Alfred Gell

Alfred (Antony Francis) Gell (12 June 1945 – 28 January 1997) was a British social anthropologist whose most influential work concerned art, language, symbolism and ritual.

Works

• Metamorphosis of the Cassowaries: Umeda Society, Language and Ritual, London: Athlone, 1975, x+366 pp. Based on dissertation submitted to the London School of Economics and Political Science (1973).

• "Anthropology, Material Culture and Consumerism", Journal of the Anthropological Society of Oxford 19:1, 1988, pp 43-48.

• The Anthropology of Time: Cultural Constructions of Temporal Maps and Images, Oxford: Berg, 1992, ix+341 pp.
  • Antropologija časa: kulturne konstrukcije časovnih zemljevidov in podob, trans. Tomo Virk, afterw. Karmen Šterk, Ljubljana: Študentska založba, 2000, 343 pp. Review: Verdir. (Slovenian)
  • A antropologia do tempo: construções culturais de mapas e imagens temporais, trans. Vera Joscelyne, Petrópolis, RJ: Vozes, 2014, 327 pp. (Brazilian Portuguese)

• "The Technology of Enchantment and the Enchantment of Technology", in Anthropology, Art and Aesthetics, eds. Jeremy Coote and A. Shelton, Oxford: Clarendon, 1992, pp 40-63; repr. as ch 5 in Gell, The Art of Anthropology: Essays and Diagrams, 1999, pp 159-187.
  • "La tecnologia dell'incanto e l'incanto della tecnologia", in Antropologia, estetica e arte: antologia di scritti, ed. Alberto Caoci, Milan: Angeli, 2008. (Italian)
  • "La technologie de l'enchantement et l'enchantement de la technologie", trans. Yves Citton, in Technologies de l'enchantement: pour une histoire multidisciplinaire de l'illusion, eds. Angela Braito and Yves Citton, Grenoble: Ellug, 2014, pp 35-68. [1] [2] (French)

• Wrapping in Images: Tattooing in Polynesia, Oxford: Clarendon, 1993, xi+347 pp.

• "Vogel's Net: Traps as Artworks and Artworks as Traps", Journal of Material Culture 1:1, 1996, pp 15-38.

• "Amour, connaissance et dissimulation", trans. Catherine Rouslin, Terrain 27: "L'amour", Paris, 1996, pp 5-14. (French)

• Art and Agency: An Anthropological Theory, Oxford: Clarendon Press, 1998, PDF.
  • Umetnost in delovanje: antropološka teorija, trans. Katarina Žakelj and Tomo Virk, Ljubljana: Študentska založba, 2006, 343 pp. (Slovenian)
  • L'Art et ses agents: une théorie anthropologique, eds. Alexandre Laumonier and Stéphanie Dubois, intro. Maurice Bloch, trans. Olivier Renaut and Sophie Renaut, Dijon: Les presses du réel, 2009, 356 pp. [3] (French)
  • Arte y agencia: una teoría antropológica, trans. Ramsés Cabrera, Buenos Aires: SB, 2016, 331 pp. Review: Costa (Caiana). (Spanish)
  • Arte e agência, trans. Jamille Pinheiro Dias, São Paulo: Ubu, 2018, 400 pp. [4] (Brazilian Portuguese)

• The Art of Anthropology: Essays and Diagrams, ed. Eric Hirsch, London: Athlone, 1999, ix+294 pp, PDF.

• "Parfum, symbolisme et enchantement", trans. Christine Langlois and Gérard Lenclud, Terrain 47: "Odeurs", Paris, Sep 2006, pp 19-34. (French)

Literature

• Eric Hirsch, "Alfred Gell (1945-1997)", American Anthropologist 101:1, Mar 1999, pp 152-155. Obituary.
• Christopher Pinney, Nicholas Thomas (eds.), Beyond Aesthetics: Art and the Technologies of Enchantment, Oxford: Berg, 2001.
• Matthew Rampley, "Art History and Cultural Difference: Alfred Gell's Anthropology of Art", Art History 28:4, Sep 2005, pp 524-551.
• Robin Osborne, Jeremy Tanner (eds.), Art's Agency and Art History, Blackwell, 2007, 241 pp.
• Liana Chua , Mark Elliott (eds.), Distributed Objects: Meaning and Mattering after Alfred Gell, New York: Berghahn, 2013, x+220 pp. Review: Layton (Anthr Forum).
• Anna Kawalec, Osoba i Nexus: Alfreda Gella antropologiczna teoria sztuki, Lublin: KUL, 2016. (Polish)

Links

• Wikipedia