Difference between revisions of "Dziga Vertov"
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==Filmography== | ==Filmography== | ||
+ | <div class="dpl" style="-moz-column-count:2; -webkit-column-count:2; column-count:2;"> | ||
* ''Процесс Миронова'', 1919. | * ''Процесс Миронова'', 1919. | ||
* ''[http://www.filmmuseum.at/en/collections/dziga_vertov_collection/kinonedelja__online_edition Кинонеделя]'' [Kino Nedelya; Cinema Week], 43 newsreels (1-29), 1919. [http://www.europeanfilmgateway.eu/node/33/vertov/multilingual:1/showOnly:video] | * ''[http://www.filmmuseum.at/en/collections/dziga_vertov_collection/kinonedelja__online_edition Кинонеделя]'' [Kino Nedelya; Cinema Week], 43 newsreels (1-29), 1919. [http://www.europeanfilmgateway.eu/node/33/vertov/multilingual:1/showOnly:video] | ||
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* ''Клятва молодых'', 1944. | * ''Клятва молодых'', 1944. | ||
* ''Новости дня'' [News of the Day], 1944-54. | * ''Новости дня'' [News of the Day], 1944-54. | ||
+ | </div> | ||
; DVDs | ; DVDs | ||
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==Literature== | ==Literature== | ||
+ | [[Image:Vertov_Dziga_Statii_dnevniki_zamysly.jpg|thumb|258px|Dziga Vertov, ''Statii, dnevniki, zamysly'', 1966. (in Russian) [[Media:Vertov_Dziga_Statii_dnevniki_zamysly.pdf|Download]].]] | ||
+ | [[Image:Vertov_Dziga_El_cine-ojo.jpg|thumb|258px|Dziga Vertov, ''El cine-ojo'', 1973. (in Spanish) [[Media:Vertov_Dziga_El_cine-ojo.pdf|Download]].]] | ||
[[Image:Vertov_Dziga_Kino-Eye_The_Writings_of_Dziga_Vertov.jpg|thumb|258px|''Kino-Eye: The Writings of Dziga Vertov'', 1984. [[Media:Vertov_Dziga_Kino-Eye_The_Writings_of_Dziga_Vertov.pdf|Download]].]] | [[Image:Vertov_Dziga_Kino-Eye_The_Writings_of_Dziga_Vertov.jpg|thumb|258px|''Kino-Eye: The Writings of Dziga Vertov'', 1984. [[Media:Vertov_Dziga_Kino-Eye_The_Writings_of_Dziga_Vertov.pdf|Download]].]] | ||
− | [[ | + | ===Selected Articles by Vertov=== |
− | + | * [[Media:Vertov_Dziga_1922_1966_My_Variant_manifesta.pdf|"My. Variant manifesta"]] [Мы, Вариант манифеста], ''Kino-fot'' [Кино-Фот] 1 (25 August 1922), pp 11-12; repr. in ''Statii, dnevniki, zamysly'' [Статьи. Дневники. Замыслы], ed. Sergei Drobashenko, Moscow: Izd. Iskusstva, 1966, pp 45-49. (in Russian) [http://www.filmmuseum.at/jart/prj3/filmmuseum/main.jart?rel=en&reserve-mode=active&content-id=1289998513262&DV_objekte_id=41&c-p=70&p-anz=20] [http://kak.ru/vimg/article/9ea2e77b082b25b3b8b79ed50147c23c.gif] | |
− | * [[Media:Vertov_Dziga_1922_1984_We_Variant_of_a_Manifesto.pdf|"We: A Version of a Manifesto"]] | + | ** [[Media:Vertov_Dziga_1922_1973_Nosotros_Variante_del_manifiesto.pdf|"Nosotros: Variante del manifiesto"]], in ''El cine-ojo'', trans. Francisco Llinas, Madrid: Editorial Fundamentos, 1973, pp 15-19. (in Spanish) |
+ | ** [[Media:Vertov_Dziga_1922_1984_We_Variant_of_a_Manifesto.pdf|"We: A Version of a Manifesto"]], in ''Kino-Eye: The Writings of Dziga Vertov'', ed. Annette Michelson, trans. Kevin O’Brien, University of California Press, 1984, pp 5-9. | ||
+ | ** "Wir. Variante eines Manifestes", in ''Texte zur Theorie des Films'', ed. Franz-Josef Albersmeier, Reclam, 1998, pp 31-35. (in German) | ||
** [http://scribd.com/doc/151209538/Dziga-Vertov-manifestoNos-pdf "NoS: Variante de manifesto"]. (in Portuguese) | ** [http://scribd.com/doc/151209538/Dziga-Vertov-manifestoNos-pdf "NoS: Variante de manifesto"]. (in Portuguese) | ||
− | * | + | * [[Media:Vertov_Dziga_1923_1966_Kinoki_Perevorot.pdf|"Kinoki. Perevorot"]], 1923; repr. in ''Statii, dnevniki, zamysly'' [Статьи. Дневники. Замыслы], ed. Sergei Drobashenko, Moscow: Izd. Iskusstva, 1966, pp 50-58. (in Russian) |
− | * "Kinoks: A Revolution | + | ** [[Media:Vertov_Dziga_1923_1973_Kinoks_Revolucion.pdf|"Kinoks - Revolucion"]], in ''El cine-ojo'', trans. Francisco Llinas, Madrid: Editorial Fundamentos, 1973, pp 20-31. (in Spanish) |
+ | ** [[Media:Vertov_Dziga_1923_1984_Kinoks_A_Revolution.pdf|"Kinoks: A Revolution"]], in ''Kino-Eye: The Writings of Dziga Vertov'', ed. Annette Michelson, trans. Kevin O’Brien, University of California Press, 1984, pp 11-21. | ||
