Difference between revisions of "Allan Kaprow"
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* [http://www.ubu.com/historical/gb/kaprow_recent.pdf ''Some Recent Happenings''], 1966; ubu.classics, 2004. | * [http://www.ubu.com/historical/gb/kaprow_recent.pdf ''Some Recent Happenings''], 1966; ubu.classics, 2004. | ||
* ''[http://monoskop.org/log/?p=7207 Comfort Zones]'', Madrid: Galería Vandres, 1975, 28 pp. Catalogue. | * ''[http://monoskop.org/log/?p=7207 Comfort Zones]'', Madrid: Galería Vandres, 1975, 28 pp. Catalogue. | ||
| + | * ''[[Media:Kaprow_Allan_Echo-logy_1975.pdf|Echo-logy]]'', New York: D'Arc, 1975, [10] pp. Catalogue. | ||
* ''[http://monoskop.org/log/?p=7247 Essays on the Blurring of Art and Life]'', ed. Jeff Kelley, University of California Press, 1993, 258 pp. | * ''[http://monoskop.org/log/?p=7247 Essays on the Blurring of Art and Life]'', ed. Jeff Kelley, University of California Press, 1993, 258 pp. | ||
Revision as of 18:01, 18 March 2016
Allan Kaprow (August 23, 1927 – April 5, 2006) was an American painter, assemblagist and a pioneer in establishing the concepts of performance art. In the 1960s, his "happenings," a form of spontaneous, non-linear action, revolutionized the practice of performance art.
Publications
- How to Make a Happening, 1966.
- Assemblages, Environments and Happenings, 1966.
- Some Recent Happenings, 1966; ubu.classics, 2004.
- Comfort Zones, Madrid: Galería Vandres, 1975, 28 pp. Catalogue.
- Echo-logy, New York: D'Arc, 1975, [10] pp. Catalogue.
- Essays on the Blurring of Art and Life, ed. Jeff Kelley, University of California Press, 1993, 258 pp.
