Difference between revisions of "Cybernetic Culture Research Unit"
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* ''[http://www.ccru.net/abcult.htm Abstract Culture]'', 4 nos., 1997-1999. | * ''[http://www.ccru.net/abcult.htm Abstract Culture]'', 4 nos., 1997-1999. | ||
** ''[https://monoskop.org/log/?p=18738 Abstract Culture, 4: Digital Hyperstition]'', London: CCRU, 1999, 74 pp; repr., Urbanomic, 2017. | ** ''[https://monoskop.org/log/?p=18738 Abstract Culture, 4: Digital Hyperstition]'', London: CCRU, 1999, 74 pp; repr., Urbanomic, 2017. | ||
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| + | * ''Abstract Culture (Swarms 1-3) + Selections from Digital Hyperstition'', London: Miskatonic Virtual University Press, 2024 ([https://monoskop.org/File:CCRU_Abstract_Culture_(Pages)_2024.pdf Single Page]) ([https://monoskop.org/File:CCRU_Abstract_Culture_(Spread)_2024.pdf Two Page Spread]) | ||
* Simon Reynolds, [http://k-punk.abstractdynamics.org/archives/004807.html Renegade Academia: The Cybernetic Culture Research Unit], 1998. [http://virtualfutures.co.uk/archive/ccru/] Also published in an abridged version in ''Springerin'', Vienna, 2000. | * Simon Reynolds, [http://k-punk.abstractdynamics.org/archives/004807.html Renegade Academia: The Cybernetic Culture Research Unit], 1998. [http://virtualfutures.co.uk/archive/ccru/] Also published in an abridged version in ''Springerin'', Vienna, 2000. | ||
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* Matt Colquhoun, [http://walkerart.org/magazine/digital-demonology-on-the-auto-production-of-content "Digital Demonology: On the Auto-Production of Content"], ''The Gradient'', Minneapolis: Walker Art Center, 2023. | * Matt Colquhoun, [http://walkerart.org/magazine/digital-demonology-on-the-auto-production-of-content "Digital Demonology: On the Auto-Production of Content"], ''The Gradient'', Minneapolis: Walker Art Center, 2023. | ||
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| + | * Anna Greenspan, ''[https://monoskop.org/File:Greenspan_Anna_Capitalism%27s_Transcendental_Time_Machine.pdf Capitalism's Transcendental Time Machine]'', London: Miskatonic Virtual University Press, 2023. | ||
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| + | * Nick Land, Suzanne Livingston, and Anna Greenspan, ''Visions of Futures Past: Templexity and Future Mutation'', London: Miskatonic Virtual University Press, 2024 ([https://monoskop.org/File:Land_Nick_Livingston_Suzanne_Greenspan_Anna_Visions_of_Futures_Past_(Pages)_2024.pdf Single Page]) ([https://monoskop.org/File:Land_Nick_Livingston_Suzanne_Greenspan_Anna_Visions_of_Futures_Past_(Spread)_2024.pdf Two Page Spread]) | ||
==See also== | ==See also== | ||
Revision as of 05:06, 1 June 2024
Cybernetic Culture Research Unit (CCRU) was "a diverse group of thinkers who experimented in conceptual production by welding together a wide variety of sources: futurism, technoscience, philosophy, mysticism, numerology, complexity theory, and science fiction, among others." Created by Sadie Plant and Nick Land at the Philosophy Department of University of Warwick, Coventry in 1995, it also included Matthew Fuller, Steve Goodman (Kode9), Kodwo Eshun, Mark Fisher, Orphan Drift and others. The group organised a number of events and conferences (Virtual Futures, 1996; Swarmachines; Afro-Futures, 1996; Virotechnics, Autumn 1997), and published Collapse journal and Abstract Culture pamphlet series.
Contents
Events
- The Death Of Rave: Pt. I UK, Club Transmediale, debate, 1 February 2013.
Publications
- Abstract Culture, 4 nos., 1997-1999.
- Abstract Culture, 4: Digital Hyperstition, London: CCRU, 1999, 74 pp; repr., Urbanomic, 2017.
- Abstract Culture (Swarms 1-3) + Selections from Digital Hyperstition, London: Miskatonic Virtual University Press, 2024 (Single Page) (Two Page Spread)
- Simon Reynolds, Renegade Academia: The Cybernetic Culture Research Unit, 1998. [1] Also published in an abridged version in Springerin, Vienna, 2000.
- Robin Mackay, "Nick Land – An Experiment in Inhumanism", Umělec 1 (2012).
- Ccru: Writings 1997-2003, Time Spiral Press, 2015. Publisher. Review: Shambaugh (&&&).
- CCRU: Escritos 1997-2003, ed. Fernando Manjarres, Materia Oscura, 2020, 385 pp. Publisher. (Spanish)
- Matt Colquhoun, "Digital Demonology: On the Auto-Production of Content", The Gradient, Minneapolis: Walker Art Center, 2023.
- Anna Greenspan, Capitalism's Transcendental Time Machine, London: Miskatonic Virtual University Press, 2023.
- Nick Land, Suzanne Livingston, and Anna Greenspan, Visions of Futures Past: Templexity and Future Mutation, London: Miskatonic Virtual University Press, 2024 (Single Page) (Two Page Spread)
