Difference between revisions of "Alfred Freddy Krupa"

From Monoskop
Jump to navigation Jump to search
Line 6: Line 6:
 
The original manuscript of the New Ink Art Manifesto is the property of the '''documenta archiv''', records and papers collection (Aktenarchiv) in Kassel (the access number docA-97)<ref>https://www.documenta-archiv.de/en/archiv/28/records-and-papers</ref>.  
 
The original manuscript of the New Ink Art Manifesto is the property of the '''documenta archiv''', records and papers collection (Aktenarchiv) in Kassel (the access number docA-97)<ref>https://www.documenta-archiv.de/en/archiv/28/records-and-papers</ref>.  
  
On 23rd April 2013, the Tokyo-based online magazine '''Beyond Calligraphy''' published Krupa's second programmatic text under the title '''"Sumi-e from the Perspective of a Traditional Academically-trained European Artist"''' where the artist further explains his own original views and again declares his artistic program (sometimes it is referred to as ''The 2nd New Ink Art Manifesto'')<ref>https://beyond-calligraphy.com/2013/04/24/sumi-e_from_the_perspective_of_a_traditional_academically-trained_european_artist/</ref>.
+
On 23rd April 2013, the Tokyo-based online magazine '''Beyond Calligraphy''' published Krupa's second programmatic text under the title '''"Sumi-e from the Perspective of a Traditional Academically-trained European Artist"''' where the artist further explains his own original views and again declares his artistic program (sometimes it is referred to as ''the 2nd New Ink Art Manifesto'')<ref>https://beyond-calligraphy.com/2013/04/24/sumi-e_from_the_perspective_of_a_traditional_academically-trained_european_artist/</ref>.
  
 
In 2014 Krupa created an artist's book '''"Modern Ink Painting, what is it? or the Original Art Work"''', in 2021 collected by the '''Museum of Modern Art in New York (MoMA)'''<ref>https://library.moma.org/permalink/01NYA_INST/90vked/alma991007278739707141</ref><ref>https://artmarketmag.com/museum-of-modern-art-moma-collected-3-artworks-of-the-pioneer-of-the-new-ink-art-movement-alfred-freddy-krupa/</ref>
 
In 2014 Krupa created an artist's book '''"Modern Ink Painting, what is it? or the Original Art Work"''', in 2021 collected by the '''Museum of Modern Art in New York (MoMA)'''<ref>https://library.moma.org/permalink/01NYA_INST/90vked/alma991007278739707141</ref><ref>https://artmarketmag.com/museum-of-modern-art-moma-collected-3-artworks-of-the-pioneer-of-the-new-ink-art-movement-alfred-freddy-krupa/</ref>

Revision as of 21:12, 24 August 2022

Alfred Freddy Krupa, Expression of the Present, 2013.
Alfred Freddy Krupa, Tree on the Riverbank.

Alfred Freddy Krupa (Krūppa) (14 June 1971, Karlovac, Yugoslavia) is a Croatian contemporary artist (painter, master draughtsman, book artist, art photographer and art teacher)[1][2].

Krupa, the author of the "New Ink Art Manifesto" (1996)[3], is considered one of the pioneers of the New Ink Art movement and as one of the leading representatives of the modern European ink painting[4][5]. The original manuscript of the New Ink Art Manifesto is the property of the documenta archiv, records and papers collection (Aktenarchiv) in Kassel (the access number docA-97)[6].

On 23rd April 2013, the Tokyo-based online magazine Beyond Calligraphy published Krupa's second programmatic text under the title "Sumi-e from the Perspective of a Traditional Academically-trained European Artist" where the artist further explains his own original views and again declares his artistic program (sometimes it is referred to as the 2nd New Ink Art Manifesto)[7].

In 2014 Krupa created an artist's book "Modern Ink Painting, what is it? or the Original Art Work", in 2021 collected by the Museum of Modern Art in New York (MoMA)[8][9]

New Ink Art

Artists associated with the New Ink Art movement: Lui Shou-Kwan, Chui Tze-Hung, Wong King-Seng, Yu-Ichi, Qiu Anxiong, Lin Fengmian, Kan Tai-Keung, Leung But-Yin, Zhu Yu, Gu Wenda Xu Beihong, Carrie Koo Mei, Alfred Freddy Krupa, Wang Tiande, Irene Chou Lu Yun, Yeung Yick-Chung, Liu Dan, Yang Yiechang, Irène Wydler, Wang Chuan, Daniel Garbade and others[10].

Publications

References