** "Kinoki – Umsturz", in ''Texte zur Theorie des Films'', ed. Franz-Josef Albersmeier, Reclam, 1998, pp 36-50. (in German) | ** "Kinoki – Umsturz", in ''Texte zur Theorie des Films'', ed. Franz-Josef Albersmeier, Reclam, 1998, pp 36-50. (in German) | ||
− | * "On the Significance of Nonacted Cinema" | + | * [[Media:Vertov_Dziga_1923_1966_O_znacenii_neigrovoj_kinematografii.pdf|"O znacenii neigrovoj kinematografii"]], 1923; repr. in ''Statii, dnevniki, zamysly'' [Статьи. Дневники. Замыслы], ed. Sergei Drobashenko, Moscow: Izd. Iskusstva, 1966, pp 69-72. (in Russian) |
− | * | + | ** [[Media:Vertov_Dziga_1923_1973_La_importancia_del_cine_no_interpretado.pdf|"La importancia del cine no interpretado"]], in ''El cine-ojo'', trans. Francisco Llinas, Madrid: Editorial Fundamentos, 1973, pp 45-49. (in Spanish) |
− | * [[Media:Vertov_Dziga_1924_1984_The_Birth_of_Kino-Eye.pdf|"The Birth of Kino-Eye"]] | + | ** [[Media:Vertov_Dziga_1923_1984_On_the_Significance_of_Nonacted_Cinema.pdf|"On the Significance of Nonacted Cinema"]], in ''Kino-Eye: The Writings of Dziga Vertov'', ed. Annette Michelson, trans. Kevin O'Brien, University of California Press, University of California Press, 1984, pp 35-38. |
− | * "On ''Kinopravda''" | + | * [[Media:Vertov_Dziga_1924_1966_Pozhdenie_Kinoglaza.pdf|"Pozhdenie ''Kinoglaza''"]], 1924; repr. in ''Statii, dnevniki, zamysly'' [Статьи. Дневники. Замыслы], ed. Sergei Drobashenko, Moscow: Izd. Iskusstva, 1966, pp 73-75. (in Russian) |
− | * [[Media:Vertov_Dziga_1926_1984_Kino-Eye.pdf|"Kino-Eye"]] | + | ** [[Media:Vertov_Dziga_1924_1973_Nacimiento_del_cine-ojo.pdf|"Nacimiento del cine-ojo"]], in ''El cine-ojo'', trans. Francisco Llinas, Madrid: Editorial Fundamentos, 1973, pp 51-53. (in Spanish) |
+ | ** [[Media:Vertov_Dziga_1924_1984_The_Birth_of_Kino-Eye.pdf|"The Birth of Kino-Eye"]], in ''Kino-Eye: The Writings of Dziga Vertov'', ed. Annette Michelson, trans. Kevin O’Brien, University of California Press, 1984, pp 40-42. | ||
+ | * [[Media:Vertov_Dziga_1924_1966_O_Kinoglaze.pdf|"O ''Kinoglaze''"]], 1924; repr. in ''Statii, dnevniki, zamysly'' [Статьи. Дневники. Замыслы], ed. Sergei Drobashenko, Moscow: Izd. Iskusstva, 1966, pp 75-79. (in Russian) | ||
+ | ** [[Media:Vertov_Dziga_1924_1973_El_Kinopravda.pdf|"El Kinopravda"]], in ''El cine-ojo'', trans. Francisco Llinas, Madrid: Editorial Fundamentos, 1973, pp 53-59. (in Spanish) | ||
+ | ** [[Media:Vertov_Dziga_1924_1984_On_Kinopravda.pdf|"On ''Kinopravda''"]], in ''Kino-Eye: The Writings of Dziga Vertov'', ed. Annette Michelson, trans. Kevin O'Brien, University of California Press, 1984, pp 42-47. | ||
+ | * [[Media:Vertov_Dziga_1926_1966_Kinoglaz.pdf|"Kinoglaz"]], 1926; repr. in ''Statii, dnevniki, zamysly'' [Статьи. Дневники. Замыслы], ed. Sergei Drobashenko, Moscow: Izd. Iskusstva, 1966, pp 89-104. (in Russian) | ||
+ | ** [[Media:Vertov_Dziga_1926_1973_Cine-ojo.pdf|"Cine-ojo"]], in ''El cine-ojo'', trans. Francisco Llinas, Madrid: Editorial Fundamentos, 1973, pp 71-89. (in Spanish) | ||
+ | ** [[Media:Vertov_Dziga_1926_1984_Kino-Eye.pdf|"Kino-Eye"]], in ''Kino-Eye: The Writings of Dziga Vertov'', ed. Annette Michelson, trans. Kevin O’Brien, University of California Press, 1984, pp 60-79. | ||
** "Kinoglaz", in ''Texte zur Theorie des Films'', ed. Franz-Josef Albersmeier, Reclam, 1998, pp 51-53. (in German) | ** "Kinoglaz", in ''Texte zur Theorie des Films'', ed. Franz-Josef Albersmeier, Reclam, 1998, pp 51-53. (in German) | ||
− | * "''The Man with the Movie Camera''" | + | * [[Media:Vertov_Dziga_1928_1966_Celovek_s_kinoapparatom.pdf|"''Celovek s kinoapparatom''"]], 1928; repr. in ''Statii, dnevniki, zamysly'' [Статьи. Дневники. Замыслы], ed. Sergei Drobashenko, Moscow: Izd. Iskusstva, 1966, pp 106-109. (in Russian) |
+ | ** [[Media:Vertov_Dziga_1928_1973_El_hombre_de_la_camara.pdf|"El hombre de la camara"]], in ''El cine-ojo'', trans. Francisco Llinas, Madrid: Editorial Fundamentos, 1973, pp 92-94. (in Spanish) | ||
+ | ** [[Media:Vertov_Dziga_1928_1984_The_Man_with_the_Movie_Camera.pdf|"''The Man with the Movie Camera''"]], in ''Kino-Eye: The Writings of Dziga Vertov'', ed. Annette Michelson, trans. Kevin O'Brien, University of California Press, 1984, pp 82-85. | ||
