Difference between revisions of "Brian Holmes"

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==Publications==
 
==Publications==
 
; Books
 
; Books
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* ''[http://monoskop.org/log/?p=1621 Hieroglyphs of the Future: Art & Politics in a Networked Era]'', Zagreb: Arkzin/What, How and for Whom, 2003, 294 pp.
 
* ''[http://monoskop.org/log/?p=1621 Hieroglyphs of the Future: Art & Politics in a Networked Era]'', Zagreb: Arkzin/What, How and for Whom, 2003, 294 pp.
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* co-editor, ''[[Media:Continental Drift Galerija Nova Zagreb 2008.pdf|Continental Drift]]'', Zagreb: What, How and for Whom/WHW, and Zagreb: AGM, 2008, 35 pp. Catalogue. {{cr}}
 
* co-editor, ''[[Media:Continental Drift Galerija Nova Zagreb 2008.pdf|Continental Drift]]'', Zagreb: What, How and for Whom/WHW, and Zagreb: AGM, 2008, 35 pp. Catalogue. {{cr}}
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* ''Unleashing the Collective Phantoms: Essays in Reverse Imagineering'', Autonomedia, 2008, 187 pp. [http://www.halfletterpress.com/unleashing-the-collective-phantoms-essays-in-reverse-imagineering/]
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* ''Unleashing the Collective Phantoms: Essays in Reverse Imagineering'', New York: Autonomedia, 2008, 187 pp. [http://www.halfletterpress.com/unleashing-the-collective-phantoms-essays-in-reverse-imagineering/]. Review: [https://www.academia.edu/7647260 Biles] (Chicago Artists' News).
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* ''[http://monoskop.org/log/?p=1640 Escape the Overcode: Activist Art in the Control Society]'', Eindhoven: Van Abbemuseum, and Zagreb: WHW, 2009, 414 pp.
 
* ''[http://monoskop.org/log/?p=1640 Escape the Overcode: Activist Art in the Control Society]'', Eindhoven: Van Abbemuseum, and Zagreb: WHW, 2009, 414 pp.
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* with Beate Geissler and Oliver Sann, ''Volatile Smile'', Nürnberg: Moderne Kunst, 2014, 182 pp. [http://www.artbook.com/9783869840826.html] [http://www.documentjournal.com/2015/07/volatile-smile/]
 
* with Beate Geissler and Oliver Sann, ''Volatile Smile'', Nürnberg: Moderne Kunst, 2014, 182 pp. [http://www.artbook.com/9783869840826.html] [http://www.documentjournal.com/2015/07/volatile-smile/]
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* ''[https://monoskop.org/log/?p=20449 Driving the Golden Spike: The Aesthetics of Anthropocene Public Space]'', Deep Time Chicago, 2016, 19 pp. Pamphlet.
 
* ''[https://monoskop.org/log/?p=20449 Driving the Golden Spike: The Aesthetics of Anthropocene Public Space]'', Deep Time Chicago, 2016, 19 pp. Pamphlet.
  
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** [https://transversal.at/transversal/1106/holmes/es "La personalidad flexible. Por una nueva crítica cultural"], trans. Marcelo Expósito, rev. Brian Holmes and Joaquín Barriendos, ''transversal'' 1 (2002). {{es}}
 
** [https://transversal.at/transversal/1106/holmes/es "La personalidad flexible. Por una nueva crítica cultural"], trans. Marcelo Expósito, rev. Brian Holmes and Joaquín Barriendos, ''transversal'' 1 (2002). {{es}}
 
** [https://transversal.at/transversal/1106/holmes/hr "Fleksibilna ličnost: za novu kulturalnu kritiku"], trans. Nataša Ilić, ''transversal'' 1 (2002). {{cr}}
 
** [https://transversal.at/transversal/1106/holmes/hr "Fleksibilna ličnost: za novu kulturalnu kritiku"], trans. Nataša Ilić, ''transversal'' 1 (2002). {{cr}}
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** "Fleksibilna osebnost", in Holmes, ''Fleksibilna osebnost. Maščevanje koncepta'', trans. Alvina Žuraj, Ljubljana: Založba /*cf., 2005. {{sl}}
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* [https://inthemiddleofthewhirlwind.wordpress.com/the-revenge-of-the-concept-artistic-exchanges-networked-resistance-by-brian-holmes/ "The Revenge of the Concept: Artistic Exchanges, Networked Resistance"], in ''Confronting Capitalism: Dispatches from a Global Movement'', eds. Eddie Yuen, Daniel Burton-Rose, and George Katsiaficas, Brooklyn, NY: Softy Skull, 2004; repr. in Holmes, ''Unleashing the Collective Phantoms'', 2008. [http://archive.rhizome.org/artbase/1693/more/articles/yesbrianholmesrevenge.html] [https://www.worldcat.org/oclc/53069400]
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** "Maščevanje koncepta", in Holmes, ''Fleksibilna osebnost. Maščevanje koncepta'', trans. Alvina Žuraj, Ljubljana: Založba /*cf., 2005. {{sl}}
  
 
* [https://brianholmes.wordpress.com/2007/04/08/the-potential-personality/ "The Potential Personality: Trans-Subjectivity in the Society of Control"], in ''3 escenarios'', Las Palmas: CAAM, 2006, [https://www.nbp.pro.br/doc/potential_personality_brian_holmes__1161.pdf PDF].  
 
