Difference between revisions of "Allan Kaprow"
Jump to navigation
Jump to search
| Line 11: | Line 11: | ||
==Catalogues== | ==Catalogues== | ||
* B.H.D. Buchloh, Judith F. Rodenbeck, ''Experiments in the Everyday: Allan Kaprow and Robert Watts, Events, Objects, Documents'', New York: Columbia University, Miriam and Ira D. Wallach Art Gallery, 1999. [http://post.at.moma.org/sources/5/publications/91] | * B.H.D. Buchloh, Judith F. Rodenbeck, ''Experiments in the Everyday: Allan Kaprow and Robert Watts, Events, Objects, Documents'', New York: Columbia University, Miriam and Ira D. Wallach Art Gallery, 1999. [http://post.at.moma.org/sources/5/publications/91] | ||
| + | |||
| + | ==Literature== | ||
| + | * Judith F. Rodenbeck, ''Radical Prototypes: Allan Kaprow and the Invention of Happenings'', MIT Press, 2011. | ||
==Links== | ==Links== | ||
Revision as of 15:52, 23 July 2017
Allan Kaprow (August 23, 1927 – April 5, 2006) was an American painter, assemblagist and a pioneer in establishing the concepts of performance art. In the 1960s, his "happenings," a form of spontaneous, non-linear action, revolutionized the practice of performance art.
Contents
Publications
- How to Make a Happening, 1966.
- editor, Assemblages, Environments and Happenings, New York: H.N. Abrams, 1966, 341 pp. Excerpt. [1]
- Some Recent Happenings, 1966; ubu.classics, 2004.
- Comfort Zones, Madrid: Galería Vandres, 1975, 28 pp. Catalogue.
- Echo-logy, New York: D'Arc, 1975, [10] pp. Catalogue.
- Essays on the Blurring of Art and Life, ed. Jeff Kelley, University of California Press, 1993, 258 pp.
Catalogues
- B.H.D. Buchloh, Judith F. Rodenbeck, Experiments in the Everyday: Allan Kaprow and Robert Watts, Events, Objects, Documents, New York: Columbia University, Miriam and Ira D. Wallach Art Gallery, 1999. [2]
Literature
- Judith F. Rodenbeck, Radical Prototypes: Allan Kaprow and the Invention of Happenings, MIT Press, 2011.