− | + | ===Vertov's Collected Writings=== | |
− | * '' | + | * ''[[Media:Vertov_Dziga_Statii_dnevniki_zamysly.pdf|Statii, dnevniki, zamysly]]'' [Статьи. Дневники. Замыслы], ed. Sergei Drobashenko (Сергей Дробашенко), Moscow: Izd. Iskusstva, 1966, 320 pp. (in Russian) |
+ | ** ''Aufsätze, Tagebücher, Skizzen'', Institut für Filmwissenschaft an der Deutschen Hochschule für Filmkunst, 1967, 375 pp. (in German) | ||
** ''Articles, journaux, projets'', trans. Sylviane Mossé and Andrée Robel, Paris: Union générale d'éditions, 1972, 442 pp. (in French) | ** ''Articles, journaux, projets'', trans. Sylviane Mossé and Andrée Robel, Paris: Union générale d'éditions, 1972, 442 pp. (in French) | ||
− | * | + | ** ''[[Media:Vertov_Dziga_El_cine-ojo.pdf|El cine-ojo]]'', trans. Francisco Llinas, Madrid: Editorial Fundamentos, 1973, 215 pp. (in Spanish) |
− | * ''[[Media:Vertov_Dziga_El_cine-ojo.pdf|El cine-ojo]]'', trans. Francisco Llinas, Madrid: Editorial Fundamentos, 1973, 215 pp. (in Spanish) | + | ** ''[http://monoskop.org/log/?p=550 Kino-Eye: The Writings of Dziga Vertov]'', ed. Annette Michelson, trans. Kevin O’Brien, University of California Press, 1984, 408 pp. |
* ''Schriften zum Film'', Hanser, 1976, 170 pp. (in German) | * ''Schriften zum Film'', Hanser, 1976, 170 pp. (in German) | ||
− | |||
* ''Tagebücher, Arbeitshefte'', eds. Thomas Tode and Alexandra Gramatke, UVK: Konstanz, 2000, 276 pp. (in German) [http://www.uvk.de/uploads/tx_gbuvkbooks/PDF_L/9783896692849_L.pdf Foreword], [http://www.uvk.de/buecher/film/alle-buecher/db/titel/details/tagebuecher-arbeitshefte////ch/a47708b97edcb92405780b2a8e6c9d47/] | * ''Tagebücher, Arbeitshefte'', eds. Thomas Tode and Alexandra Gramatke, UVK: Konstanz, 2000, 276 pp. (in German) [http://www.uvk.de/uploads/tx_gbuvkbooks/PDF_L/9783896692849_L.pdf Foreword], [http://www.uvk.de/buecher/film/alle-buecher/db/titel/details/tagebuecher-arbeitshefte////ch/a47708b97edcb92405780b2a8e6c9d47/] | ||
* ''[http://scribd.com/doc/177658286/DzigaVertov-Memoriasdeuncineastabolchevique Memorias de un cineasta bolchevique]'', trans. Joaquín Jordà, Madrid: Capitán Swing Libros, 2009. (in Spanish) | * ''[http://scribd.com/doc/177658286/DzigaVertov-Memoriasdeuncineastabolchevique Memorias de un cineasta bolchevique]'', trans. Joaquín Jordà, Madrid: Capitán Swing Libros, 2009. (in Spanish) | ||
* ''L'occhio della rivoluzione. Scritti dal 1922 al 1942'', ed. P. Montani, Mimesis, 2011, 276 pp. (in Italian) | * ''L'occhio della rivoluzione. Scritti dal 1922 al 1942'', ed. P. Montani, Mimesis, 2011, 276 pp. (in Italian) | ||
− | === | + | ===Books on Vertov=== |
− | + | * Nikolai Abramov (Николай Абрамов), ''Dziga Vertov'' [Джига Вертов], Moscow: Izd. Akademii Nauk, 1962, 165 pp. (in Russian) | |
− | * Nikolai Abramov (Николай Абрамов), '' | ||
** ''Dziga Vertov'', trans. Barthelemy Amengual, Lyon: Serdoc, 1965. (in French) | ** ''Dziga Vertov'', trans. Barthelemy Amengual, Lyon: Serdoc, 1965. (in French) | ||
* Georges Sadoul, ''Dziga Vertov'', Paris: Champ libre, 1971, 171 pp. Preface by [[Jean Rouch]]. (in French) | * Georges Sadoul, ''Dziga Vertov'', Paris: Champ libre, 1971, 171 pp. Preface by [[Jean Rouch]]. (in French) | ||
** ''El cine de Dziga Vertov'', Era, 1973, 223 pp. (in Spanish) | ** ''El cine de Dziga Vertov'', Era, 1973, 223 pp. (in Spanish) | ||
* Antonín Navrátil, ''Dziga Vertov. Revolucionář dokumentárního filmu'', Prague: Čs. filmový ústav, 1974. (in Czech) | * Antonín Navrátil, ''Dziga Vertov. Revolucionář dokumentárního filmu'', Prague: Čs. filmový ústav, 1974. (in Czech) | ||
− | * Elizabeth Ignatyevna Vertov-Svilova (Елизавета Игнатьевна Вертова-Свилова), Anna L. Vinogradova (Анна Львовна Виноградова), ''Дзига Вертов в | + | * Elizabeth Ignatyevna Vertov-Svilova (Елизавета Игнатьевна Вертова-Свилова), Anna L. Vinogradova (Анна Львовна Виноградова), ''Дзига Вертов в воспоминаниях современников'', Iskusstvo, 1976, 277 pp. (in Russian) |
* Seth Feldman, ''Evolution of Style in the Early Work of Dziga Vertov'', New York: Arno Press, 1977. | * Seth Feldman, ''Evolution of Style in the Early Work of Dziga Vertov'', New York: Arno Press, 1977. | ||
