Difference between revisions of "Allan Kaprow"
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* ''[[Media:Kaprow_Allan_Echo-logy_1975.pdf|Echo-logy]]'', New York: D'Arc, 1975, [10] pp. Catalogue. | * ''[[Media:Kaprow_Allan_Echo-logy_1975.pdf|Echo-logy]]'', New York: D'Arc, 1975, [10] pp. Catalogue. | ||
* ''[http://monoskop.org/log/?p=7247 Essays on the Blurring of Art and Life]'', ed. Jeff Kelley, University of California Press, 1993, 258 pp. | * ''[http://monoskop.org/log/?p=7247 Essays on the Blurring of Art and Life]'', ed. Jeff Kelley, University of California Press, 1993, 258 pp. | ||
| + | |||
| + | ==Catalogues== | ||
| + | * B.H.D. Buchloh, Judith F. Rodenbeck, ''Experiments in the Everyday: Allan Kaprow and Robert Watts, Events, Objects, Documents'', New York: Columbia University, Miriam and Ira D. Wallach Art Gallery, 1999. [http://post.at.moma.org/sources/5/publications/91] | ||
==Links== | ==Links== | ||
Revision as of 16:10, 19 July 2017
Allan Kaprow (August 23, 1927 – April 5, 2006) was an American painter, assemblagist and a pioneer in establishing the concepts of performance art. In the 1960s, his "happenings," a form of spontaneous, non-linear action, revolutionized the practice of performance art.
Publications
- How to Make a Happening, 1966.
- editor, Assemblages, Environments and Happenings, New York: H.N. Abrams, 1966, 341 pp. Excerpt. [1]
- Some Recent Happenings, 1966; ubu.classics, 2004.
- Comfort Zones, Madrid: Galería Vandres, 1975, 28 pp. Catalogue.
- Echo-logy, New York: D'Arc, 1975, [10] pp. Catalogue.
- Essays on the Blurring of Art and Life, ed. Jeff Kelley, University of California Press, 1993, 258 pp.
Catalogues
- B.H.D. Buchloh, Judith F. Rodenbeck, Experiments in the Everyday: Allan Kaprow and Robert Watts, Events, Objects, Documents, New York: Columbia University, Miriam and Ira D. Wallach Art Gallery, 1999. [2]
