Difference between revisions of "Alfred Gell"
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==Works== | ==Works== | ||
− | * ''Metamorphosis of the Cassowaries: Umeda Society, Language and Ritual'', London: Athlone, 1975. | + | * ''Metamorphosis of the Cassowaries: Umeda Society, Language and Ritual'', London: Athlone, 1975, x+366 pp. Based on dissertation submitted to the London School of Economics and Political Science (1973). |
* ''[[Media:Gell_Alfred_The_Anthropology_of_Time Cultural_Constructions_of_Temporal_Maps_and_Images 1992.pdf|The Anthropology of Time: Cultural Constructions of Temporal Maps and Images]]'', Oxford: Berg, 1992, ix+341 pp. | * ''[[Media:Gell_Alfred_The_Anthropology_of_Time Cultural_Constructions_of_Temporal_Maps_and_Images 1992.pdf|The Anthropology of Time: Cultural Constructions of Temporal Maps and Images]]'', Oxford: Berg, 1992, ix+341 pp. | ||
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* [[Media:Gell_Alfred 1992 The Technology of Enchantment and the Enchantment of Technology.pdf|"The Technology of Enchantment and the Enchantment of Technology"]], in ''Anthropology, Art and Aesthetics'', eds. Jeremy Coote and A. Shelton, Oxford: Clarendon, 1992, pp 40-63; [https://monoskop.org/images/4/48/Gell_Alfred_The_Art_of_Anthropology_Essays_and_Diagrams_1999.pdf#page=178 repr. as ch 5 in] Gell, ''The Art of Anthropology: Essays and Diagrams'', 1999, pp 159-187. | * [[Media:Gell_Alfred 1992 The Technology of Enchantment and the Enchantment of Technology.pdf|"The Technology of Enchantment and the Enchantment of Technology"]], in ''Anthropology, Art and Aesthetics'', eds. Jeremy Coote and A. Shelton, Oxford: Clarendon, 1992, pp 40-63; [https://monoskop.org/images/4/48/Gell_Alfred_The_Art_of_Anthropology_Essays_and_Diagrams_1999.pdf#page=178 repr. as ch 5 in] Gell, ''The Art of Anthropology: Essays and Diagrams'', 1999, pp 159-187. | ||
− | * ''Wrapping in Images: Tattooing in Polynesia'', Oxford: Clarendon, 1993. | + | * ''Wrapping in Images: Tattooing in Polynesia'', Oxford: Clarendon, 1993, xi+347 pp. |
* [https://sci-hub.tw/10.1177/135918359600100102 "Vogel's Net: Traps as Artworks and Artworks as Traps"], ''Journal of Material Culture'' 1:1, 1996, pp 15-38. | * [https://sci-hub.tw/10.1177/135918359600100102 "Vogel's Net: Traps as Artworks and Artworks as Traps"], ''Journal of Material Culture'' 1:1, 1996, pp 15-38. | ||
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+ | * [https://journals.openedition.org/terrain/3344 "Amour, connaissance et dissimulation"], trans. Catherine Rouslin, ''Terrain'' 27: "L'amour", Paris, 1996, pp 5-14. {{fr}} | ||
* [http://monoskop.org/log/?p=12573 ''Art and Agency: An Anthropological Theory''], Oxford: Clarendon Press, 1998, [http://gen.lib.rus.ec/book/index.php?md5=252fc320fa6ea949824315ee372a7073 PDF]. | * [http://monoskop.org/log/?p=12573 ''Art and Agency: An Anthropological Theory''], Oxford: Clarendon Press, 1998, [http://gen.lib.rus.ec/book/index.php?md5=252fc320fa6ea949824315ee372a7073 PDF]. | ||
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** ''[https://aaaaarg.fail/thing/57b473ff9ff37c591fb985b6 L'Art et ses agents: une théorie anthropologique]'', eds. Alexandre Laumonier and Stéphanie Dubois, intro. Maurice Bloch, trans. Olivier Renaut and Sophie Renaut, Dijon: Les presses du réel, 2009, 356 pp. [https://www.lespressesdureel.com/ouvrage.php?id=1219] {{fr}} | ** ''[https://aaaaarg.fail/thing/57b473ff9ff37c591fb985b6 L'Art et ses agents: une théorie anthropologique]'', eds. Alexandre Laumonier and Stéphanie Dubois, intro. Maurice Bloch, trans. Olivier Renaut and Sophie Renaut, Dijon: Les presses du réel, 2009, 356 pp. [https://www.lespressesdureel.com/ouvrage.php?id=1219] {{fr}} | ||
** ''[https://1lib.eu/book/5216504/c2ec19 Arte y agencia: una teoría antropológica]'', trans. Ramsés Cabrera, Buenos Aires: SB, 2016, 331 pp. Review: [http://caiana.caia.org.ar/template/caiana.php?pag=books/book.php&obj=238&vol=8 Costa] (Caiana). {{es}} | ** ''[https://1lib.eu/book/5216504/c2ec19 Arte y agencia: una teoría antropológica]'', trans. Ramsés Cabrera, Buenos Aires: SB, 2016, 331 pp. Review: [http://caiana.caia.org.ar/template/caiana.php?pag=books/book.php&obj=238&vol=8 Costa] (Caiana). {{es}} | ||
+ | ** ''Arte e agência'', trans. Jamille Pinheiro Dias, São Paulo: Ubu, 2018, 400 pp. [https://www.ubueditora.com.br/arte-agencia.html] {{br-pt}} | ||
* [[Media:Gell_Alfred_The_Art_of_Anthropology_Essays_and_Diagrams_1999.pdf|''The Art of Anthropology: Essays and Diagrams'']], ed. Eric Hirsch, London: Athlone, 1999, ix+294 pp, [http://gen.lib.rus.ec/book/index.php?md5=F3D404A34ADF2A5284C110668838CAD5 PDF]. | * [[Media:Gell_Alfred_The_Art_of_Anthropology_Essays_and_Diagrams_1999.pdf|''The Art of Anthropology: Essays and Diagrams'']], ed. Eric Hirsch, London: Athlone, 1999, ix+294 pp, [http://gen.lib.rus.ec/book/index.php?md5=F3D404A34ADF2A5284C110668838CAD5 PDF]. | ||
+ | |||
+ | * [https://journals.openedition.org/terrain/4229 "Parfum, symbolisme et enchantement"], trans. Christine Langlois and Gérard Lenclud, ''Terrain'' 47: "Odeurs", Paris, Sep 2006, pp 19-34. {{fr}} | ||
==Literature== | ==Literature== |
Revision as of 12:52, 5 June 2020
Alfred (Antony Francis) Gell (12 June 1945 – 28 January 1997) was a British social anthropologist whose most influential work concerned art, language, symbolism and ritual.