* Seth Feldman, ''Dziga Vertov, A Guide to References and Resources'', Boston: G.K.Hall, 1979, 232 pp. | * Seth Feldman, ''Dziga Vertov, A Guide to References and Resources'', Boston: G.K.Hall, 1979, 232 pp. | ||
* Vasco Granja, ''Dziga Vertov'', Livros Horizonte, 1981, 96 pp. (in Portuguese) [http://grupograv.files.wordpress.com/2007/11/textos-vertov.pdf Part]. | * Vasco Granja, ''Dziga Vertov'', Livros Horizonte, 1981, 96 pp. (in Portuguese) [http://grupograv.files.wordpress.com/2007/11/textos-vertov.pdf Part]. | ||
− | * Lev Roshal (Лев Моисеевич Рошаль), '' | + | * Lev Roshal (Лев Моисеевич Рошаль), ''[http://lib.rus.ec/b/428050/read Dziga Vertov]'' [Дзига Вертов], Moscow, 1982, 263 pp. (in Russian) |
* Frédérique Devaux, ''L'Homme à la caméra de Dziga Vertov'', Brussels: Yellow Now, 1990, 126 pp. (in French) | * Frédérique Devaux, ''L'Homme à la caméra de Dziga Vertov'', Brussels: Yellow Now, 1990, 126 pp. (in French) | ||
− | * Vlada | + | * Vlada Petrić, ''Constructivism in Film: The Man with the Movie Camera: a Cinematic Analysis'', CUP Archive, 1993, 325 pp; 2nd Edition, 2012. [http://books.google.com/books?id=Ti84AAAAIAAJ&printsec=frontcover] |
* Natascha Drubek-Meyer, Jurij Murasov (eds.), ''Apparatur und Rhapsodie: zu den Filmen des Dziga Vertov'', Frankfurt: Peter Lang, 2000, 283 pp. (in German) [http://www.peterlang.com/index.cfm?event=cmp.ccc.seitenstruktur.detailseiten&seitentyp=produkt&pk=17789] | * Natascha Drubek-Meyer, Jurij Murasov (eds.), ''Apparatur und Rhapsodie: zu den Filmen des Dziga Vertov'', Frankfurt: Peter Lang, 2000, 283 pp. (in German) [http://www.peterlang.com/index.cfm?event=cmp.ccc.seitenstruktur.detailseiten&seitentyp=produkt&pk=17789] | ||
* Graham Roberts, ''The Man with the Movie Camera'', I. B. Tauris, 2001. | * Graham Roberts, ''The Man with the Movie Camera'', I. B. Tauris, 2001. | ||
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* David Tomas, ''Vertov, Snow, Farocki: Machine Vision and the Posthuman'', Bloomsbury Academic, 2013, 304 pp. | * David Tomas, ''Vertov, Snow, Farocki: Machine Vision and the Posthuman'', Bloomsbury Academic, 2013, 304 pp. | ||
− | + | ===Journal Issues Dedicated to Vertov=== | |
* Annette Michelson, Malcolm Turvey (eds.), ''October'' 121, Special Issue: New Vertov Studies (Summer 2007). [http://baimages.gulbenkian.pt/images/winlibimg.aspx?skey=&doc=56219&img=24762 Contents]. | * Annette Michelson, Malcolm Turvey (eds.), ''October'' 121, Special Issue: New Vertov Studies (Summer 2007). [http://baimages.gulbenkian.pt/images/winlibimg.aspx?skey=&doc=56219&img=24762 Contents]. | ||
** Simon Cook, [http://www.academia.edu/2305468/Dziga_Vertovs_theory_of_vision "Our Eyes, Spinning Like Propellers: Wheel of Life, Curve of Velocities, and Dziga Vertov's Theory of the Interval"], pp 79–91. | ** Simon Cook, [http://www.academia.edu/2305468/Dziga_Vertovs_theory_of_vision "Our Eyes, Spinning Like Propellers: Wheel of Life, Curve of Velocities, and Dziga Vertov's Theory of the Interval"], pp 79–91. | ||
− | + | ===Book chapters, Papers and Articles on Vertov=== | |
* Erik Barnouw, ''Documentary: a History of the Non-fiction Film'', Oxford University Press, 1974. | * Erik Barnouw, ''Documentary: a History of the Non-fiction Film'', Oxford University Press, 1974. | ||
* Malcolm Le Grice, ''Abstract Film and Beyond'', MIT Press, 1977. | * Malcolm Le Grice, ''Abstract Film and Beyond'', MIT Press, 1977. | ||
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* Yates McKee, [[Media:McKee_Yates_2009_Post-Communist_Notes_on_Some_Vertov_Stills.pdf|"Post-Communist Notes on Some Vertov Stills"]], in ''Communities of Sense: Rethinking Aesthetics and Politics'', eds. Beth Hinderliter, et al., Durham & London: Duke University Press, 2009, pp 267-293. | * Yates McKee, [[Media:McKee_Yates_2009_Post-Communist_Notes_on_Some_Vertov_Stills.pdf|"Post-Communist Notes on Some Vertov Stills"]], in ''Communities of Sense: Rethinking Aesthetics and Politics'', eds. Beth Hinderliter, et al., Durham & London: Duke University Press, 2009, pp 267-293. | ||
