., ed., trans. & comm. Oksana Bulgakowa, Berlin: PotemkinPress, 2009, 1660 pp. [http://de.potemkinpress.com/products/sergej-eisenstein-die-methode-herausgegeben-von-oksana-bulgakowa] {{ru}},{{de}},{{en}},{{fr}} | * ''Metod'' [Метод], 4 vols., ed., trans. & comm. Oksana Bulgakowa, Berlin: PotemkinPress, 2009, 1660 pp. [http://de.potemkinpress.com/products/sergej-eisenstein-die-methode-herausgegeben-von-oksana-bulgakowa] {{ru}},{{de}},{{en}},{{fr}} | ||
* ''Disney'', eds. & trans. Oksana Bulgakowa & Dietmar Hochmuth, Berlin: PotemkinPress, 2012, 202 pp. [http://de.potemkinpress.com/products/sergej-eisenstein-disney-herausgegeben-und-uebersetzt-von-oksana-bulgakowa-und-dietmar-Hochmuth] {{de}} | * ''Disney'', eds. & trans. Oksana Bulgakowa & Dietmar Hochmuth, Berlin: PotemkinPress, 2012, 202 pp. [http://de.potemkinpress.com/products/sergej-eisenstein-disney-herausgegeben-und-uebersetzt-von-oksana-bulgakowa-und-dietmar-Hochmuth] {{de}} | ||
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==Literature== | ==Literature== | ||
* Marie Seton, ''[http://archive.org/details/sergeimeisenstei00seto Sergei M. Eisenstein: A Biography]'', Grove Press, 1960. {{en}} | * Marie Seton, ''[http://archive.org/details/sergeimeisenstei00seto Sergei M. Eisenstein: A Biography]'', Grove Press, 1960. {{en}} | ||
− | * ''Artforum'' 11(5): "Eisenstein/Brakhage", ed. Annette Michelson, New York: Artforum, Jan 1973, 95 pp. | + | * ''Artforum'' 11(5): "Eisenstein/Brakhage", ed. Annette Michelson, New York: Artforum, Jan 1973, 95 pp. {{en}} |
− | * Lars Kleberg, Håkan Lövgren eds.), ''[[Media:Kleberg_Lovgren_eds_Eisenstein_Revisited_A_Collection_of_Essays.pdf|Eisenstein Revisited: A Collection of Essays]]'', Stockholm: Almqvist & Wiksell, 1987, 145 pp. | + | * Rosalind E. Krauss, "Montage ''October'': Dialectic of the Shot", ''Artforum'' 11:5, Jan 1973, pp 61-66; [http://sci-hub.st/10.1162/OCTO_a_00313 repr.], ''October'' 162, Fall 2017, pp 133-144. {{en}} |
+ | * Jay Leyda, Zina Voynow, ''[[Media:Leyda Jay Voynow Zina Eisenstein_at_Work_1982.pdf|Eisenstein at Work]]'', intro. Ted Perry, Pantheon Books, and New York: Museum of Modern Art, 1982, 162 pp. {{en}} | ||
+ | * Lars Kleberg, Håkan Lövgren eds.), ''[[Media:Kleberg_Lovgren_eds_Eisenstein_Revisited_A_Collection_of_Essays.pdf|Eisenstein Revisited: A Collection of Essays]]'', Stockholm: Almqvist & Wiksell, 1987, 145 pp. [http://su.diva-portal.org/smash/get/diva2:472373/FULLTEXT01.pdf] {{en}} | ||
* Oksana Bulgakowa, ''Sergej Eisenstein. Drei Utopien. Architekturentwürfe zur Filmtheorie'', Berlin: PotemkinPress, 1996, 304 pp. [http://de.potemkinpress.com/products/oksana-bulgakowa-sergej-eisenstein-drei-utopien-architekturentwurfe-zur-filmtheorie] {{de}} | * Oksana Bulgakowa, ''Sergej Eisenstein. Drei Utopien. Architekturentwürfe zur Filmtheorie'', Berlin: PotemkinPress, 1996, 304 pp. [http://de.potemkinpress.com/products/oksana-bulgakowa-sergej-eisenstein-drei-utopien-architekturentwurfe-zur-filmtheorie] {{de}} | ||
