Difference between revisions of "Collaborative research on media art and culture in Central and Eastern Europe"

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; Potential themes
 
; Potential themes
 +
* [[Media art|how was media art category constructed (what it institutes), how it is structured, and what it suppresses, in other words: critique of media art(s)]]
 
* [[Arts and engineering collaborations in CEE]]
 
* [[Arts and engineering collaborations in CEE]]
 
* [[Electronic music instruments in CEE]]
 
* [[Electronic music instruments in CEE]]
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* [[Media art in Poland]]
 
* [[Media art in Poland]]
 
* [[Media art in CEE]]
 
* [[Media art in CEE]]
* sum up the theories of media art in [[Media art]]
 
 
* analyse Tomáš Štrauss' essay on [[Central Europe as arthistorical phenomenon|Central European art]]
 
* analyse Tomáš Štrauss' essay on [[Central Europe as arthistorical phenomenon|Central European art]]
 
* [[East-West artistic mobility]]
 
* [[East-West artistic mobility]]

Revision as of 11:10, 6 July 2008

MONOSKOP research project examines the social context of historical developments in media art in Central and Eastern Europe. Analysis of sociopoetic conditions of art and technology crossings from 1960s to 2000s draws upon the undertakings in experimental and avantgarde film, performance art, computer art, video art, experimental music, sound art, and media theory. The objective is to create professional and solid basis for theoreticians and critics to assist them in development of the theoretical discourse on new media art in the Central and Eastern Europe.


Methodology under construction
Local historical overviews under construction
Potential themes
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