Search results

Jump to navigation Jump to search

Page title matches

Page text matches

  • File:Open Scores 2019.jpg
    ...Gallery Berlin, September 2019. [https://www.panke.gallery/exhibition/open-scores Source].
    (3,625 × 2,083 (956 KB)) - 16:34, 22 September 2019
  • * ''[https://monoskop.org/log/?p=21446 Anthology of Text Scores]'', 2013.
    529 bytes (68 words) - 13:43, 15 March 2020
  • ...sic from XXe and XXIe century, they play graphic scores and others kind of scores from composers like Cornelius Cardew, John Cage, Christian Wolf, Morton Fel
    1 KB (204 words) - 11:22, 18 June 2009
  • [[Image:Open_Scores_2019.jpg|400px|thumb|right|This is a flyer for Open Scores 2019.]]
    419 bytes (68 words) - 16:50, 22 September 2019
  • ...yanich uses it only to build the form of his compositions and to print his scores. His music is intended for live perfor- mance and is always composed for tr
    906 bytes (141 words) - 20:48, 22 May 2009
  • ...ge, multi-player performances involving custom playing techniques, graphic scores, visual elements, costumes and improvisation by both musicians and non-musi
    854 bytes (119 words) - 12:02, 14 July 2007
  • File:Choreo-graphic-hypothesis-web-joana-chicau.pdf
    Texts[5]="Scores & Scripts"; <meta content="choreographic scores; programming scripts; notation systems; languages; poetics; composition; im
    (14.23 MB) - 10:07, 18 October 2018
  • ...ideo synthesis, experimental animation, visual music, cymatics and graphic scores. Chris regularly performs live visual music using electronic video and audi
    974 bytes (131 words) - 12:16, 16 October 2018
  • ...nologies for musical expression, live coding, musical notation and digital scores, artificial intelligence and computational creativity, programming educatio
    1,023 bytes (128 words) - 23:30, 16 April 2021
  • ...started to write music on paper after his former fascination with graphic scores. In 1994, Wave Field determined a shift in composing methods, taking from t
    1 KB (197 words) - 11:44, 25 January 2009
  • ...His work ranges widely from explorations of symbolic systems and abstract scores to large scale Internet-based works involving international ensembles to th
    1 KB (188 words) - 16:54, 1 October 2007
  • ...He started participating in mail art in the early 1980s, participating in scores of projects and exhibitions, collaborating with mail artists around the wor
    1 KB (163 words) - 22:09, 3 August 2015
  • ...dustrial geography in the Arctic region of Norway and Russia. His original scores and soundtracks have featured in theatre, dance performances and film, in c
    1 KB (149 words) - 13:42, 12 September 2017
  • ...me music. He has given almost 200 experimental sound performances, created scores of unique instruments and installations, and taught over 130 sound art work
    1,023 bytes (140 words) - 00:52, 26 February 2014
  • ...jare aptly fed on [[Lettrism|Lettrist]] hypergraphics, typography, graphic scores and comics to produce 30 boards of dizzying avant-gardism, in no way dimini
    1 KB (180 words) - 09:36, 11 May 2021
  • ...gners, writers, architects, interface designers and programmers to develop scores and technology systems that often use real time data generated by the body
    1 KB (159 words) - 05:53, 27 March 2016
  • File:Ellen Rosand Seventeenth Opera Venice.pdf
    ...eplication; and the acute self-consciousness of the creators who, in their scores, librettos, letters, and other documents, have left us a running commentary
    (11.31 MB) - 04:23, 16 February 2016
  • ...a significant production of publications and artists' books, from graphic scores to visual poetry, including experimental comics. ''Perturbations'' is her s
    1 KB (194 words) - 09:34, 11 May 2021
  • "Kotik met [[Cornelius Cardew]] in Warsaw in 1962, and they began exchanging scores by mail, including ''Treatise'', which was a work in progress. Upon meeting
    1 KB (221 words) - 01:05, 23 January 2013
  • * ''[[Media:Lucier_Alvin_Chambers_Scores_1980.pdf|Chambers: Scores by Alvin Lucier. Interviews with the composer by Douglas Simon]]'', Wesleya * ''Reflections: Interviews, Scores, Writings / Reflexionen. Interviews, Notationen, Texte'', MusikTexte, 1995,
    5 KB (647 words) - 17:45, 9 August 2019

View (previous 20 | next 20) (20 | 50 | 100 | 250 | 500)