− | * Håkan Lövgren, ''Eisenstein's Labyrinth: Aspects of a Cinematic Synthesis of the Arts'', Stockholm: Almqvist & Wiksell, 1996, 139 pp. | + | * Håkan Lövgren, ''Eisenstein's Labyrinth: Aspects of a Cinematic Synthesis of the Arts'', Stockholm: Almqvist & Wiksell, 1996, 139 pp. [http://www.diva-portal.org/smash/get/diva2:477296/FULLTEXT01.pdf] [http://su.diva-portal.org/smash/record.jsf?pid=diva2%3A477296&dswid=-4413] {{en}} |
* Oksana Bulgakowa, ''Sergej Eisenstein. Eine Biographie'', Berlin: PotemkinPress, 1997, 304 pp. [http://de.potemkinpress.com/products/oksana-bulgakowa-sergej-eisenstein-eine-biographie] {{de}} | * Oksana Bulgakowa, ''Sergej Eisenstein. Eine Biographie'', Berlin: PotemkinPress, 1997, 304 pp. [http://de.potemkinpress.com/products/oksana-bulgakowa-sergej-eisenstein-eine-biographie] {{de}} | ||
** ''Sergei Eisenstein: A Biography'', trans. Anne Dwyer, Berlin/San Francisco: PotemkinPress, 2001, xi+290 pp. [http://us.potemkinpress.com/products/oksana-bulgakowa-sergei-eisenstein-a-biography] {{en}} | ** ''Sergei Eisenstein: A Biography'', trans. Anne Dwyer, Berlin/San Francisco: PotemkinPress, 2001, xi+290 pp. [http://us.potemkinpress.com/products/oksana-bulgakowa-sergei-eisenstein-a-biography] {{en}} | ||
− | * Anne Nesbet, ''[http:// | + | * Anne Nesbet, ''[http://libgen.rs/book/index.php?md5=C8B17BDE66827C663CD4F3011C9DC404 Savage Junctures: Sergei Eisenstein and the Shape of Thinking]'', I.B. Tauris, 2003. {{en}} |
− | * Mike O'Mahony, ''[http:// | + | * Mike O'Mahony, ''[http://libgen.rs/book/index.php?md5=89AF6FF2973718C58894D13E1D6962BF Sergei Eisenstein]'', Reaktion Books, 2008. {{en}} |
* Felix Lenz, ''[http://digi20.digitale-sammlungen.de/en/fs1/object/display/bsb00080609_00001.html Sergej Eisenstein: Montagezeit. Rhythmus, Formdramaturgie, Pathos]'', Munich: Fink, 2008. {{de}} | * Felix Lenz, ''[http://digi20.digitale-sammlungen.de/en/fs1/object/display/bsb00080609_00001.html Sergej Eisenstein: Montagezeit. Rhythmus, Formdramaturgie, Pathos]'', Munich: Fink, 2008. {{de}} | ||
* Robert Robertson, ''[http://monoskop.org/log/?p=770 Eisenstein on the Audiovisual: The Montage of Music, Image and Sound in Cinema]'' I.B. Tauris, 2009, 304 pp. {{en}} | * Robert Robertson, ''[http://monoskop.org/log/?p=770 Eisenstein on the Audiovisual: The Montage of Music, Image and Sound in Cinema]'' I.B. Tauris, 2009, 304 pp. {{en}} | ||
− | * Masha Salazkina, ''[http:// | + | * Masha Salazkina, ''[http://libgen.rs/book/index.php?md5=72273DF38CBB49A0070C3A765755DA6D In Excess: Sergei Eisenstein's Mexico]'', 2009. {{en}} |
− | * Elena Vogman, [https://sci-hub. | + | * Steven Lee, ''[https://1lib.sk/book/2634182/63cf36 The Ethnic Avant-Garde: Minority Cultures and World Revolution]'', Columbia University Press, 2015, 304 pp, [https://1lib.sk/book/2612726/bf93fc EPUB]. [http://cup.columbia.edu/book/the-ethnic-avant-garde/9780231173520] {{en}} |
− | * Luka Arsenjuk, ''Movement, Action, Image, Montage: Sergei Eisenstein and the Cinema in Crisis'', University of Minnesota Press, 2018, 280 pp. Review: [http://sci-hub. | + | * Elena Vogman, [https://sci-hub.st/10.1162/grey_a_00251 "Dance of Values: Reading Eisenstein's ''Capital''"], ''Grey Room'' 72, Summer 2018, pp 94-124. {{en}} |
+ | * Luka Arsenjuk, ''Movement, Action, Image, Montage: Sergei Eisenstein and the Cinema in Crisis'', University of Minnesota Press, 2018, 280 pp. Review: [http://sci-hub.st/10.1162/leon_r_01760 Luers] (Leonardo). {{en}} | ||
