Difference between revisions of "Bosch+Bosch"
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; Literature | ; Literature | ||
| − | * Emese Kürti (ed.), ''[[Media:Transregional_Discourses_The_Bosch_Bosch_Group_in_the_Yugoslav_and_the_Hungarian_Neo-Avant-garde_2016.pdf|Transregional Discourses: The Bosch+Bosch Group in the Yugoslav and the Hungarian Neo-Avant-garde]]'', Budapest: acb ResearchLab, 2016, 95 pp. [https://www.academia.edu/37333740/] {{en}} | + | * Emese Kürti (ed.), ''[[Media:Transregional_Discourses_The_Bosch_Bosch_Group_in_the_Yugoslav_and_the_Hungarian_Neo-Avant-garde_2016.pdf|Transregional Discourses: The Bosch+Bosch Group in the Yugoslav and the Hungarian Neo-Avant-garde]]'', Budapest: acb ResearchLab, 2016, 95 pp. [https://www.academia.edu/37333740/] [https://acbgaleria.hu/acb_researchlab/publications] {{en}} |
; Links | ; Links | ||
Revision as of 16:58, 28 October 2019
Art group. 1969-1976. New Art, Neo Avantgarde, Conceptual Art, Body Art, Land Art, Performance..
Founded as art section of the Youth Forum (Tribina mladih) in Subotica (Yugoslavia), the Bosch+Bosch Group was a paradigm of multiple straying and dilemmas, yet at the same time of brave, uncompromising struggle for a different art, the struggle which characterized the art scene of the day.
Founding members: Slavko Matković, Edit Basch, István Krekovics, Zoltán Magyar, László Szalma, Bálint Szombathy, Slobodan Tomanović; in 1971, László Kerekes joined in; followed by Katalin Ladik and Attila Csernik in 1973, and Ante Vukov in 1975.
- Literature
- Emese Kürti (ed.), Transregional Discourses: The Bosch+Bosch Group in the Yugoslav and the Hungarian Neo-Avant-garde, Budapest: acb ResearchLab, 2016, 95 pp. [1] [2] (English)
- Links
