Difference between revisions of "Orthogonal"
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| − | + | conceived as an international forum, orthogonal aims at introducing the bulgarian cultural public to a number of selected artists and theoreticians, who work in the field of non-objective art. apart from an exhibition of artifacts the event offers a programme of open lectures and screenings which deal with contemporary and historical issues of this yet little known in bulgaria art movement. nonsofia's ambition is that this forum becomes a regular art festival which will expand in the future and remain permanently on the bulgarian cultural agenda. | |
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| + | ==o12== | ||
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| + | ==o14== | ||
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| + | ==resources== | ||
| + | * [http://orthogonal.bg orthogonal.bg] | ||
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| + | ==publications== | ||
| + | * [[Media:http://orthogonal.bg/documents/orthogonal12-catalogue.pdf|catalogue12]] | ||
| + | * [[Media:http://orthogonal.bg/documents/orthogonal14-catalogue.pdf|catalogue14]] | ||
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| + | {{Avant-garde art exhibitions and events}} | ||
Revision as of 17:21, 24 February 2016
conceived as an international forum, orthogonal aims at introducing the bulgarian cultural public to a number of selected artists and theoreticians, who work in the field of non-objective art. apart from an exhibition of artifacts the event offers a programme of open lectures and screenings which deal with contemporary and historical issues of this yet little known in bulgaria art movement. nonsofia's ambition is that this forum becomes a regular art festival which will expand in the future and remain permanently on the bulgarian cultural agenda.
Contents
o12
o14
resources
publications
| Art exhibitions and events | ||
|---|---|---|
|
Second Spring Exhibition of OBMOKhU (Moscow, 1920-21), Congress of International Progressive Artists (Düsseldorf, 1922), Congress of the Constructivists and Dadaists (Weimar, 1922), First Russian Art Exhibition (Berlin, 1922), New Art Exhibition (Vilnius, 1923), Zenit Exhibition (Belgrade, 1924), Contimporanul Exhibition (Bucharest, 1924), Machine-Age Exposition (New York, 1927), a.r. International Collection of Modern Art (Łódź, 1931), New Tendencies (Zagreb, 1961-73), The Responsive Eye (New York, 1965), 9 Evenings: Theatre and Engineering (New York, 1966), Cybernetic Serendipity (London, 1968), Live In Your Head: When Attitudes Become Form (Bern, 1969), Information (New York, 1970), Software - Information Technology: Its New Meaning for Art (New York, 1970), Documenta 5 (Kassel, 1972), Pictures (New York, 1977), Biennial of Dissent (Venice, 1977), Les Immatériaux (Paris, 1985), Magiciens de la Terre (Paris, 1989), Hybrid Workspace (Kassel, 1997) | ||