* ''Zmiennokształtność: Eisenstein jako metoda / Shapeshifting: Eisenstein as a Method'', ed. Aleksandra Jach, Lodz: Muzeum Sztuki w Łodzi, 2018, 180 pp. Catalogue. [https://msl.org.pl/en/eventsms/publications/shapeshifting-eisenstein-as-a-method,2674.html] {{pl}}/{{en}} | * ''Zmiennokształtność: Eisenstein jako metoda / Shapeshifting: Eisenstein as a Method'', ed. Aleksandra Jach, Lodz: Muzeum Sztuki w Łodzi, 2018, 180 pp. Catalogue. [https://msl.org.pl/en/eventsms/publications/shapeshifting-eisenstein-as-a-method,2674.html] {{pl}}/{{en}} | ||
Latest revision as of 09:45, 28 January 2023
![]() Boris Pasternak, Sergei Eisenstein, Vladimir Mayakovsky, Lilya Brik, 1924. | |
Born |
January 22, 1898 Riga, Governorate of Livonia, Russian Empire |
---|---|
Died |
February 11, 1948 Moscow, Soviet Union | (aged 50)
Web | Aaaaarg, Wikipedia, Academia.edu, Open Library |
Sergei Mikhailovich Eisenstein (Сергей Михайлович Эйзенштейн; 1898–1948) was a film director and film theorist, a pioneer in the theory and practice of montage.
![](/images/thumb/7/7f/Eisenstein_Sergei_The_Film_Sense.jpg/300px-Eisenstein_Sergei_The_Film_Sense.jpg)
The Film Sense, 1942/1957, PDF.
![](/images/thumb/8/81/Eisenstein_Sergei_Nonindifferent_Nature.jpg/300px-Eisenstein_Sergei_Nonindifferent_Nature.jpg)
Nonindifferent Nature, 1987, Log.
Writings[edit]
- The Film Sense, ed. & trans. Jay Leyda, New York: Hartcourt, 1942; New York: Meridian, 1957, 282 pp. (English)
- El sentido del cine, trans. Norah Lacoste, 1958; 2nd ed., Buenos Aires: Siglo XXI, 1974. (Spanish)
- O sentido do filme, trans. Teresa Ottoni, notes Jose Carlos Avelar, Rio de Janeiro: Jorge Zahar, 1990; 2002, 159 pp. (Brazilian Portuguese)
- Ivan Grozny [Иван Грозный], Moscow: Goskinoizdat, 1944, 192 pp. (Russian)
- Ivan the Terrible, Faber, 1989. (English)
- Film Form: Essays in Film Theory, ed. & trans. Jay Leyda, New York: Meridian, 1944; repr., New York: Hartcourt, 1977, 279 pp, EPUB. (English)
- A forma do filme, trans. Teresa Ottoni, intro. & notes José Carlos Avellar, Rio de Janeiro: Jorge Zahar, 1990; 2002, 235 pp. (Brazilian Portuguese)
- Kak ya stal rezhisserom [Как я стал режиссёром], Riga: Goskinoizdat, 1946, 340 pp; repr. in Izbrannye proizvedeniya, 5, 1968. (Russian)
- Que viva Mexico!, intro. Ernest Lindgren, London: Vision, 1951, 89 pp. (English)
- Izbrannye stati [Избранные статьи], Moscow: Iskusstvo, 1956, 456 pp. (Russian)
- Notes of a Film Director, ed. R. Yurenev, Moscow: Foreign Languages Pub. House, 1959, ARG. (English)
- Динамический квадрат: Предложения в пользу новых пропорций экрана, выдвинутые в связи с вопросом о практической реализации «широкого» фильма // Вопросы киноискусства, Moscow: AN SSSR, 1960, 424 pp. (Russian)
- Ausgewählte Aufsätze, intro. R. Jurenew, trans. Lothar Fahlbusch, Berlin: Henschel, 1960. (German)
- Risunki / Dessins / Drawings, ed. L.A. Ilina, Moscow: Iskusstvo, 1961, 226 pp. (Russian)/(English)/(French)
- Izbrannye proizvedeniya [Избранные произведения], 6 vols., Moscow: Iskusstvo, 1964-1971. (Russian)
- 1. Автобиографические записки разных лет, замыслы. Краткая летопись жизни и деятельности, фильмография, библиография, 1964, 696 pp.
