Difference between revisions of "Talk:Art"
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| − | "ANDY WARHOL WAS THE GREATEST SIMULATOR,BECAUSE IN SIMULATION THERE'S A CHALLANGE,A PROVOCATION. WARHOL'S GESTURE IS AN ANTHROPOLOGICAL EVENT. HE PUSHED AESTHETICS TO THE LIMIT AND TURNED IT INTO ITS OPPOSITE,TRANSFUSING THE IMAGE INTO REALITY,AN EVENT OF PLATITUDE. HE COMPLETED THE CYCLE IN A SINGLE STROKE. I HAVE DONE THE SAME:REACHING A ZERO-LEVEL THAT BRINGS OUT SINGULARITY AND STYLE. | + | "ANDY WARHOL WAS THE GREATEST SIMULATOR,BECAUSE IN SIMULATION THERE'S A CHALLANGE,A PROVOCATION. WARHOL'S GESTURE IS AN ANTHROPOLOGICAL EVENT. HE PUSHED AESTHETICS TO THE LIMIT AND TURNED IT INTO ITS OPPOSITE,TRANSFUSING THE IMAGE INTO REALITY,AN EVENT OF PLATITUDE. HE COMPLETED THE CYCLE IN A SINGLE STROKE. I HAVE DONE THE SAME:REACHING A ZERO-LEVEL THAT BRINGS OUT SINGULARITY AND STYLE." JEAN BAUDRILLARD |
Revision as of 22:28, 21 February 2006
"ANDY WARHOL WAS THE GREATEST SIMULATOR,BECAUSE IN SIMULATION THERE'S A CHALLANGE,A PROVOCATION. WARHOL'S GESTURE IS AN ANTHROPOLOGICAL EVENT. HE PUSHED AESTHETICS TO THE LIMIT AND TURNED IT INTO ITS OPPOSITE,TRANSFUSING THE IMAGE INTO REALITY,AN EVENT OF PLATITUDE. HE COMPLETED THE CYCLE IN A SINGLE STROKE. I HAVE DONE THE SAME:REACHING A ZERO-LEVEL THAT BRINGS OUT SINGULARITY AND STYLE." JEAN BAUDRILLARD