* Sergio Delgado, [http://cdn.anonfiles.com/1388950463876.pdf "Dziga Vertov’s Man with a Movie Camera and the Phenomenology of Perception"]], ''Film Criticism'' 34:1 (2009), pp 1-16. | * Sergio Delgado, [http://cdn.anonfiles.com/1388950463876.pdf "Dziga Vertov’s Man with a Movie Camera and the Phenomenology of Perception"]], ''Film Criticism'' 34:1 (2009), pp 1-16. | ||
+ | * ''[http://fmbooks.files.wordpress.com/2010/09/godardfin.pdf борьба на два фронта. жан-люк годар и группа дзига вертов, 1968-1972]'', свободное марксистское издательство, 2010. (in Russian) | ||
* Christian Quendle, [http://scribd.com/doc/177676057/C-Quendler-Camera-Eye-Vertov "Rethinking the camera eye: ''dispositif'' and subjectivity"], ''New Review of Film and Television Studies'' 9:4 (December 2011), pp 395-414. | * Christian Quendle, [http://scribd.com/doc/177676057/C-Quendler-Camera-Eye-Vertov "Rethinking the camera eye: ''dispositif'' and subjectivity"], ''New Review of Film and Television Studies'' 9:4 (December 2011), pp 395-414. | ||
* Joshua Malitsky, "The Dialectics of Thought and Vision in the Films of Dziga Vertov, 1922-1927", in ''Post-Revolution Nonfiction Film: Building the Soviet and Cuban Nations'', Indiana University Press, 2013. [http://www.iupress.indiana.edu/product_info.php?products_id=806662] | * Joshua Malitsky, "The Dialectics of Thought and Vision in the Films of Dziga Vertov, 1922-1927", in ''Post-Revolution Nonfiction Film: Building the Soviet and Cuban Nations'', Indiana University Press, 2013. [http://www.iupress.indiana.edu/product_info.php?products_id=806662] | ||
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* [http://seance.ru/names/vertov-dziga/ Articles on Vertov at Seance.ru]. (in Russian) | * [http://seance.ru/names/vertov-dziga/ Articles on Vertov at Seance.ru]. (in Russian) | ||
− | + | ===Documentary Films about Vertov=== | |
* ''Мир без игры'', dir. Sergei Drobashenko, 54 min, 1966. [http://ru.wikipedia.org/wiki/%D0%9C%D0%B8%D1%80_%D0%B1%D0%B5%D0%B7_%D0%B8%D0%B3%D1%80%D1%8B] | * ''Мир без игры'', dir. Sergei Drobashenko, 54 min, 1966. [http://ru.wikipedia.org/wiki/%D0%9C%D0%B8%D1%80_%D0%B1%D0%B5%D0%B7_%D0%B8%D0%B3%D1%80%D1%8B] | ||
* ''Дзига и его братья'', dir. Evgeny Tsymbal, 2002. | * ''Дзига и его братья'', dir. Evgeny Tsymbal, 2002. | ||
* ''Все Вертовы'', dir. Vladimir Nepevny, 2002. | * ''Все Вертовы'', dir. Vladimir Nepevny, 2002. | ||
+ | |||
+ | ==See also== | ||
+ | * [[Yelizaveta Svilova]] | ||
==External links== | ==External links== |
Revision as of 04:26, 6 January 2014
Born |
January 2, 1896 Białystok, Russian Empire (now Poland) |
---|---|
Died |
February 12, 1954 Moscow, Soviet Union (now Russia) | (aged 58)
David Abelevich Kaufman (Дави́д А́белевич Ка́уфман; Denis Kaufman; pseudonym Dziga Vertov; Дзи́га Ве́ртов) was a Soviet pioneer documentary film, newsreel director and cinema theorist. His filming practices and theories influenced the cinéma vérité style of documentary moviemaking and the Dziga Vertov Group, a radical filmmaking cooperative which was active in the 1960s.
Vertov's brothers Boris Kaufman and Mikhail Kaufman were also noted filmmakers, as was his wife, Elizaveta Svilova.
Contents
Filmography
- Процесс Миронова, 1919.
- Кинонеделя [Kino Nedelya; Cinema Week], 43 newsreels (1-29), 1919. [1]
- Годовщина революции [Godovshchina revolyutsii; The Anniversary of the Revolution], 1919. [2]
- Битва в Царицыне [Battle of Tsaritsyn], 1920.
- Агитпоезд ВТсИК [Agitpóezd VTsIK], short, 1921.
- Процесс эсеров, 1922.
- История гражданской войны [Istoriya grazhdanskoy voyny; History of the Civil War], 1922.
- Киноправда [Kino-Pravda], 23 numbers (30-37, 40, 43), 1922-25. [3]
- Советские игрушки [Sovietskie igrushki; Soviet Toys], 1924.
- Кино-глаз: Жизнь врасплох [Kinoglaz: zhizn vrasploj; Kino-Eye], 1924. [4]
- Шагай, Совет! [Shagái, Soviet!; Stride, Soviet!], 1926.
- Шестая часть мира [A Sixth of the World], 1926. [5]
- Одиннадцатый [The Eleventh], 1928.
- Человек с киноаппаратом [Man with a Movie Camera], 1929. [6]
- Энтузиазм: Симфония Донбаса [Entuziazm: Simfoniya Donbassa], 1930. [7] [8]
- Три песни о Ленине [Three Songs About Lenin], 1934. [9]
- Памяти Серго Орджоникидзе [Pamyati Sergo Ordzhonikidze; In Memory of Sergo Ordzhonikidze], 1937. совм. с Я. Блиохом.