* [https://brianholmes.wordpress.com/2007/04/08/the-potential-personality/ "The Potential Personality: Trans-Subjectivity in the Society of Control"], in ''3 escenarios'', Las Palmas: CAAM, 2006, [https://www.nbp.pro.br/doc/potential_personality_brian_holmes__1161.pdf PDF].  
 
** [https://cadernosdesubjetividade.files.wordpress.com/2013/09/cadernos2011_baixaresolucao.pdf#page=195 "Personalidade potencial: trans–subjetividade na sociedade de controle"], trans. Filipe Ferreira, ''Cadernos de Subjetividade'' 8:13, São Paulo: PUC-SP, Oct 2011, pp 194-205, [https://www.nbp.pro.br/doc/personalidade_potencial_b_holmes_1407.pdf PDF]. {{br-pt}}
 
** [https://cadernosdesubjetividade.files.wordpress.com/2013/09/cadernos2011_baixaresolucao.pdf#page=195 "Personalidade potencial: trans–subjetividade na sociedade de controle"], trans. Filipe Ferreira, ''Cadernos de Subjetividade'' 8:13, São Paulo: PUC-SP, Oct 2011, pp 194-205, [https://www.nbp.pro.br/doc/personalidade_potencial_b_holmes_1407.pdf PDF]. {{br-pt}}
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* [https://brianholmes.wordpress.com/2007/09/09/future-map/ "Future Map, or, How the Cyborgs Learned to Stop Worrying and Love Surveillance"], Sep 2007.
  
 
* [https://monoskop.org/images/e/eb/A_Call_to_Farms_Continental_Drift_through_the_Radical_Midwest_Culture_Corridor_2008.pdf#page=41 "Further: Wisconsin and Dreamtimes West"], in ''A Call to Farms: Continental Drift through the Radical Midwest Culture Corridor'', Viroqua, WI: Heavy Duty Press, 2008, pp 35-37. [http://midwestcompass.org/a-call-to-farms/]
 
* [https://monoskop.org/images/e/eb/A_Call_to_Farms_Continental_Drift_through_the_Radical_Midwest_Culture_Corridor_2008.pdf#page=41 "Further: Wisconsin and Dreamtimes West"], in ''A Call to Farms: Continental Drift through the Radical Midwest Culture Corridor'', Viroqua, WI: Heavy Duty Press, 2008, pp 35-37. [http://midwestcompass.org/a-call-to-farms/]
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* [http://www.regardingspectatorship.net/tactical-television-movement-media-in-the-nineties/ "Tactical Television. Movement Media in the Nineties"], ''Regarding Spectatorship'', 2015.
 
* [http://www.regardingspectatorship.net/tactical-television-movement-media-in-the-nineties/ "Tactical Television. Movement Media in the Nineties"], ''Regarding Spectatorship'', 2015.
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* [https://thewinnower.com/papers/future-map-reloaded "Future Map Reloaded, or, How the Cyborgs Learned to Stop Worrying and Love Surveillance"], May 2015.
  
 
* [[Media:Holmes_Brian_2016_Captive_Sun.pdf|"Captive Sun"]], in ''Petcoke: Tracing Dirty Energy'', Chicago: Museum of Contemporary Photography, 2016. [http://www.mocp.org/exhibitions/2016/07/petcoke-project.php]
 
* [[Media:Holmes_Brian_2016_Captive_Sun.pdf|"Captive Sun"]], in ''Petcoke: Tracing Dirty Energy'', Chicago: Museum of Contemporary Photography, 2016. [http://www.mocp.org/exhibitions/2016/07/petcoke-project.php]

Revision as of 14:43, 10 April 2021

Brian Holmes (1959, San Francisco) is a cultural critic who has worked with activists and artists in Europe and the Americas. He is interested primarily in the intersections of artistic and political practice. He holds a doctorate in Romance Languages and Literatures from the University of California at Berkeley. Holmes was the English editor of publications for Documenta X, Kassel, Germany in 1997. He is a member of the groups Deep Time Chicago and Compass, and a former member of the graphic arts group Ne pas plier from 1999 to 2001, and the French conceptual art group Bureau d'études. He lives in Chicago.

Publications

Books
  • co-editor, Continental Drift, Zagreb: What, How and for Whom/WHW, and Zagreb: AGM, 2008, 35 pp. Catalogue. (Croatian)
  • Unleashing the Collective Phantoms: Essays in Reverse Imagineering, New York: Autonomedia, 2008, 187 pp. [1]. Review: Biles (Chicago Artists' News).
  • with Beate Geissler and Oliver Sann, Volatile Smile, Nürnberg: Moderne Kunst, 2014, 182 pp. [2] [3]
Journal issues
  • editor, with Gerald Raunig, Brumaria 5: "Arte : la imaginación política radical", Madrid: Asociación Cultural Brumaria, 2005, 379 pp. TOC. Introduction. (Spanish)
Book chapters, essays
  • "The Revenge of the Concept: Artistic Exchanges, Networked Resistance", in Confronting Capitalism: Dispatches from a Global Movement, eds. Eddie Yuen, Daniel Burton-Rose, and George Katsiaficas, Brooklyn, NY: Softy Skull, 2004; repr. in Holmes, Unleashing the Collective Phantoms, 2008. [4] [5]
    • "Maščevanje koncepta", in Holmes, Fleksibilna osebnost. Maščevanje koncepta, trans. Alvina Žuraj, Ljubljana: Založba /*cf., 2005. (Slovenian)
  • "Captive Sun", in Petcoke: Tracing Dirty Energy, Chicago: Museum of Contemporary Photography, 2016. [11]

Interviews

Links

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