- 2. Работы 1923—1940 гг.: цикл работ о монтаже, программа преподавания режиссуры во Всесоюзном государственном институте кинематографии, выступление на творческом совещании 1935 года; статьи и заметки разных лет; «Заявка Эйзенштейна, Пудовкина, Александрова» (Будущее звуковой фильмы"), перевод доклада на английском языке, «Монтаж 1938» и др. исследования, 1964, 566 pp.
- 3. Теоретические исследования 1945—1948 гг, 1964, 672 pp.
- 4. «Искусство мизансцены», 1966, 790 pp.
- 5. История и теория кино: «Проблема советского исторического фильма», «Диккенс, Гриффит и мы»; Критика и публицистика, 1968, 600 pp.
- 6. Киносценарии, 1971, 560 pp.
- Film Essays and a Lecture, ed. Jay Leyda, forew. Grigori Kozintsev, Dobson Books, 1968; repr., New York: Praeger, 1970, 236 pp. (English)
- Schriften, 4 vols., Munich: Hanser, 1974-1984. (German)
- Über mich und meine Filme, ed. Lilli Kaufmann, trans. Christiane Mückenberger, Lothar Fahlbusch and Lilli Kaufmann, Berlin: Henschelverlag, 1975. (German)
- Eine nicht gleichmütige Natur, ed. Rosemarie Heise, trans. Regine Kühn, Berlin: Henschel, 1980. (German)
- Immoral Memories: An Autobiography, trans. Herbert Marshall, Boston: Houghton Mifflin, 1983. (English)
- Yo. Ich selbst. Memoiren, 2 vols., Berlin: Henschel, 1984; 1988. (German)
- Neravnodushnaya priroda [Неравнодушная природа], 2 vols., ed. N. Kleyman, Moscow: Ejzenshtejn-tsentr, 2004 & 2006, 687 & 624 pp. (Russian)
- La non-indifférente nature, 2 vols., trans. Luda and Jean Schnitzer, preface Pascal Bonitzer (I) and François Albéra (II), Paris: Union générale d'éditions, 1975 & 1978, 444 & 377 pp. (French)
- Nonindifferent Nature, trans. Herbert Marshall, Cambridge University Press, 1987, xxv+428 pp. (English)
- Das dynamische Quadrat. Schriften zum Film, eds. & trans. Oksana Bulgakowa and Dietmar Hochmuth, Leipzig: Reclam, 1988; 1991, 411 pp. [1] (German)
- Selected Works, 1: Writings, 1922-1934, ed. & trans. Richard Taylor, London: British Film Institute, 1988, 343 pp. (English)
- The Psychology of Composition, ed. & trans. Alan Upchurch, preface Jan Leyda, London: Methuen, 1988, 120 pp. (English)
- Beyond the Stars: The Memoirs of Sergei Eisenstein, trans. William Powell, Calcutta: Seagull Books, 1995, xxi+889 pp. (English)
- Memuary, 1: Wie sag' ich's meinem Kinde? [Мемуары], ed., intro. & comm. N.I. Kleyman, Moscow: Trud, 1997, 432 pp. (Russian)
- Memuary, 2: Автобиография; Обезьянья логика; Истинные пути изобретания; Профили [Мемуары], Moscow: Trud, 1997, 544 pp. (Russian)
- The Eisenstein Reader, ed. Richard Taylor, trans. Richard Taylor and William Powell, London: British Film Institute, 1998, vii+211 pp. (English)
- Eisenstein und Deutschland. Texte, Dokumente, Briefe, ed. Oksana Bulgakowa, Berlin: Henschel, 1998, 240 pp. (German)
- Montazh [Монтаж: Монтаж аттракционов; За кадром; Четвёртое измерение в кино; Монтаж 1938; Вертикальный монтаж; Вкладыш], intro. R. Yurenev, Moscow: VGIK, 1998, 193 pp. (Russian)