- Колыбельная [Lullaby], 1937.
- Три героини [Three Heroines], 1938.
- Кровь за кровь, смерть за смерть, 1941.
- На линии огня - операторы кинохроники, 1941.
- Казахстан — фронту! [Kazakhstan for the Front!], 1942.
- В горах Ала-Тау [In the Mountains of Ala-Tau], 1944.
- Клятва молодых, 1944.
- Новости дня [News of the Day], 1944-54.
- DVDs
- Dziga Vertov's Man with the Movie Camera DVD, audio commentary track by Yuri Tsivian.
- Entuziazm (Simfonija Donbassa) DVD, restored version and unrestored version plus documentary on Peter Kubelka's restoration.
- Dziga Vertov - Šestaja čast mira und Odinnadcatyi, Edition Filmmuseum, 2 DVD; with music by Michael Nyman, 2010.
Literature
Selected Articles by Vertov
- "My. Variant manifesta" [Мы, Вариант манифеста], Kino-fot [Кино-Фот] 1 (25 August 1922), pp 11-12; repr. in Statii, dnevniki, zamysly [Статьи. Дневники. Замыслы], ed. Sergei Drobashenko, Moscow: Izd. Iskusstva, 1966, pp 45-49. (in Russian) [10] [11]
- "Nosotros: Variante del manifiesto", in El cine-ojo, trans. Francisco Llinas, Madrid: Editorial Fundamentos, 1973, pp 15-19. (in Spanish)
- "We: A Version of a Manifesto", in Kino-Eye: The Writings of Dziga Vertov, ed. Annette Michelson, trans. Kevin O’Brien, University of California Press, 1984, pp 5-9.
- "Wir. Variante eines Manifestes", in Texte zur Theorie des Films, ed. Franz-Josef Albersmeier, Reclam, 1998, pp 31-35. (in German)
- "NoS: Variante de manifesto". (in Portuguese)
- "Kinoki. Perevorot", 1923; repr. in Statii, dnevniki, zamysly [Статьи. Дневники. Замыслы], ed. Sergei Drobashenko, Moscow: Izd. Iskusstva, 1966, pp 50-58. (in Russian)
- "Kinoks - Revolucion", in El cine-ojo, trans. Francisco Llinas, Madrid: Editorial Fundamentos, 1973, pp 20-31. (in Spanish)
- "Kinoks: A Revolution", in Kino-Eye: The Writings of Dziga Vertov, ed. Annette Michelson, trans. Kevin O’Brien, University of California Press, 1984, pp 11-21.
- "Kinoki – Umsturz", in Texte zur Theorie des Films, ed. Franz-Josef Albersmeier, Reclam, 1998, pp 36-50. (in German)
- "O znacenii neigrovoj kinematografii", 1923; repr. in Statii, dnevniki, zamysly [Статьи. Дневники. Замыслы], ed. Sergei Drobashenko, Moscow: Izd. Iskusstva, 1966, pp 69-72. (in Russian)
- "La importancia del cine no interpretado", in El cine-ojo, trans. Francisco Llinas, Madrid: Editorial Fundamentos, 1973, pp 45-49. (in Spanish)
- "On the Significance of Nonacted Cinema", in Kino-Eye: The Writings of Dziga Vertov, ed. Annette Michelson, trans. Kevin O'Brien, University of California Press, University of California Press, 1984, pp 35-38.
- "Pozhdenie Kinoglaza", 1924; repr. in Statii, dnevniki, zamysly [Статьи. Дневники. Замыслы], ed. Sergei Drobashenko, Moscow: Izd. Iskusstva, 1966, pp 73-75. (in Russian)
- "Nacimiento del cine-ojo", in El cine-ojo, trans. Francisco Llinas, Madrid: Editorial Fundamentos, 1973, pp 51-53. (in Spanish)
- "The Birth of Kino-Eye", in Kino-Eye: The Writings of Dziga Vertov, ed. Annette Michelson, trans. Kevin O’Brien, University of California Press, 1984, pp 40-42.
- "O Kinoglaze", 1924; repr. in Statii, dnevniki, zamysly [Статьи. Дневники. Замыслы], ed. Sergei Drobashenko, Moscow: Izd. Iskusstva, 1966, pp 75-79. (in Russian)
- "El Kinopravda", in El cine-ojo, trans. Francisco Llinas, Madrid: Editorial Fundamentos, 1973, pp 53-59. (in Spanish)
- "On Kinopravda", in Kino-Eye: The Writings of Dziga Vertov, ed. Annette Michelson, trans. Kevin O'Brien, University of California Press, 1984, pp 42-47.
- "Kinoglaz", 1926; repr. in Statii, dnevniki, zamysly [Статьи. Дневники. Замыслы], ed. Sergei Drobashenko, Moscow: Izd. Iskusstva, 1966, pp 89-104. (in Russian)
- "Cine-ojo", in El cine-ojo, trans. Francisco Llinas, Madrid: Editorial Fundamentos, 1973, pp 71-89. (in Spanish)
- "Kino-Eye", in Kino-Eye: The Writings of Dziga Vertov, ed. Annette Michelson, trans. Kevin O’Brien, University of California Press, 1984, pp 60-79.
- "Kinoglaz", in Texte zur Theorie des Films, ed. Franz-Josef Albersmeier, Reclam, 1998, pp 51-53. (in German)
- "Celovek s kinoapparatom", 1928; repr. in Statii, dnevniki, zamysly [Статьи. Дневники. Замыслы], ed. Sergei Drobashenko, Moscow: Izd. Iskusstva, 1966, pp 106-109. (in Russian)
- "El hombre de la camara", in El cine-ojo, trans. Francisco Llinas, Madrid: Editorial Fundamentos, 1973, pp 92-94. (in Spanish)
- "The Man with the Movie Camera", in Kino-Eye: The Writings of Dziga Vertov, ed. Annette Michelson, trans. Kevin O'Brien, University of California Press, 1984, pp 82-85.
