Difference between revisions of "Jonathan Beller"

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; Articles
 
; Articles
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* Beller, "Paying Attention", 2006, [http://magazines.documenta.de/frontend/article.php?IdLanguage=1&NrArticle=187]
 
* Beller, "Numismatics of the Sensual, Calculus of the Image: The Pyrotechnics of Control", 2003, [http://www.imageandnarrative.be/mediumtheory/jonathanlbeller.htm]
 
* Beller, "Numismatics of the Sensual, Calculus of the Image: The Pyrotechnics of Control", 2003, [http://www.imageandnarrative.be/mediumtheory/jonathanlbeller.htm]
 
* Beller, "Dziga Vertov and the Film of Money", 1999, [http://muse.jhu.edu/demo/boundary/v026/26.3beller.html]
 
* Beller, "Dziga Vertov and the Film of Money", 1999, [http://muse.jhu.edu/demo/boundary/v026/26.3beller.html]
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* Beller, "Cinema, Capital of the Twentieth Century," ''Postmodern Culture'', vol. 4, no. 3 (1994). [http://pmc.iath.virginia.edu/text-only/issue.594/beller.594]
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* Beller, "The Circulating Eye", ''Communication Research'', vol. 20, no. 2 (April 1993), pp. 298-313. [http://crx.sagepub.com/cgi/pdf_extract/20/2/298]
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http://www.barnard.columbia.edu/wmstud/bio_beller.html
 
http://www.barnard.columbia.edu/wmstud/bio_beller.html

Revision as of 09:29, 24 August 2009

Jonathan L. Beller is J. Paul Getty Postdoctoral Fellow in the History of Art and Humanities and resident scholar at the Center for Cultural Studies, University of California, Santa Cruz.


Books and edited volumes
  • The Tortured Signifier: Signs of the State of Exception (in progress)
  • The Cinematic Mode of Production: Attention Economy and the Society of the Spectacle, Dartmouth College/University Press of New England, 2006 [1] [2]
  • Acquiring Eyes: Philippine Visuality, Nationalist Struggle and The World Media-System, Manila: Ateneo de Manila University Press, 2008 [3]
  • Kristology and Radical Communion: Works of Emmanuel Garibay, Manila: Sipat Publications, 1999
  • Jonathan Beller, Neferti Xina M. Tadiar, Mark Simpson (eds.), Polygraph 8/9 Special Issue: New Metropolitan Forms, Durham: 1996
Articles
  • Beller, "Paying Attention", 2006, [4]
  • Beller, "Numismatics of the Sensual, Calculus of the Image: The Pyrotechnics of Control", 2003, [5]
  • Beller, "Dziga Vertov and the Film of Money", 1999, [6]
  • Beller, "Cinema, Capital of the Twentieth Century," Postmodern Culture, vol. 4, no. 3 (1994). [7]
  • Beller, "The Circulating Eye", Communication Research, vol. 20, no. 2 (April 1993), pp. 298-313. [8]


http://www.barnard.columbia.edu/wmstud/bio_beller.html