- Montazh [Монтаж], Moscow: Ejzenshtejn-tsentr, 2000, 592 pp. (Russian)
- Metod [Метод], 2 vols., Moscow: Ejzenshtejn-tsentr, 2002, 495 & 688 pp. (Russian)
- Problems of Film Direction, University Press of the Pacific, 2004. (English)
- Metod [Метод], 4 vols., ed., trans. & comm. Oksana Bulgakowa, Berlin: PotemkinPress, 2009, 1660 pp. [2] (Russian),(German),(English),(French)
- Disney, eds. & trans. Oksana Bulgakowa & Dietmar Hochmuth, Berlin: PotemkinPress, 2012, 202 pp. [3] (German)
- Disney, trans. Dustin Condren, Berlin: PotemkinPress, 2013, 180 pp. [4] (English)
- Notes for a General History of Cinema, eds. Naum Kleiman and Antonio Somaini, Amsterdam: Amsterdam University Press, 2016, 545 pp. (English)
- More
Literature[edit]
- Marie Seton, Sergei M. Eisenstein: A Biography, Grove Press, 1960. (English)
- Artforum 11(5): "Eisenstein/Brakhage", ed. Annette Michelson, New York: Artforum, Jan 1973, 95 pp. (English)
- Rosalind E. Krauss, "Montage October: Dialectic of the Shot", Artforum 11:5, Jan 1973, pp 61-66; repr., October 162, Fall 2017, pp 133-144. (English)
- Jay Leyda, Zina Voynow, Eisenstein at Work, intro. Ted Perry, Pantheon Books, and New York: Museum of Modern Art, 1982, 162 pp. (English)
- Lars Kleberg, Håkan Lövgren eds.), Eisenstein Revisited: A Collection of Essays, Stockholm: Almqvist & Wiksell, 1987, 145 pp. [5] (English)
- Oksana Bulgakowa, Sergej Eisenstein. Drei Utopien. Architekturentwürfe zur Filmtheorie, Berlin: PotemkinPress, 1996, 304 pp. [6] (German)
- Håkan Lövgren, Eisenstein's Labyrinth: Aspects of a Cinematic Synthesis of the Arts, Stockholm: Almqvist & Wiksell, 1996, 139 pp. [7] [8] (English)
- Oksana Bulgakowa, Sergej Eisenstein. Eine Biographie, Berlin: PotemkinPress, 1997, 304 pp. [9] (German)
- Sergei Eisenstein: A Biography, trans. Anne Dwyer, Berlin/San Francisco: PotemkinPress, 2001, xi+290 pp. [10] (English)
- Anne Nesbet, Savage Junctures: Sergei Eisenstein and the Shape of Thinking, I.B. Tauris, 2003. (English)
- Mike O'Mahony, Sergei Eisenstein, Reaktion Books, 2008. (English)
- Felix Lenz, Sergej Eisenstein: Montagezeit. Rhythmus, Formdramaturgie, Pathos, Munich: Fink, 2008. (German)
- Robert Robertson, Eisenstein on the Audiovisual: The Montage of Music, Image and Sound in Cinema I.B. Tauris, 2009, 304 pp. (English)
- Masha Salazkina, In Excess: Sergei Eisenstein's Mexico, 2009. (English)
- Steven Lee, The Ethnic Avant-Garde: Minority Cultures and World Revolution, Columbia University Press, 2015, 304 pp, EPUB. [11] (English)
- Elena Vogman, "Dance of Values: Reading Eisenstein's Capital", Grey Room 72, Summer 2018, pp 94-124. (English)
- Luka Arsenjuk, Movement, Action, Image, Montage: Sergei Eisenstein and the Cinema in Crisis, University of Minnesota Press, 2018, 280 pp. Review: Luers (Leonardo). (English)
- Zmiennokształtność: Eisenstein jako metoda / Shapeshifting: Eisenstein as a Method, ed. Aleksandra Jach, Lodz: Muzeum Sztuki w Łodzi, 2018, 180 pp. Catalogue. [12] (Polish)/(English)