Vertov's Collected Writings
- Statii, dnevniki, zamysly [Статьи. Дневники. Замыслы], ed. Sergei Drobashenko (Сергей Дробашенко), Moscow: Izd. Iskusstva, 1966, 320 pp. (in Russian)
- Aufsätze, Tagebücher, Skizzen, Institut für Filmwissenschaft an der Deutschen Hochschule für Filmkunst, 1967, 375 pp. (in German)
- Articles, journaux, projets, trans. Sylviane Mossé and Andrée Robel, Paris: Union générale d'éditions, 1972, 442 pp. (in French)
- El cine-ojo, trans. Francisco Llinas, Madrid: Editorial Fundamentos, 1973, 215 pp. (in Spanish)
- Kino-Eye: The Writings of Dziga Vertov, ed. Annette Michelson, trans. Kevin O’Brien, University of California Press, 1984, 408 pp.
- Schriften zum Film, Hanser, 1976, 170 pp. (in German)
- Tagebücher, Arbeitshefte, eds. Thomas Tode and Alexandra Gramatke, UVK: Konstanz, 2000, 276 pp. (in German) Foreword, [12]
- Memorias de un cineasta bolchevique, trans. Joaquín Jordà, Madrid: Capitán Swing Libros, 2009. (in Spanish)
- L'occhio della rivoluzione. Scritti dal 1922 al 1942, ed. P. Montani, Mimesis, 2011, 276 pp. (in Italian)
Books on Vertov
- Nikolai Abramov (Николай Абрамов), Dziga Vertov [Джига Вертов], Moscow: Izd. Akademii Nauk, 1962, 165 pp. (in Russian)
- Dziga Vertov, trans. Barthelemy Amengual, Lyon: Serdoc, 1965. (in French)
- Georges Sadoul, Dziga Vertov, Paris: Champ libre, 1971, 171 pp. Preface by Jean Rouch. (in French)
- El cine de Dziga Vertov, Era, 1973, 223 pp. (in Spanish)
- Antonín Navrátil, Dziga Vertov. Revolucionář dokumentárního filmu, Prague: Čs. filmový ústav, 1974. (in Czech)
- Elizabeth Ignatyevna Vertov-Svilova (Елизавета Игнатьевна Вертова-Свилова), Anna L. Vinogradova (Анна Львовна Виноградова), Дзига Вертов в воспоминаниях современников, Iskusstvo, 1976, 277 pp. (in Russian)
- Seth Feldman, Evolution of Style in the Early Work of Dziga Vertov, New York: Arno Press, 1977.
- Seth Feldman, Dziga Vertov, A Guide to References and Resources, Boston: G.K.Hall, 1979, 232 pp.
- Vasco Granja, Dziga Vertov, Livros Horizonte, 1981, 96 pp. (in Portuguese) Part.
- Lev Roshal (Лев Моисеевич Рошаль), Dziga Vertov [Дзига Вертов], Moscow, 1982, 263 pp. (in Russian)
- Frédérique Devaux, L'Homme à la caméra de Dziga Vertov, Brussels: Yellow Now, 1990, 126 pp. (in French)
- Vlada Petrić, Constructivism in Film: The Man with the Movie Camera: a Cinematic Analysis, CUP Archive, 1993, 325 pp; 2nd Edition, 2012. [13]
- Natascha Drubek-Meyer, Jurij Murasov (eds.), Apparatur und Rhapsodie: zu den Filmen des Dziga Vertov, Frankfurt: Peter Lang, 2000, 283 pp. (in German) [14]
- Graham Roberts, The Man with the Movie Camera, I. B. Tauris, 2001.
- Yuri Tsivian (ed.), Lines of Resistance: Dziga Vertov and the Twenties, trans. Julian Graffy, Gemona: Le Giornate del Cinema Muto, 2004, 422 pp. [15]
- Excerpt: "Celluloid Manifesto: Reading images and emblems in Dziga Vertov's films", 12 April 2011.
- Austrian Film Museum, Thomas Tode, Barbara Wurm (eds.), Dziga Vertov. The Vertov Collection at the Austrian Film Museum, Vienna: Austrian Film Museum, 2006, 288 pp. (in German/English). Contents, [16], Online version.
- Klemens Gruber (ed.), Verschiedenes über denselben: Dziga Vertov 1896-1954, Vienna/Cologne/Weimar: Böhlau, 2006, 125 pp. (in German). Contents
- Jeremy Hicks, Dziga Vertov: Defining Documentary Film, London & New York: I. B. Tauris, 2007.
- Peggy Ahwesh, Keith Sanborn (eds.), Vertov from Z to A, trans. Keith Sanborn, New York: Ediciones la Calavera, 2008, 169 pp.
- David Tomas, Vertov, Snow, Farocki: Machine Vision and the Posthuman, Bloomsbury Academic, 2013, 304 pp.
Journal Issues Dedicated to Vertov
- Annette Michelson, Malcolm Turvey (eds.), October 121, Special Issue: New Vertov Studies (Summer 2007). Contents.
Book chapters, Papers and Articles on Vertov
- Erik Barnouw, Documentary: a History of the Non-fiction Film, Oxford University Press, 1974.
- Malcolm Le Grice, Abstract Film and Beyond, MIT Press, 1977.
- Vlada Petric, "Dziga Vertov as Theorist", Cinema Journal 18:1 (Autumn 1978), pp 29-44.