Works
- Metamorphosis of the Cassowaries: Umeda Society, Language and Ritual, London: Athlone, 1975, x+366 pp. Based on dissertation submitted to the London School of Economics and Political Science (1973).
- The Anthropology of Time: Cultural Constructions of Temporal Maps and Images, Oxford: Berg, 1992, ix+341 pp.
- Antropologija časa: kulturne konstrukcije časovnih zemljevidov in podob, trans. Tomo Virk, Ljubljana: Študentska založba, 2000, 343 pp. Review: Verdir. (Slovenian)
- A antropologia do tempo: construções culturais de mapas e imagens temporais, trans. Vera Joscelyne, Petrópolis, RJ: Vozes, 2014, 327 pp. (Brazilian Portuguese)
- "The Technology of Enchantment and the Enchantment of Technology", in Anthropology, Art and Aesthetics, eds. Jeremy Coote and A. Shelton, Oxford: Clarendon, 1992, pp 40-63; repr. as ch 5 in Gell, The Art of Anthropology: Essays and Diagrams, 1999, pp 159-187.
- Wrapping in Images: Tattooing in Polynesia, Oxford: Clarendon, 1993, xi+347 pp.
- "Vogel's Net: Traps as Artworks and Artworks as Traps", Journal of Material Culture 1:1, 1996, pp 15-38.
- "Amour, connaissance et dissimulation", trans. Catherine Rouslin, Terrain 27: "L'amour", Paris, 1996, pp 5-14. (French)
- Art and Agency: An Anthropological Theory, Oxford: Clarendon Press, 1998, PDF.
- Umetnost in delovanje: antropološka teorija, trans. Katarina Žakelj and Tomo Virk, Ljubljana: Študentska založba, 2006, 343 pp. (Slovenian)
- L'Art et ses agents: une théorie anthropologique, eds. Alexandre Laumonier and Stéphanie Dubois, intro. Maurice Bloch, trans. Olivier Renaut and Sophie Renaut, Dijon: Les presses du réel, 2009, 356 pp. [1] (French)
- Arte y agencia: una teoría antropológica, trans. Ramsés Cabrera, Buenos Aires: SB, 2016, 331 pp. Review: Costa (Caiana). (Spanish)
- Arte e agência, trans. Jamille Pinheiro Dias, São Paulo: Ubu, 2018, 400 pp. [2] (Brazilian Portuguese)
- The Art of Anthropology: Essays and Diagrams, ed. Eric Hirsch, London: Athlone, 1999, ix+294 pp, PDF.
- "Parfum, symbolisme et enchantement", trans. Christine Langlois and Gérard Lenclud, Terrain 47: "Odeurs", Paris, Sep 2006, pp 19-34. (French)
Literature
- Eric Hirsch, "Alfred Gell (1945-1997)", American Anthropologist 101:1, Mar 1999, pp 152-155. Obituary.
- Christopher Pinney, Nicholas Thomas (eds.), Beyond Aesthetics: Art and the Technologies of Enchantment, Oxford: Berg, 2001.
- Matthew Rampley, "Art History and Cultural Difference: Alfred Gell's Anthropology of Art", Art History 28:4, Sep 2005, pp 524-551.
- Robin Osborne, Jeremy Tanner (eds.), Art's Agency and Art History, Blackwell, 2007, 241 pp.
- Liana Chua , Mark Elliott (eds.), Distributed Objects: Meaning and Mattering after Alfred Gell, New York: Berghahn, 2013, x+220 pp. Review: Layton (Anthr Forum).
- Anna Kawalec, Osoba i Nexus: Alfreda Gella antropologiczna teoria sztuki, Lublin: KUL, 2016. (Polish)