- Anna Lawton, "Rhythmic Montage in the Films of Dziga Vertov: A Poetic Use of the Language of Cinema", Pacific Coast Philology, Vol. 13 (October 1978), pp 44-50.
- Peter Weibel, "Eisenstein, Vertov and the Formal Film", trans. Phillip Drummond, in Film as Film: Formal Experiment in Film, 1910-1975, London: The Arts Council of Great Britain, 1979, pp 46-51.
- Gilles Deleuze, "Towards a gaseous perception", in Cinema 1: The Movement-Image, trans. Hugh Tomlinson and Barbara Habberjam, University of Minnesota Press, 1986, pp 80-86, n229-230.
- Ben Singer. "Connoisseurs of Chaos: Whitman, Vertov and the 'Poetic Survey'", Literature/Film Quarterly 15:4 (Fall 1987), pp 247-258.
- Vlada Petric, "The Vertov Dilemma: Film-Eye vs Film-Truth", Spectator 12:1 (Fall 1991), pp 6-17. [17]
- Patricia R. Zimmermann, "Reconstructing Vertov: Soviet Film Theory and American Radical Documentary", Journal of Film and Video 44:1-2 (Spring-Summer 1992).
- William C. Wees, "The Camera-Eye: Dialectics of a Metaphor", in Light Moving in Time: Studies in the Visual Aesthetics of Avant-Garde Film, University of California Press, 1992, pp 11-30. [18]
- Philip Vilas Bohlman, Music, Modernity, and the Foreign in the New Germany, 1994, pp 121-152.
- Vlada Petric, "Vertov's Cinematic Transposition of Reality", in Beyond Document: Essays on Nonfiction Film, ed. Charles Warren, Wesleyan University Press, 1996, pp 271-294.
- Seth Feldman. "'Peace between Man and Machine': Dziga Vertov's The Man with a Movie Camera.", in Documenting the Documentary: Close Readings of Documentary Film and Video, eds. Barry Keith Grant and Jeannette Sloniowski, Wayne State University Press, 1998, pp 40-53.
- Jonathan L. Beller, "Dziga Vertov and the Film of Money", Boundary 2 26:3 (1999), pp 151-199
- Douglas Kahn, "Russian Revolutionary Film", in Noise, Water, Meat: A History of Sound in the Arts, MIT Press, 1999, pp 139-156.
- Mariano Prunes, "Dziga Vertov's Three Songs about Lenin (1934): A Visual Tour through the History of the Soviet Avant-Garde in the Interwar Years", Criticism 45:2 (Spring 2003)
- Jane de Almeida (ed.), Grupo Dziga Vertov, Sao Paulo: Witz, 2005. (in Portuguese)
- John MacKay, "Disorganized Noise: Enthusiasm and the Ear of the Collective", KinoKultura 7 (January 2005).
- John MacKay, "The 'Spinning Top' Takes Another Turn: Vertov Today", KinoKultura 8 (April 2005).
- John MacKay, "Allegory and Accommodation: Vertov's «Three Songs of Lenin» (1934) as a Stalinist Film", Film History: An International Journal 18:4 (2006), pp 376-391.
- Malcolm Turvey, "The Revelationist Tradition: Exegesis: II", in Doubting Vision Film and the Revelationist Tradition, Oxford University Press, 2008, pp 31-37.
- Irina Sandomirskaia, "One Sixth of the World: Avant-garde Film, the Revolution of Vision, and the Colonization of the USSR Periphery during the 1920s (Towards a Postcolonial Deconstruction of the Soviet Hegemony)", in From Orientalism to Postcoloniality, ed. Kerstin Olofsson, Huddinge: Södertörns högskola, 2008, pp 8-31.
- Jean-Luc Godard y el Grupo Dziga Vertov, 1968-1974, Barcelona: Prodimag, 2008, 61 pp. Booklet for videodiscs set. (in Spanish) [19]
- Yates McKee, "Post-Communist Notes on Some Vertov Stills", in Communities of Sense: Rethinking Aesthetics and Politics, eds. Beth Hinderliter, et al., Durham & London: Duke University Press, 2009, pp 267-293.
- Sergio Delgado, "Dziga Vertov’s Man with a Movie Camera and the Phenomenology of Perception"], Film Criticism 34:1 (2009), pp 1-16.
- борьба на два фронта. жан-люк годар и группа дзига вертов, 1968-1972, свободное марксистское издательство, 2010. (in Russian)
- Christian Quendle, "Rethinking the camera eye: dispositif and subjectivity", New Review of Film and Television Studies 9:4 (December 2011), pp 395-414.
- Joshua Malitsky, "The Dialectics of Thought and Vision in the Films of Dziga Vertov, 1922-1927", in Post-Revolution Nonfiction Film: Building the Soviet and Cuban Nations, Indiana University Press, 2013. [20]
- Lev Manovich, "Visualizing Vertov", 2013, 38 pp.
- Articles on Vertov at Seance.ru. (in Russian)
Documentary Films about Vertov
- Мир без игры, dir. Sergei Drobashenko, 54 min, 1966. [21]
- Дзига и его братья, dir. Evgeny Tsymbal, 2002.
- Все Вертовы, dir. Vladimir Nepevny, 2002.
See also
External links
- Dziga Vertov in UbuWeb Sound: Enthusiasm! (1930), Laboratory Of Hearing (1916), Radio-Ear / Radio-Pravda (1916).
- Vertov at Sense of Cinema
- Dziga Vertov Collection at the Austrian Film Museum
- Vertov.ru
- Vertov at IMDB
- A short biography of Vertov by John MacKay
- Dziga Vertov and Early Animation: Sarah Lewis Interviews Professor John MacKay, 2010.
- Man With a Movie Camera: The Global Remake